Ten easy step by step oil painting projects with full instructions and ample images. Projects include a dog’s profile, a flamingo, woodlands, topiary gardens, a daffodil, an onion, a sunset, a Cezanne classic, a riverside retreat and a footbridge. No need to look for inspiration. Begin oil painting practice immediately with this book.

An oil painting demonstration on portrait painting with sfumato like the old masters. This in depth painting demonstration explores a tailored approach in achieving sfumato effects when painting Leonardo da Vinci’s the Mona Lisa in oils. Taken from my other book, Skin Tones in Oil: 10 Step by Step Guides from Old Masters, this painting project has proved to be sufficiently lengthy to warrant a book in its own right. The chief section of this book comprises step by step images with accompanying text that gives full instructions on how the Mona Lisa was completed via 5 stages. Find also extra features, such as managing tonal balances, attaining soft shadowy effects, working in glazes, dry brushing, troubleshooting and making the most of simple art materials. Learn how such a momentous project can be broken down into manageable pieces. Painting the Mona Lisa with sfumato could prove an invaluable experience for any portraitist. Note: this book does not explain the painting processes of the Renaissance period such as grinding pigments or the old masters’ method of underpainting. Such practices may exclude artists who do not have the room or the resources to prepare in such a way. This book’s aim is to make painting the Mona Lisa more inclusive. This means getting on with the painting with minimal fuss. Contemporary art materials and modified art techniques have therefore been used. However, this book offers a way of achieving great sfumato effects in the style of Leonardo. Preparatory sections, a troubleshooting guide and glossary are included. Book’s dimensions: 10x8in and 48 pages.

If we lived in a liquid world, the concept of a "machine" would make no sense. Liquid life is metaphor and apparatus that discusses the consequences of thinking, working, and living through liquids. It is an irreducible, paradoxical, parallel, planetary-scale material condition, unevenly distributed spatially, but temporally continuous. It is what remains when logical explanations can no longer account for the experiences that we recognize as part of "being alive."Liquid Life references a third-millennial understanding of matter that seeks to restore the agency of the liquid soul for an ecological era, which has been banished by reductionist, "brute" materialist discourses and mechanical models of life. Offering an alternative worldview of the living realm through a "new materialist" and "liquid" study of matter, Armstrong conjures forth examples of creatures that do not obey mechanistic concepts like predictability, efficiency, and rationality. With the advent of molecular science, an increasingly persuasive ontology of liquid technologies can be identified. Through the lens of lifelike dynamic droplets, the agency for these systems exists at the interfaces between different fields of matter/energy that respond to highly local effects, with no need for a central organizing system.Liquid Life seeks an alternative partnership between humanity and the natural world. It provokes a re-invention of the languages of the living realm to open up alternative spaces for exploration, including contributor Rolf Hughes' "angelology" of language, which explores the transformative invocations of prose poetry, and Simone Ferracina's graphical notations that help shape our concepts of metabolism, upcycling, and designing with fluids. A conceptual and practical toolset for thinking and designing, liquid life reunites us with the irreducible "soul substance" of living things, which will neither be simply "solved," nor go away.

This art instruction tome forms the perfect companion to a new set of oil paints. It will be a long time before the prospecting artist need ever find inspiration on what to paint again. An amalgamation of 3 art instruction books: 10 Bite-Sized Oil Painting Projects Book: 1, 2 and 3 means a wealth of ideas can be found here in one place. Find over 1000 instructional images and in depth instructions amounting to 50,000 words. Learn how to paint a variety of subject matter including fruit, flowers, sunsets, water, woodlands, coasts, animals, snow, glass, gardens, vistas, old masters and more. Most of the demonstrations have been completed within a few hours, making these projects achievable for artists of various abilities. Select demonstrations provide further ventures in the form of glazing, impasto, pointillism, applying detail and mixing greens. Subject matter has been classified into 6 colour schemes due to the pervading hue or the focal point of the composition. Every essential oil painting pigment will therefore undergo the full workout. Art brushes will get worn, pigments will be used and the art surface will depict a scene. Projects open with an overview with supporting images before step-by-step images and in-depth instructions ensue, guiding the artist from start to finish. An essential guide on the art materials, preparatory processes and glossary are also included. Discover how to make oil painting cheap, clean and simple. This book is a must for the artist wishing to practice oil painting without having to find ideas on what to paint.

While Human-Animal Studies is a rapidly growing field in modern history, studies on this topic that focus on the Ancient World are few. The present volume aims at closing this gap. It investigates the relation between humans, animals, gods, and things with a special focus on the structure of these categories. An improved understanding of the ancient categories themselves is a precondition for any investigation into the relation between them. The focus of the volume lies on the Ancient Near East, but it also provides studies on Ancient Greece, Asia Minor, Mesoamerica, the Far East, and Arabia.