Annotation. Seventy-five years ago the growing city of Los Angeles, amid considerable conflict, appropriated water from a rural area 250 miles away. Still unresolved, the controversy surrounding the Owens Valley-Los Angeles Aqueduct has long since moved from the personal, even violent level fictionalized in the movie Chinatown to the dry realm of court proceedings, injunctions, and environmental impact reports. But water remains a problem in California, and the questions raised by these events--the rights of a rural area versus a growing metropolitan area, environmental issues, and levels of government responsibility--are of recognized national importance today.

Examines the history of the Metropolitan Water District of Southern California, from its obscure 1920s-era origins, through the Colorado River Aqueduct and State Water Projects, to today's daunting mission of drought management, water quality, environmental stewardship, and post-9/11 supply security. Simultaneous.

Widely regarded as Japan's greatest animated director, Hayao Miyazaki creates films lauded for vibrant characters and meaningful narrative themes. Examining the messages of his 10 full-length films--from Nausicaa (1984) to The Wind Rises (2013)--this study analyzes each for its religious, philosophical and ethical implications. Miyazaki's work addresses a coherent set of human concerns, including adolescence, good and evil, our relationship to the past, our place in the natural order, and the problems of living in a complex and ambiguous world. Exhibiting religious influences without religious endorsement, his films urge nonjudgment and perseverance in everyday life.

This collection of essays explores the representations, incarnations and manifestations of evil when it is embodied in a particular villain or in an evil presence. All the essays contribute to showing how omnipresent yet vastly under-studied the phenomena of the villain and evil are. Together they confirm the importance of the continued study of villains and villainy in order to understand the premises behind the representation of evil, its internal localized logic, its historical contingency, and its specific conditions.