Hundreds of top-quality royalty-free ornaments, borders, corners, rules, headpieces, tailpieces, other motifs, reproduced from rare catalog valued at $500.00.

This little book contains a beautiful and varied collection of typographic ornaments sourced from specimen books of type foundries, dating from 1700. David Jury explains how the need for typographic ornaments arose and developed, and sets them in their historical context. The chapters cover natural forms; geometric forms; rules and borders; wreaths, borders and scrolls; and pictorial ornaments. The last chapter charts the rise of the graphic designer over the last century, and how modern designers are now reinterpreting these typographic ornaments into new forms of art. The Little Book of Typographic Ornament will be an invaluable reference for graphic designers, as well as providing a source of copyright-free images.

Rich sourcebook of intricate Victorian typefaces and printers' ornamentations — all copyright-free.

This compilation of graphic embellishments was selected from a rare and valuable 1891 catalog. A versatile, high-quality collection, it features 180 royalty-free corners, frames and borders, rules, headpieces, calligraphic ornaments, and much more.

A sampler of some of the more curious ornamental material in the Collection and a source book for direct use.

Reproduced from a rare turn-of-the-century German catalog, these 2,600 eye-catching typographic ornaments and designs comprise a rich treasury of ornate frames, headpieces, tailpieces, title pages, spot art, scrollwork, and other ornamental motifs. The broad array of subjects, sizes, and styles represented will be invaluable to illustrators and commercial artists in search of permission-free graphics to enhance books, magazines, newsletters, menus, posters, catalog copy, advertisements, and a host of other print projects. Included are bold black-and-white designs recalling the free-form style of Jugendstil (the German term for Art Nouveau), along with a wealth of detailed, evocative images of couples dancing, landscapes, bridges, railway tunnels, locomotives, sailing ships, rowing regattas, Poseidon and other Greek gods, showgirls, dandies, castles, fairies and elves, cherubs playing musical instruments, animals, floral borders, and much more. This collection of vintage designs is not only a rich source of immediately usable art, but also an entertaining volume to browse through—a fount of inspiration and delight for artists and lovers of antique illustrations.

In the mid-19th century, typefounders plied their trade with an extraordinary exuberance, creating a new and dazzling range of typefaces and ornamentation that in sheer versatility, ornate beauty, and sumptuousness remain unsurpassed. Today, as never before, their work is sought by artists, designers, and craftspeople for its elegance, expressiveness, and ability to command attention. This unique volume contains the work of one of the most celebrated typefounders of that glorious era in type design: Charles Derriey, who, from his Parisian foundry, fed the Victorians' insatiable appetite for decoration and embellishment with a truly fabulous assortment of display types and printers' ornaments. The 113 plates reprinted here from his 1862 typographic catalog include over 2,500 royalty-free type forms and ornamental designs. Here is an incredibly rich source of intricately ornamented typefaces along with an eye-catching array of vignettes (dingbats, headpieces, tailpieces, etc.), rules, flourishes, corner elements, and much more, including a wide selection of Victorian frames and border material. Leaf through it and you will find it to be not only a fascinating presentation of type design, but also an extensive sampler of Victorian ornamentation — a valuable reference book and source of royalty-free graphics, sturdily yet inexpensively produced, that will offer you years of inspiration, enjoyment, and practical use.