The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to Getty collections, initiatives, and broad research interests. This issue features essays on a Parthian stag rhyton and new epigraphic and technical discoveries; gendered devotion and owner portraits in illuminated manuscripts from northern France around 1300; a technical analysis of heraldic devices in a missal from Renaissance Bologna; a new social and collective practice of drawing among French architect pensionnaires of the 1820s and 1830s at Pompeii; artist Malvina Hoffman’s representations of race during her travels to Southeastern Europe as part of her work with the American Yugo-Slav Relief; Raimundo de Madrazo y Garreta’s painting Reverie—The Letter and the small-world sensation as a methodology for global art history; arguments that disprove the attribution of the J. Paul Getty Museum’s sculpture Head with Horns to artist Paul Gauguin; Head with Horns and Gauguin’s creative appropriation of objects; and the unpublished first draft of critic Clement Greenberg’s essay "Towards a Newer Laocoon."

A magisterial history of the Himalaya: an epic story of peoples, cultures, and adventures among the world’s highest mountains. For centuries, the unique and astonishing geography of the Himalaya has attracted those in search of spiritual and literal elevation: pilgrims, adventurers, and mountaineers seeking to test themselves among the world’s most spectacular and challenging peaks. But far from being wild and barren, the Himalaya has been home to a diversity of indigenous and local cultures, a crucible of world religions, a crossroads for trade, and a meeting point and conflict zone for empires past and present. In this landmark work, nearly two decades in the making, Ed Douglas makes a thrilling case for the Himalaya’s importance in global history and offers a soaring account of life at the "roof of the world." Spanning millennia, from the earliest inhabitants to the present conflicts over Tibet and Everest, Himalaya explores history, culture, climate, geography, and politics. Douglas profiles the great kings of Kathmandu and Nepal; he describes the architects who built the towering white Stupas that distinguish Himalayan architecture; and he traces the flourishing evolution of Hinduism, Islam, and Buddhism that brought Himalayan spirituality to the world. He also depicts with great drama the story of how the East India Company grappled for dominance with China’s emperors, how India fought Mao’s Communists, and how mass tourism and ecological transformation are obscuring the bloody legacy of the Cold War. Himalaya is history written on the grandest yet also the most human scale—encompassing geology and genetics, botany and art, and bursting with stories of courage and resourcefulness.

Bringing Buddhism to Tibet is a landmark study of the Dba’ bzhed, a text recounting the introduction of Buddhism to Tibet. The narrative of Buddhism’s arrival in Tibet is known from a number of versions, but the Dba’ bzhed—preserved in a single manuscript—is the oldest complete copy. Although the Dba’ bzhed stands at the head of a long tradition of history writing in the Tibetan language, and has been known for more than two decades, this book provides a full transcription of the Tibetan for the first time, together with a new translation. The book also introduces Tibetan history and the Dba’ bzhed with several introductory chapters on various aspects of the text by experienced scholars in the field of Tibetan philology. These detailed studies provide analysis of the text’s narrative context, its position within traditional and current historiography, and the organisation and structure of the text itself and its antecedents. Bringing Buddhism to Tibet is essential reading for anyone interested in Tibetan history and kingship, the nature of Tibetan historical narrative or the traditions of text transmission and codicology. The book will also be of general interest to students of Buddhism and the spread of Buddhism across Asia.

Published in the year 2000, A Corpus of Early Tibetan Inscriptions is a valuable contribution to he field of Asian Studies.

This book introduces for the first time pre-Buddhist Tibetan silver, gold and bronze objects and rock art with related imagery. It scours the Eurasian continent to pinpoint the sources of inspiration and technical know-how contributing to the development of Tibet's cultural heritage in the Late Prehistoric era.

Inscriptions are a rather neglected field within Tibetan Studies, because they are often located in places that are not easily accessible for both geographical and political reasons. It is thus especially welcome that two of the contributions to this volume deal with inscriptions documented on recent field trips to Tibet: Benjamin Wood discusses an inscription in Zha lu that relates an enigmatic conflict in the history of the monastery, and Kurt Tropper looks into an epigraphic cycle on the life of the Buddha in Tsaparang. Moreover, Nathan Hill provides a new interpretation of the beginning of the famous Rkong po inscription, and Kunsang Namgyal Lama surveys the various kinds of texts found on tsha tshas. An extra level of reflection is added to the volume by Cristina Scherrer-Schaub’s methodological considerations on the classification and interpretation of inscriptions.