Discover what it means to be SEEN by Jesus. Women today can often feel invisible, unknown, unneeded, or burdened by shame and guilt. We all share a deep desire to be seen, needed, loved, and set free. In Do You See This Woman?, author Laynie Travis takes an up-close-and-personal look at six women in the Bible who were radically transformed by a face-to-face encounter with Christ. Jesus not only saw these women, but also gave them a voice, valued them, and loved them. He challenged cultural expectations and saw them for who they were—not for their sin. If you feel alone, undervalued, or invisible, this six-week study will reassure you that Jesus sees you and has a purpose for your life. Through exploring the fascinating accounts of these six women, you’ll learn that the interactions Jesus shared with them illustrate how He wants to interact with you as a woman today. Jesus sees you. He knows you. He values you. Come discover what it means to be loved by the God who sees. Sessions Include: • Introduction • The Woman Jesus Saw • The Woman Jesus Rescued • The Woman Jesus Healed • The Woman Jesus Enlightened • The Woman Jesus Delivered • The Woman Jesus Comforted Digital Resources This study includes seven teaching videos that can be found at laynietravis.com. The videos are approximately 28 minutes in length.

National Recording Artist and International Preacher, Veda McCoy, presents her writing debut in this powerful, insightful book that encourages self-examination and self-love. The reader's spirit will be strengthened and encouraged to pursue destiny with passion, despite the past and the opinion of others. The self-guide to improving your self-esteem will promote lasting life changes, resulting in increased peace, contentment and fulfillment.

Edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson, this powerful collection of award-winning female creators shares their writing about the female artists that matter most to them. This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. This Woman’s Work: Essays on Music is edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson and features an array of talented contributors, including: Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li, and Zakia Sewell. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space. Women have to speak up, to shout louder to tell their story—like the auteurs and ground-breakers featured in this collection, including: Anne Enright on Laurie Anderson; Megan Jasper on her ground-breaking work with Sub Pop; Margo Jefferson on Bud Powell and Ella Fitzgerald; and Fatima Bhutto on music and dictatorship. This Woman’s Work also features writing on the experimentalists, women who blended music and activism, the genre-breakers, the vocal auteurs; stories of lost homelands and friends; of propaganda and dictatorships, the women of folk and country, the racialized tropes of jazz, the music of Trap and Carriacou; of mixtapes and violin lessons.

An uplifting, emotionally powerful tale of a woman trying to conquer her pill addiction—and the support she finds along the way. While her children are away, Olivia Clarke wants to take the opportunity to confront an issue she’s been in denial about for too long. Her use of sedatives has become a problem—and she’s going to admit herself to a psychiatric hospital to get to the root of her stubborn addiction. It’s time to finally turn her life around. A boyfriend who’s also an addict, a family who don’t understand mental illness, children who compound her sense of failure and guilt—all add to the difficulties on the rocky road to recovery. But Olivia quickly makes friends at the facility. Soon, she can’t help getting caught up in the lives of the others in this close-knit group. What’s causing Hannah’s depression? Why is Bette convinced she has cancer, no matter what the doctors tell her? Is there more to Poxy’s story about his dead son than he’s letting on? But while Olivia feels compelled to find the answers for everyone else, she still has to find the strength to face her own demons . . .

Edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson, this powerful collection of award-winning female creators shares their writing about the female artists that matter most to them. This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. This Woman’s Work: Essays on Music is edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson and features an array of talented contributors, including: Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li, and Zakia Sewell. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space. Women have to speak up, to shout louder to tell their story—like the auteurs and ground-breakers featured in this collection, including: Anne Enright on Laurie Anderson; Megan Jasper on her ground-breaking work with Sub Pop; Margo Jefferson on Bud Powell and Ella Fitzgerald; and Fatima Bhutto on music and dictatorship. This Woman’s Work also features writing on the experimentalists, women who blended music and activism, the genre-breakers, the vocal auteurs; stories of lost homelands and friends; of propaganda and dictatorships, the women of folk and country, the racialized tropes of jazz, the music of Trap and Carriacou; of mixtapes and violin lessons.

This Woman's Work presents a social history and critical biography based on the life of award-winning writer Bebe Moore Campbell (1950-2006). It offers the personal story of a popular novelist, journalist, and mental health advocate. This book examines Campbell's life and activism in two periods: first, as a student at the University of Pittsburgh during the 1960s black student movement and, second, as a mental health advocate near the end of her life in 2006. It describes Campbell's activism within the Black Action Society from 1967 to 1971 and her negotiation of the Black Nationalist ideologies espoused during the 1960s. The book also explores Campbell's later involvement in the National Alliance on Mental Illness (NAMI), her role as a national spokesperson, and the local activism that sparked the birth of the NAMI Urban-Los Angeles chapter, which served black and Latino communities (1999-2006). Adjacent to her activist work, Campbell's first novel, Your Blues Ain't Like Mine, connects to her emerging political consciousness (related to race and gender) and the concern for racial violence during the US black liberation period from 1950 to 1970. Similarly Campbell's final novel, 72 Hour Hold, is examined closely for its connection to her activism as well as the sociopolitical commentary, emphasis on mental health disparities, coping with mental illness, and advocacy in black communities. As a writer and activist, Campbell immersed her readers in immediately relevant historical and sociopolitical matters. This Woman's Work is the first full-length biography of Bebe Moore Campbell and details the seamless marriage of her fiction writing and community activism.