Weaver can write with both lyrical excitement and gritty power.-San Francisco Chronicle

Phu Rieng was one of many French rubber plantations in colonial Vietnam; Tran Tu Binh was one of 17,606 laborers brought to work there in 1927, and his memoir is a straightforward, emotionally searing account of how one Vietnamese youth became involved in revolutionary politics. The connection between this early experience and later activities of the author becomes clear as we learn that Tran Tu Binh survived imprisonment on Con Son island to help engineer the general uprising in Hanoi in 1945. The Red Earth is the first of dozens of such works by veterans of the 1924–45 struggle in Vietnam to be published in English translation. It is important reading for all those interested in the many-faceted history of modern Vietnam and of communism in the non-Western world.

Vine Deloria, Jr., leading Native American scholar and author of the best-selling God is Red, addresses the conflict between mainstream scientific theory about our world and the ancestral worldview of Native Americans. Claiming that science has created a largely fictional scenario for American Indians in prehistoric North America, Deloria offers an alternative view of the continent's history as seen through the eyes and memories of Native Americans. Further, he warns future generations of scientists not to repeat the ethnocentric omissions and fallacies of the past by dismissing Native oral tradition as mere legends.

The gods of poetry and death descend on a house in India to vie for the soul of a wounded monkey. A bargain is struck: the monkey must tell a story, and if he can keep his audience entertained, he shall live. The result is Red Earth and Pouring Rain, Vikram Chandra's astonishing, vibrant novel. Interweaving tales of nineteenth-century India with modern America, it stands in the tradition of The Thousand and One Nights, a work of vivid imagination and a celebration of the power of storytelling itself. 'A dazzling first novel written with such originality and intensity as to be not merely drawing on myth but making it.' Sunday Times

"In the late summer of 1990 I fell into depression. By the time the Gulf War broke out, in the winter of 1991, I was well on my way to a breakdown. By the summer, with the help of my buddy Ed Orr, I was in a therapy program at the Vets Center in uptown Seattle." Red Eagle's extraordinary book deals directly with Native American experience of the Vietnam war and offers a healing and redemptive force in the face of violence and its aftermath.

Red Earth is an ecofeminist collection of poems that meditates on place and the making of home. Journeying through the landscape of dreams, memory, time and place, Red Earth locates the speaker in relation to the myriad of places, cultures, people and non-human kin she co-inhabits this world with. Grounded in her local bioregion, and traversing borders and boundaries, Red Earth is a collection of verse that invokes the spirit of place by reinstating a woman's voice amidst the boom of machinery and economy in the context of capitalism, urbanisation and the ensuing alienation from nature. Tracing its poetic lineage to ecofeminist forebearers like Mary Oliver, Eavan Boland, Grace Nichols, Joy Harjo and Kathy Jetnil-Kijiner, Red Earth is an ecofeminist act of solidarity with marginalised others (non-human and human person-beings) and an artifact of social and environmental activism. Situated in Singapore and moving across geographies, Red Earth embodies a new planetary politics of relations that 'makes kin' with fellow person-beings to offer hope and healing in a time of state-sanctioned violence against the land and by proxy, its people, and increasing urban alienation.

A hundred days of carnage, twenty-five years of rebirth--Provided by publisher.