In The Wandering Throne of Solomon: Objects and Tales of Kingship in the Medieval Mediterranean Allegra Iafrate analyzes the circulation of artifacts and literary traditions related to king Solomon, particularly among Christians, Jews and Muslims, from the 10th to the 13th century. The author shows how written sources and objects of striking visual impact interact and describes the efforts to match the literary echoes of past wonders with new mirabilia. Using the throne of Solomon as a case-study, she evokes a context where Jewish rabbis, Byzantine rulers, Muslim ambassadors, Christian sovereigns and bishops all seem to share a common imagery in art, technology and kingship.

The story of King Solomon, as told by his court historian.

This book explores a series of powerful artifacts associated with King Solomon via legendary or extracanonical textual sources. Tracing their cultural resonance throughout history, art historian Allegra Iafrate delivers exciting insights into these objects and interrogates the ways in which magic manifests itself at a material level. Each chapter focuses on a different Solomonic object: a ring used to control demons; a mysterious set of bottles that constrain evil forces; an endless knot or seal with similar properties; the shamir, known for its supernatural ability to cut through stone; and a flying carpet that can bring the sitter anywhere he desires. Taken together, these chapters constitute a study on the reception of the figure of Solomon, but they are also cultural biographies of these magical objects and their inherent aesthetic, morphological, and technical qualities. Thought-provoking and engaging, Iafrate’s study shows how ancient magic artifacts live on in our imagination, in items such as Sauron’s ring of power, Aladdin’s lamp, and the magic carpet. It will appeal to historians of art, religion, folklore, and literature.

(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.

• Explores the schools of Solomonic magic around the world and works such as The Greater and Lesser Keys of Solomon the King and The Hygromancy of Solomon • Examines Solomon’s magical possessions, including his famous ring that gave him command over animals, weather, demons, genies, and djinns, as well as his amulets, remedies, exorcisms, and charms • Looks at the extensive presence of Solomon in folklore around the world, including in Armenia, Malaysia, Russia, Bulgaria, Morocco, India, and Egypt Looking at the Solomonic magical tradition and Solomon’s profound influence on esoteric traditions around the world, Claude Lecouteux reveals King Solomon not only as one of the great kings of prehistory but also as the ancient world’s foremost magician and magus. Examining the primary sources on Solomon, such as the Bible, the Koran, and the writings of Flavius Josephus, the author explores Solomon’s judgments, his explorations, his literary and scientific works (including an herbal), and his constructions beyond the eponymous temple, such as the copper city in Andalus built by the djinns and the baths of Sulayman. He also looks at Solomon’s magical possessions, such as his famous ring and the Philosopher’s Stone. The author examines the supernatural powers granted to Solomon by his ring, which he received from the angel Gabriel, including command over animals, weather, and demons, and explores in detail Solomon’s power over genies and djinns. Following the esoteric threads hidden within the primary sources on Solomon, Lecouteux reveals the work of Solomon the Magician, exploring his amulets, remedies, exorcisms, charms, and his influence on Arab and Western magic. Providing illustrations of sigils, talismans, and other magic symbols related to Solomon, the author examines the schools of Solomonic Folkloremagic and works such as The Greater and Lesser Keys of Solomon the King and The Hygromancy of Solomon. He then looks at the extensive presence of Solomon in folklore worldwide, including in Armenia, Israel, Malaysia, Eastern Europe, Russia, Morocco, India, Mongolia, and among the Abyssinians of Ethiopia and the Copts in Egypt. He also looks at Solomon’s role within the Bulgarian tradition from which the Cathars derived. Painting an in-depth portrait of Solomon the Magician-King, Lecouteux reveals how this legendary magus left a deep impression upon the occult, magical traditions, and philosophies of the ancient world that can still be felt to this day.

This is the first major study to comprehensively analyze the art and architecture of the archdiocese of Bari and Canosa during the Byzantine period and the upheaval of the Norman conquest. The book places Bari and Canosa in a Mediterranean context, arguing that international connections with the eastern Mediterranean were a continuous thread that shaped art and architecture throughout the Byzantine and Norman eras. Clare Vernon has examined a wide variety of media, including architecture, sculpture, metalwork, manuscripts, epigraphy and luxury portable objects, as well as patronage, to illustrate how cross-cultural encounters, the first crusade, slavery and continuities and disruptions in the relationship with Constantinople, shaped the visual culture of the archdiocese. From Byzantine to Norman Italy will appeal to students and scholars of Byzantine art, the medieval Mediterranean and the Italo-Norman world.