A narrative history of the unlikely Maoist rebellion that terrorized Peru even after the fall of global Communism. On May 17, 1980, on the eve of Peru’s presidential election, five masked men stormed a small town in the Andean heartland. They set election ballots ablaze and vanished into the night, but not before planting a red hammer-and-sickle banner in the town square. The lone man arrested the next morning later swore allegiance to a group called Shining Path. The tale of how this ferocious group of guerrilla insurgents launched a decade-long reign of terror, and how brave police investigators and journalists brought it to justice, may be the most compelling chapter in modern Latin American history, but the full story has never been told. Described by a U.S. State Department cable as “cold-blooded and bestial,” Shining Path orchestrated bombings, assassinations, and massacres across the cities, countryside, and jungles of Peru in a murderous campaign to seize power and impose a Communist government. At its helm was the professor-turned-revolutionary Abimael Guzmán, who launched his single-minded insurrection alongside two women: his charismatic young wife, Augusta La Torre, and the formidable Elena Iparraguirre, who married Guzmán soon after Augusta’s mysterious death. Their fanatical devotion to an outmoded and dogmatic ideology, and the military’s bloody response, led to the death of nearly 70,000 Peruvians. Orin Starn and Miguel La Serna’s narrative history of Shining Path is both panoramic and intimate, set against the socioeconomic upheavals of Peru’s rocky transition from military dictatorship to elected democracy. They take readers deep into the heart of the rebellion, and the lives and country it nearly destroyed. We hear the voices of the mountain villagers who organized a fierce rural resistance, and meet the irrepressible black activist María Elena Moyano and the Nobel Prize–winning novelist Mario Vargas Llosa, who each fought to end the bloodshed. Deftly written, The Shining Path is an exquisitely detailed account of a little-remembered war that must never be forgotten.

A hot-headed American heiress... After three broken engagements, Miss Athena Dogwood is ready to give up on finding love. Until a secret letter hidden away by her great-grandmother leads her across the Atlantic and onto the doorstep of the ill-tempered (albeit very handsome) Duke of Blackburn. A cold-hearted duke... Ambrose gave up on love a long time ago. A widower with a young daughter to raise, he needs a governess more than he needs a wife. And he certainly doesn't need an impertinent American heiress. Especially one who speaks like a sailor, looks like an angel, and stirs desires inside of him best left alone. A smoldering passion ready to ignite... But Athena knows beneath Ambrose's icy exterior is a man who wants to love again, and she's willing to do whatever it takes to prove it. Even if that means risking everything, including her own heart... Get ready for an enthralling battle of wits in this British versus American romance! The Spring Duke is the second novella in the best-selling A Duke for All Seasons quartet.

"Men who inherit great wealth are respected, but women who do the same are ridiculed. In The Silver Swan, Sallie Bingham rescues Doris Duke from this gendered prison and shows us just how brave, rebellious, and creative this unique woman really was, and how her generosity benefits us to this day.” —Gloria Steinem A bold portrait of Doris Duke, the defiant and notorious tobacco heiress who was perhaps the greatest modern woman philanthropist In The Silver Swan, Sallie Bingham chronicles one of the great underexplored lives of the twentieth century and the very archetype of the modern woman. “Don’t touch that girl, she’ll burn your fingers,” FBI director J. Edgar Hoover once said about Doris Duke, the inheritor of James Buchanan Duke’s billion-dollar tobacco fortune. During her lifetime, she would be blamed for scorching many, including her mother and various ex-lovers. She established her first foundation when she was twenty-one; cultivated friendships with the likes of Jackie Kennedy, Imelda Marcos, and Michael Jackson; flaunted interracial relationships; and adopted a thirty-two year-old woman she believed to be the reincarnation of her deceased daughter. This is also the story of the great houses she inhabited, including the classically proportioned limestone mansion on Fifth Avenue, the sprawling Duke Farms in New Jersey, the Gilded Age mansion Rough Point in Newport, Shangri La in Honolulu, and Falcon’s Lair overlooking Beverly Hills. Even though Duke was the subject of constant scrutiny, little beyond the tabloid accounts of her behavior has been publicly known. In 2012, when eight hundred linear feet of her personal papers were made available, Sallie Bingham set out to probe her identity. She found an alluring woman whose life was forged in the Jazz Age, who was not only an early war correspondent but also an environmentalist, a surfer, a collector of Islamic art, a savvy businesswoman who tripled her father’s fortune, and a major philanthropist with wide-ranging passions from dance to historic preservation to human rights. In The Silver Swan, Bingham is especially interested in dissecting the stereotypes that have defined Duke’s story while also confronting the disturbing questions that cleave to her legacy.

Moments lived between Turkey and America come together in this debut collection by the award-winning translator of Orhan Pamuk.

Over the course of his thirteen years as president of Duke University, Richard H. Brodhead spoke at numerous university ceremonies, community forums, and faculty meetings, and even appeared on The Colbert Report. Speaking of Duke collects dozens of these speeches, in which Brodhead speaks both to the special character and history of Duke University and to the general state of higher education. In these essays, Brodhead shows a university thinking its way forward through challenges all institutes of higher education have faced in the twenty-first century, including an expanding global horizon, an economic downturn that has left a diminished sense of opportunity and a shaken faith in the value of liberal arts education, and pressure to think more deeply about issues of equity and inclusion. His audiences range from newly arrived freshmen and new graduates—both facing uncertainty about how to build their future lives—to seasoned faculty members. On other occasions, he makes the case to the general public for the enduring importance of the humanities. What results is a portrait of Duke University in its modern chapter and the social and political climate that it shapes and is shaped by. While these speeches were given on official occasions, they are not impersonal official pronouncements; they are often quite personal and written with grace, humor, and an unwavering belief in the power of education to shape a changing world for the better. Brodhead notes that it is an underappreciated fact that a great deal of the exercise of power by a university leader is done through speaking: by articulating the aspirations of the school and the reasons for its choices, and by voicing the shared sense of mission that gives a learning community its reality. Speaking of Duke accomplishes each of those and demonstrates Brodhead's conviction that higher education is more valuable now than ever.

Reading Hindi: Novice to Intermediate is an innovative collection of graded readings that are both accessible in language and engaging in content, specifically designed for adult learners of Hindi. Ideal for those just starting out in Hindi, the texts provide culturally rich content written in simple, level-appropriate language, with a range of activities to reinforce learning. The graded readings support the learner as they build their confidence with the language, gradually encountering a wider range of grammar constructions and vocabulary as the book progresses. Reading Hindi can be used alongside a main textbook and is ideal for both class-use and independent study.