Once upon a time, and a very good time it was, not in your time, indeed not in my time, but in olden times, when quart bottles held half a gallon and houses were papered with pancakes and pigs run about with forks stuck in their backs seein who wanted a slice o' ham, there were two old people and they never had no children, and they figured they were too old to ever have any. So begins The Queen of Paradise's Garden, a wonderful adaptation of a traditional Newfoundland tale, and the first in an ongoing series that combines the telling wit and resonant language of acclaimed Newfoundland actor, writer and comedian Andy Jones with the charming illustrations of Slovenian-born puppeteer and artist Darka Erdelji. Of course, it's clear from the story's beginning that there are children on the way, and one of those children is Jack, the delightful, mischievous, big-hearted hero of so many Newfoundland tales. Told with the humour, warmth and sly wit that have made Jones one of the Island's finest and best-loved storytellers, The Queen of Paradise's Garden follows Jack on his way to the land of the Queen of Paradise, three miles this side of the end of the world, where he searches for a magic fruit to make his parents young again, and finds quite a few other handy things as well. The story is a free adaptation of a tale told by Albert Heber Keeping of Grand Bank, which he got from Billy Quann of Sagona Island; Keeping's version was published in Herbert Halpert and John Widdowson's seminal collection, Folktales of Newfoundland.

Grade level: 2, 3, 4, p, e, i.

A truly remarkable pictorial homage to Howard Finster's spiritual and artistic "garden" outside of Atlanta, Georgia. Finster has been busy for the last 25 years creating a kind of mystical Disney World populated by "found" sculpture, paintings, and writings. It would be easy to dismiss Finster as a "kook," but the contributing photographers ably capture for posterity the man's work with a loving detail that conveys the powerful urgency of his art. The color photographs are accompanied by Finster's own descriptions of how he created the garden, and commentary by fans such as David Byrne. Lacks an index. Annotation copyright by Book News, Inc., Portland, OR

This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.

Looks at the evolution of Persian gardens from ancient times to the present day and their impact on modern garden design.

"Walks to the Paradise Garden is the last unpublished manuscript of the late American poet, photographer, publisher and bon viveur Jonathan Williams (1929-2008). This book chronicles Williams' road trips across the Southern United States with photographers Guy Mendes and Roger Manley in search of the most authentic and outlandish artists the South had to offer. Williams describes the project thus: 'The people and places in Walks to the Paradise Garden exist along the blue highways of America.... We have traveled many thousands of miles, together and separately, to document what tickled us, what moved us, and what (sometimes) appalled us.' The majority of these road trips took place in the 1980s, a pivotal decade in the development of Southern 'yard shows' and many of the artists are now featured in major institutions. This book, however, chronicles them at the outset of their careers and provides essential context for their inclusion in the art historical canon"--Back cover.

This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.