This catalog raisonné reproduces 665 black-and-white and 12 color prints. Minnesota-born Adolf Dehn (1895-1968) was twice awarded a Guggenheim Fellowship and his prints are in the collections of major museums in America.

*A major monograph on this prolific artist and his love for Manhattan, featuring a never-before-seen presentation of paintings, prints, and drawings*This book is for lovers of New York city and beyond, celebrating its golden age with a fresh, new appreciation for its urban design, parks, and the eternal romance of artAdolf Dehn (1895-1968), an American lithographer and watercolorist, left his hometown in Minnesota after formal training at the Minneapolis Art Institute to study at the Art Students League in New York. In the early 1920s, he traveled to the cosmopolitan cities of Paris, Vienna, and Berlin, where he focused on lithography and printmaking, and soon found success as a magazine illustrator. As he toured Europe, Dehn quickly acclimated to the continental lifestyle and was adept at depicting its nuances and idiosyncrasies through his prolific lithographs and sketches. His critical and satirical renderings of the political movements, social conventions, and governmental policies in pre-World War II Europe gave the Midwestern artist ample material for his growing body of work. Returning to the United States in 1930, Dehn exhibited his prints in several solo shows at the Weyhe Gallery in New York, starting in 1935. As an artist during the era of the Great Depression, Dehn did commercial artwork and contributed to popular magazines such as The New Yorker, Vogue, and Vanity Fair. In fact, his clever drawings that reflected the culture and fashionable society during the Jazz Age, made Dehn a favourite of Frank Crowninshield, Vanity Fair's renowned editor.During this time, while Dehn captured the heyday of burlesque theaters, lively Harlem nightclubs, the impressive skyline, and busy harbour, he was continuously drawn to Manhattan's Central Park his predilection for the city's magnificent green space was a sustaining source of inspiration and subject matter. Adolf Dehn: Midcentury Manhattan candidly examines the life and work of this exceptional, adventurous, and intrepid artist as he moved skillfully and capably between lithography, ink-wash drawings, gouache, casein painting, and in the late 1930s, watercolours. Combining numerous vintage photographs from the archives of the New York Historical Society, the Museum of the City of New York, and the New York Public Library with newly discovered, Manhattan-inspired prints and drawings from the collections of, among others, the Whitney Museum of American Art, MoMA, and The Metropolitan Museum of Art, Adolf Dehn: Midcentury Manhattan traces how Dehn's art reflected the spirit, pulse, and uniquely American tonalities captured in composer George Gershwin's popular Rhapsody in Blue. This is a book for lovers of New York City and beyond, celebrating its golden age with a fresh, new appreciation for its urban design, parks, and the eternal romance of art.

Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of 'national memory bank.' This book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period.

"In this wide-ranging biography, Henry Adams explores how a once central figure can come to be forgotten. With his account of the life of the prolific and influential Adolf Dehn, and a look at the circles of artists and writers in which Dehn moved, Adams helps to fill in what he calls the "secret or subterranean history of art.""--

A definitive survey of Minnesota's vibrant printmaking scene in the first half of the twentieth century that features almost two hundred artists.