We often remember the 1960s as a time of peace and love, but it was also a time of assassinations, riots, and an unpopular war. Furthermore, more than three million people took to the streets in violent antiwar and civil rights demonstrations during this decade. In The Incredible '60s, renowned historian Jules Archer brings the glories and tragedies of the sixties to a new generation, with a comprehensive history of sixties counterculture, the Vietnam War and the resistance movement, civil rights, feminism, science, rock ’n’ roll, and more. Covering everything from the Kennedy Era and the Freedom Riders to nuclear weapons and the Cold War, Archer aims to make sure important history is not forgotten, and this is a story for young people—a story about seeing what needs to be changed in the world and making that change happen. Jules Archer traveled to distant parts of the globe in search of information, sometimes going back to original sources. For this book he had dinner with Elvis Presley, had tea with two Australian prime ministers, climbed a volcano via camel, and swum the Seine in Paris at midnight. His adventurous spirit and enthusiasm will be contagious to young readers who may just leave their own indelible mark on a future decade. Sky Pony Press is pleased to add this important and thought-provoking piece of historical literature to its new Jules Archer History for Young Readers series.

Iconic 1960s figures are immortalized in pictures and commentary by this legendary photographer from "Rolling Stone" magazines early heyday. An affectionate tribute that juxtaposes cooled-out hippies against history-making events, the book portrays the youth revolution in full swing.

When Muddy Waters came to London at the start of the '60s, a kid from Boston called Joe Boyd was his tour manager; when Dylan went electric at the Newport Festival, Joe Boyd was plugging in his guitar; when the summer of love got going, Joe Boyd was running the coolest club in London, the UFO; when a bunch of club regulars called Pink Floyd recorded their first single, Joe Boyd was the producer; when a young songwriter named Nick Drake wanted to give his demo tape to someone, he chose Joe Boyd. More than any previous '60s music autobiography, Joe Boyd's White Bicycles offers the real story of what it was like to be there at the time. His greatest coup is bringing to life the famously elusive figure of Nick Drake - the first time he's been written about by anyone who knew him well. As well as the '60s heavy-hitters, this book also offers wonderfully vivid portraits of a whole host of other musicians: everyone from the great jazzman Coleman Hawkins to the folk diva Sandy Denny, Lonnie Johnson to Eric Clapton, The Incredible String Band to Fairport Convention.

The next instalment in the acclaimed New Yorker 'decades' series featuring an all-star line-up of historical pieces from the 1960s alongside new pieces by current New Yorker staffers. The 1960s, the most tumultuous decade of the twentieth century, were a time of tectonic shifts in all aspects of society – from the March on Washington and the Second Vatican Council to the Summer of Love and Woodstock. No magazine chronicled the immense changes of the period better than The New Yorker. This capacious volume includes historic pieces from the magazine’s pages that brilliantly capture the sixties, set alongside new assessments by some of today’s finest writers. Here are real-time accounts of these years of turmoil: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination and Jonathan Schell travels with American troops into the jungles of Vietnam. The murder of Martin Luther King, Jr., the fallout of the 1968 Democratic Convention, the Soviet invasion of Czechoslovakia, the Six-Day War: all are brought to immediate and profound life in these pages. The New Yorker of the 1960s was also the wellspring of some of the truly timeless works of American journalism. Truman Capote’s In Cold Blood, Rachel Carson’s Silent Spring, Hannah Arendt’s Eichmann in Jerusalem and James Baldwin’s The Fire Next Time all first appeared in The New Yorker and are featured here. The magazine also published such indelible short story masterpieces as John Cheever’s ‘The Swimmer’ and John Updike’s ‘A & P’, alongside poems by Sylvia Plath and Anne Sexton. The arts underwent an extraordinary transformation during the decade, one mirrored by the emergence in The New Yorker of critical voices as arresting as Pauline Kael and Kenneth Tynan. Among the crucial cultural figures profiled here are Simon & Garfunkel, Tom Stoppard, Bob Dylan, Allen Ginsberg, Cassius Clay (before he was Muhammad Ali), and Mike Nichols and Elaine May. The assembled pieces are given fascinating contemporary context by current New Yorker writers, including Jill Lepore, Malcolm Gladwell and David Remnick. The result is an incomparable collective portrait of a truly galvanising era. With contributions from: Truman Capote, John Updike, E.B. White, Rachel Carson, James Baldwin, Jonathan Schell, Dwight Macdonald, Renata Adler, Hannah Arendt, Pauline Kael, AJ Liebling, Nat Hentoff, Calvin Trillin, Xavuer Rynne, John McPhee, Anthony Hiss and more.

Relive one of the most magical times in history, a time that saw profound cultural and spiritual change throughout the world, but nowhere more than in the San Francisco Bay of the mid to late 1960's. Author and photographer Gene Anthony was there, capturing every moment, every poem, every song, and every embrace on film. This photographic tour gets you up close and personal with musicians like Jim Morrison, Jerry Garcia, Jimi Hendrix, and Janis Joplin. It takes you inside the volatile demonstrations at the heart of the anti-war movement, the women's rights movement, the struggle for civil rights. From the Fillmore, to the Human Be-in, to the Trips Festival, Anthony has created a collection of work that captures the feeling of these once in a lifetime events. With over 300 personal and passionate photographs, this book is a visual tour through the freedom, hopes, and beliefs that defined an era and changed the world.

The hectic cultural and political upheavals occurring in the 1960s marked a divide between the relatively stable cultural environment of the previous decade and what is now regarded as the golden age of pop music and youth culture. The flourishing of alternative cultures in the latter part of the decade laid many of the foundations of later trends and subcultures. And this influence is nowhere more apparent than in record packaging, with classic graphic design and layouts reappearing again and again. ‘Classic Album Covers of the 60s’ is a collection of over 200 of the very best (and in some cases) worst that designers had to offer throughout the decade. Representative designs from each period are illustrated in full colour, taking the reader on a journey from the wholesome joviality of the 'Very Merry Macs' and 'Muscle Beach Party', through stylish and understated jazz cover designs, to the best psychedelic designs of the late 60s such as the Beatles’ "Sgt Pepper" and the Incredible String Band’s "The 5000 Spirits". The changing style of album cover design illustrated in ‘Classic Album Covers of the 60s’ provides a fascinating reflection of changing cultural trends during a decade whose ideas and artistic expressions sought to break the prevailing rules and, so doing, laid the foundations for cover design today.

Introduction / David Remnick -- Part I. Reckonings -- Part II. American scenes -- Part III. New arrivals -- Part IV. Youth in revolt -- Part V. Civil rights -- Part VI. Shots were fired -- Part VII. Farther shores -- Part VIII. Artists & athletes -- Part IX. Comic turns -- Part X. Critics -- Part XI. Fiction