Leonardo da Vinci is famous for his paintings but he spent much more time with his codices, which contained all of his great observations and designs. Michael J. Howell recreates the process of designing a codex using his writing and art to illuminate his thoughts about creativity and the power of art to heal and generate new life in the form of a personal renaissance. This codex is designed for the modern world and Howell invites the reader to consider the vast potential for growth that lies within every single person and which often goes untapped.This codex was specifically designed as a download.

An extraordinary debut novel of love that survives the fires of hell and transcends the boundaries of time. On a burn ward, a man lies between living and dying, so disfigured that no one from his past life would even recognize him. His only comfort comes from imagining various inventive ways to end his misery. Then a woman named Marianne Engel walks into his hospital room, a wild-haired, schizophrenic sculptress on the lam from the psych ward upstairs, who insists that she knows him – that she has known him, in fact, for seven hundred years. She remembers vividly when they met, in another hospital ward at a convent in medieval Germany, when she was a nun and he was a wounded mercenary left to die. If he has forgotten this, he is not to worry: she will prove it to him. And so Marianne Engel begins to tell him their story, carving away his disbelief and slowly drawing him into the orbit and power of a word he'd never uttered: love.

Commended for the 2009 Resource Links Best Books and for the 2010 Best Books for Kids and Teens, short-listed for the 2012 Diamond Willow Award Chosen for the Toronto Public Library's 2015 Great Reads for Kids collection What do you do when a 400-year-old gargoyle moves into your backyard? Especially when no one else but you knows he’s ALIVE? Twelve-year-old Katherine Newberry can tell you all about life with a gargoyle. Hes naughty. He gets people into trouble. He howls at the moon, breaks statues and tramples flowers to bits, all the while making it look like you did it! He likes to throw apple cores and stick his tongue out at people when they aren’t looking. How do you get rid of a gargoyle? Do they help the gargoyle leave for good? If you’re like Katherine and her parents, after getting to know him, you might really want him to stay.

A fresh and irresistible history of gargoyles-a society of stone creatures perched high above the workaday world. Includes an invaluable guide to gargoyle sites throughout western Europe.

Originally published: Gargoyles, chimeres, and the grotesque in French Gothic sculpture. New York: Architectural Book Pub. Co., 1930.

Christopher is astonished to discover that gargoyles Ambergine and Gargoth are living in the park next door and that Katherine, a girl from his class, knows the gargoyles, as well. When the Collector steals Ambergine, it's up to Christopher and Katherine to get her back, as long as something else doesn't catch them along the way.

Both his family and his city are crumbling when thirteen-year-old Griffin Watts stumbles headlong into his estranged father’s illicit architectural salvage business in 1970s Manhattan. Griffin clambers up the façades of tenements and skyscrapers to steal their nineteenth-century architectural sculptures—gargoyles and sea monsters, goddesses and kings. As his father sees it, these evocative creatures, crafted by immigrant artisans, are an endangered species in an age of sweeping urban renewal. Desperate for money to help his artist mother keep their home, and yearning to connect with his father, Griffin fails to see that his father’s deepening obsession with preserving the treasures of Gilded Age New York endangers them all. As he struggles to hold his family together and build a first love with his girlfriend on a sturdier foundation than his parents’ marriage, Griffin must learn to develop himself into the man he wants to become, and discern which parts of his life may be salvaged—and which parts must be let go. Hilarious and poignant, this critically acclaimed debut is both a vivid love letter to a vanishing city and an intimate portrait of father and son. And it solves the mystery of a stunningly brazen architectural heist—the theft of an entire landmark building—that made the front page of The New York Times in 1974. With writing both tender and powerful, The Gargoyle Hunters brings a remarkable new voice to the canon of New York fiction.