A #1 BESTSELLER IN KINDLE HISTORICAL THRILLERS Ancient scrolls hold the key to the origins of Christianity--but some will stop at nothing to hide the truth A suspicious death in Istanbul leaves one ancient scroll and clues to finding another in the hands of Drew Korchula, a thirty-two-year-old American expat, a Turkish dwarf named Kadir, and Zafer, a Special Forces washout. Drew is desperate to turn everything over to the academic community, and in the process redeem himself in the eyes of his estranged wife, but Kadir and Zafer are only interested in what they can get for the scrolls on the black market. Not everyone wants to see the scrolls go public, however, and some will stop at nothing to protect the Church and believers around the world from the revelations embodied in the priceless manuscripts. An action-packed intellectual thriller unraveling the mystery of a theological cold case more than two thousand years old, The Christos Mosaic is a monumental work of biblical research wrapped in a story of love, faith, human frailty, friendship, and forgiveness. Author Vincent Czyz takes the reader through the backstreets of Istanbul, Antakya (ancient Antioch), and Cairo, to clandestine negotiations with wealthy antiquities smugglers and ruthless soldiers of fortune, to dusty Egyptian monasteries, on a nautical skirmish off the coast of Alexandria, and finally to the ruins of Constantine's palace buried deep beneath the streets of present-day Istanbul.

Winner of the 2022 Gradiva® Award for Best Book – Historic Moment for Reflection! This book offers real-time, intimate reflections on Dr. Friedberg’s patients as they struggle with COVID-19 and its disruptive, dispiriting fallout. Through a Screen Darkly identifies the psychological distress caused by the pandemic, examining how the particular elements of COVID-19 – its ability to be spread by those who seem not to have it, its intractability, the long-term uncertainty that it engenders – leave even relatively stable people shaken and unsure of the future. The book examines how, amidst radical uncertainty and the prospect of massive social change, such people learn to become resilient. The main theme of the book is that, of necessity, we learn to adapt. Though we still can only see "darkly," we can call on the resources that we have, as well as those we can reasonably acquire, so as to retain a sense of our dignity and purpose. Through a Screen Darkly examines what is possible now as the pandemic runs its course. It makes no predictions of how all this will ultimately play out, but offers a time capsule of how people have coped with a disease that landed suddenly and that we still do not fully understand. Offering a series of intense encounters with worried, traumatized people, this book will be invaluable to in-training and practicing psychiatrists, as it points to the several possible directions for our national, psychological recovery from the pandemic.

Fiction. Preface by Samuel R. Delany. "Deeply romantic (in the best sense) and darkly evocative, Czyz's lush style explores regions well beyond simple narrative, probing the constantly shifting, oblique connections between failure, memory and the forever-incomplete nature of human desire. A moody, gorgeous and formally innovative collection, ADRIFT IN A VANISHING CITY deserves a wide audience among readers who understand that fiction is about more than getting a character from one room to the next." Greg Burkman, The Seattle Times "Written in hauntingly lyrical prose, Czyz's short stories unfold like a vivid tapestry that is held together by the] thread of human experience." Michelle Howe, Newark Star Ledger "Certain books require a patient reader, one with the ability to concentrate closely and intently. Sentences are not straightforward or transparent, but long and labyrinthine, like intriguing yet shadowy dreams. The writing, more like poetry than prose, calls attention to language, to the fullness of a word, a sentence, with the purpose of expressing inexpressible emotions and experiences. Think of Proust's Remembrance of Things Past or Faulkner's The Sound and the Fury or, more recently, William Vollmann's Fathers and Crows. ...] Vincent Czyz's ADRIFT IN A VANISHING CITY is just this sort of work: lyrical and pensive, an odd and often beautiful portrait of longing." Capper Nichols, Minnesota Daily"

How the billionaire owners of Hobby Lobby are spending hundreds of millions of dollars to make America a “Bible nation” The Greens of Oklahoma City—the billionaire owners of the Hobby Lobby chain of craft stores—are spending hundreds of millions of dollars in an ambitious effort to increase the Bible’s influence on American society. In Bible Nation, Candida Moss and Joel Baden provide the first in-depth investigative account of the Greens’ sweeping Bible projects. Moss and Baden tell the story of the Greens’ efforts to place a Bible curriculum in public schools; their rapid acquisition of an unparalleled collection of biblical antiquities; their creation of a closely controlled group of scholars to study and promote the collection; and their construction of a $500 million Museum of the Bible in Washington, D.C. Revealing how all these initiatives promote a very particular set of beliefs about the Bible, the book raises serious questions about the trade in biblical antiquities, the integrity of academic research, and the place of private belief in public life.

This book, written for college and seminary age students, is the distillation of reflection on the life and career of Jesus of Nazareth for over three decades. Such reflection needs no legitimizing since preoccupation with Jesus of Nazareth continues in one form or another till the present day. The arrangement of the pieces and fragments which make up the "mosaic" in part pursue the usual chronological order as appears in most editions of the Bible. But the interpretation of events within each sequence are this author's own. In discussion with early or contemporary scholars, the text may reflect agreement or disagreement, but assumes the right to and responsibility for a specific point of view. As indicated, the book is a "mosaic," comprised of pieces and fragments. It in no way intends to match the often massive attempts at describing Jesus of Nazareth that have been published over the centuries. Like a mosaic, it will show wear and tear, but it will be sufficient to indicate to the reader precisely whose face appears amid all those fragments and pieces, and enough to awaken reflection on his life and career.

From the Nobel Prize winner and acclaimed author of My Name is Red comes a portrait of Istanbul by its foremost writer, revealing the melancholy that comes of living amid the ruins of a lost empire. "Delightful, profound, marvelously origina.... Pamuk tells the story of the city through the eyes of memory." —The Washington Post Book World A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy—or hüzün—that all Istanbullus share. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters—both Turkish and foreign—who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

Nobel laureate Halldór Laxness’s Under the Glacier is a one-of-a-kind masterpiece, a wryly provocative novel at once earthy and otherworldly. At its outset, the Bishop of Iceland dispatches a young emissary to investigate certain charges against the pastor at Snæfells Glacier, who, among other things, appears to have given up burying the dead. But once he arrives, the emissary finds that this dereliction counts only as a mild eccentricity in a community that regards itself as the center of the world and where Creation itself is a work in progress. What is the emissary to make, for example, of the boarded-up church? What about the mysterious building that has sprung up alongside it? Or the fact that Pastor Primus spends most of his time shoeing horses? Or that his wife, Ua (pronounced “ooh-a,” which is what men invariably sputter upon seeing her), is rumored never to have bathed, eaten, or slept? Piling improbability on top of improbability, Under the Glacier overflows with comedy both wild and deadpan as it conjures a phantasmagoria as beguiling as it is profound.