Bestselling author, Tim O'Rourke, is back with another spellbinding tale of mystery, horror and paranormal romance. Strap in tight and enjoy the twists, turns and those nail-biting cliff-hangers! After condemning three men to death, Wizard, Jake Stranger, is banished from his home and sent to the town of Grey Edge. Desperate to become one of the respected Talismen, Jake knows that he has to keep his head down and keep out of trouble. But trouble is something that is never too far from him. Within minutes of arriving in Grey Edge, Jake becomes embroiled in a series of gruesome murders. But his real problems start when he sparks up a friendship with the young and beautiful Taliswoman, Franziska Rubik. Hunting a killer, they travel together from the world of magic and into the human world of 1985. Jake soon discovers that not everything in the human world nor the world of magic is as it first appears. Something terrifying is unraveling – and nothing could be stranger. Book 2 is now available! Search Terms: free books, free, free vampire books, free vampire romance books, free vampire and werewolf books, books free, free werewolf books, free fantasy books, vampire books free, vampire romance books free, paranormal romance free, paranormal free, vampire, romance, werewolf, fantasy, horror, mystery, new adult & college romance, occult, urban, young adult fantasy, paranormal, paranormal romance, fantasy witches, shapeshifter wolf romance, dystopian, superhero fantasy ebooks, demon, werewolf romance, angels, vampire romance, young adult paranormal, paranormal new adult romance, shade of, werewolf romance, vampires, diaries, demons and devils, shapeshifter wolf romance, academy, twilight, horror, angels, saga, new adult fantasy romance, journals, coming of age, new adult, young adult, gothic, shifter, lycan, vampire books, vampire romance books, vampire and werewolf books, werewolf books, fantasy books, coming of age fantasy, genetic engineering, science fiction, mash ups, bad girlfriend, vampire girl, vampire vengeance, anti-heroes, vengeance, science fiction, free science fiction books vampire, supernatural, strong female lead fantasy, strong female characters, strong female vampire, vampire romance, young adult paranormal, paranormal new,

Sophie Harper has a secret. A peculiar one. By the time she gets to the Academy for Peculiars, she's already killed a man. From there, she learns that the superhuman strength she was born with and abandoned because of means she's a peculiar - a human with abnormal DNA - yet that same strength alienates her from her peculiar peers because of its rarity. As she settles into her new home, she makes friends with her dorm mates, stresses out about catching up with schoolwork, and starts dating one of the most popular guys at the academy. Normalcy is what Sophie wants more than anything, but she can't change the fact that she's different, even among peculiars. She starts falling for her infuriating trainer, a rugged shifter named Will, despite the fact that it's forbidden. When she finds out there's only one other man with her physical strength, she yearns to learn more about him - yet he's someone everyone refuses to discuss. She starts to realize that being a peculiar means more than just being strong, and that just she shares her ability with her mysterious counterpart, it doesn't mean he isn't a threat.

With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward. Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. “The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and ­devious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity.” –from the Introduction by Peter Dunwoodie First published in 1946; now in translation by Matthew Ward.

The Stranger appears out of nowhere, perhaps in a bar, or a parking lot, or at the grocery store. His identity is unknown. His motives are unclear. His information is undeniable. Then he whispers a few words in your ear and disappears, leaving you picking up the pieces of your shattered world. Adam Price has a lot to lose: a comfortable marriage to a beautiful woman, two wonderful sons, and all the trappings of the American Dream: a big house, a good job, a seemingly perfect life. Then he runs into the Stranger. When he learns a devastating secret about his wife, Corrine, he confronts her, and the mirage of perfection disappears as if it never existed at all. Soon Adam finds himself tangled in something far darker than even Corrine's deception, and realizes that if he doesn't make exactly the right moves, the conspiracy he's stumbled into will not only ruin lives - it will end them...

Zaynab, first published in 1913, is widely cited as the first Arabic novel, yet the previous eight decades saw hundreds of novels translated into Arabic from English and French. This vast literary corpus influenced generations of Arab writers but has, until now, been considered a curious footnote in the genre's history. Incorporating these works into the history of the Arabic novel, Stranger Fictions offers a transformative new account of modern Arabic literature, world literature, and the novel. Rebecca C. Johnson rewrites the history of the global circulation of the novel by moving Arabic literature from the margins of comparative literature to its center. Considering the wide range of nineteenth- and early twentieth-century translation practices—including "bad" translation, mistranslation, and pseudotranslation—Johnson argues that Arabic translators did far more than copy European works; they authored new versions of them, producing sophisticated theorizations of the genre. These translations and the reading practices they precipitated form the conceptual and practical foundations of Arab literary modernity, necessitating an overhaul of our notions of translation, cultural exchange, and the global. Examining nearly a century of translations published in Beirut, Cairo, Malta, Paris, London, and New York, from Qiat Rūbinun Kurūzī (The story of Robinson Crusoe) in 1835 to pastiched crime stories in early twentieth-century Egyptian magazines, Johnson shows how translators theorized the Arab world not as Europe's periphery but as an alternative center in a globalized network. Stranger Fictions affirms the central place of (mis)translation in both the history of the novel in Arabic and the novel as a transnational form itself.

The acclaimed Russian author’s international-bestselling fantasy series continues in this “unpredictable, mysterious” novel that’s “full of surprises” (Publishers Weekly). In The Stranger’s Magic, Sir Max once again travels to the enchanted parallel world of Echo, where magic is commonplace and he fits right in. As an investigator of illegal magic with the Secret Investigative Force, Max has made more than a few enemies. Now one “pretty boy” Nennurex Kiexla has set out for revenge against Max in the most insidious of ways—by infiltrating his dreams. Plunging back into the highly original realm first portrayed in The Stranger (Fandomania.com’s #1 Book of 2009) and continued in The Stranger’s Woes, Frei’s new novel blends fantasy, horror, philosophy, and comedy in this tale that will have readers “entranced” (Publishers Weekly). “Fans of Jasper Fforde and Susanna Clark will happily jump into Frei’s world.” —USA Today “If Harry Potter smoked cigarettes and took a certain matter-of-fact pleasure in administering tough justice, he might like Max Frei.” —Kirkus Reviews on The Stranger

Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as James Baldwin, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Garrett Hongo, while making compelling connections to Mura's own life and work as a Japanese American writer. In A Stranger's Journey, Mura poses two central questions. The first involves identity: How is writing an exploration of who one is and one's place in the world? Mura examines how the myriad identities in our changing contemporary canon have led to new challenges regarding both craft and pedagogy. Here, like Toni Morrison's Playing in the Dark or Jeff Chang's Who We Be, A Stranger's Journey breaks new ground in our understanding of the relationship between the issues of race, literature, and culture. The book's second central question involves structure: How does one tell a story? Mura provides clear, insightful narrative tools that any writer may use, taking in techniques from fiction, screenplays, playwriting, and myth. Through this process, Mura candidly explores the newly evolved aesthetic principles of memoir and how questions of identity occupy a central place in contemporary memoir.