This issue shows how a conversation between the interdisciplinary fields of Native American studies and queer studies can generate more complex and nuanced understandings of the U.S. nation-state, of Native peoplehood, and of the roles culture plays in processes of political expression and identification. Recent bans on same-sex marriage within the Cherokee and Navajo nations suggest the importance of charting the relationship between discourses of sexuality and dominant ideologies of political legitimacy. Exploring how marriage, family, homemaking, kinship, personal identity, and everyday experience are linked to legal institutions and public policy, the contributors investigate the complex interweaving of histories of queerness and indigeneity. Challenging operative assumptions in these two fields by putting them into dialogue, the collection opens up new ways of approaching the matrix of settlement, sexuality, and sovereignty. One essay cross-examines the heterosexism of the Cherokee government's outlawing of same-sex marriage by revisiting that culture's traditional embrace of variation. Another essay theorizes the politics of visibility surrounding Native writers whose work takes a queer turn but who do not publicly contest the presumption of their straightness. Several essays address the possibilities and limits of queer theoretical frameworks in conceptualizing the legacies of settler colonialism. The final essay traces the history of gendercide in Native California and argues for the recovery of traditional notions of two-spirit identity within contemporary projects of decolonization.

When Did Indians Become Straight? explores the complex relationship between contested U.S. notions of normality and shifting forms of Native American governance and self-representation. Examining a wide range of texts (including captivity narratives, fiction, government documents, and anthropological tracts), Mark Rifkin offers a cultural and literary history of the ways Native peoples have been inserted into Euramerican discourses of sexuality and how Native intellectuals have sought to reaffirm their peoples' sovereignty and self-determination.

'When Did Indians Become Straight?' explores the complex relationship between sexual mores and shifting forms of Native American self-representation

“This book is an imagining.” So begins this collection examining critical, Indigenous-centered approaches to understanding gay, lesbian, bisexual, transgender, queer, and Two-Spirit (GLBTQ2) lives and communities and the creative implications of queer theory in Native studies. This book is not so much a manifesto as it is a dialogue—a “writing in conversation”—among a luminous group of scholar-activists revisiting the history of gay and lesbian studies in Indigenous communities while forging a path for Indigenouscentered theories and methodologies. The bold opening to Queer Indigenous Studies invites new dialogues in Native American and Indigenous studies about the directions and implications of queer Indigenous studies. The collection notably engages Indigenous GLBTQ2 movements as alliances that also call for allies beyond their bounds, which the co-editors and contributors model by crossing their varied identities, including Native, trans, straight, non-Native, feminist, Two-Spirit, mixed blood, and queer, to name just a few. Rooted in the Indigenous Americas and the Pacific, and drawing on disciplines ranging from literature to anthropology, contributors to Queer Indigenous Studies call Indigenous GLBTQ2 movements and allies to center an analysis that critiques the relationship between colonialism and heteropatriarchy. By answering critical turns in Indigenous scholarship that center Indigenous epistemologies and methodologies, contributors join in reshaping Native studies, queer studies, transgender studies, and Indigenous feminisms. Based on the reality that queer Indigenous people “experience multilayered oppression that profoundly impacts our safety, health, and survival,” this book is at once an imagining and an invitation to the reader to join in the discussion of decolonizing queer Indigenous research and theory and, by doing so, to partake in allied resistance working toward positive change.

Explores the intimate relationship of non-Native and Native sexual politics in the United States

To date, no book has systematically examined the theological writings of LGBT people of color. Nor has any book explored how such writings might actually transform contemporary theological reflections on race and sexuality. This book remedies these gaps by constructing a rainbow theology around the theme of bridging or mediation. Rainbow Theology is the first book to reflect upon the theological significance of the intersections of race and queer sexuality across multiple ethnic and cultural groups. This is particularly important in light of the current polarizing debates over issues of race, sexuality, and religion within churches and communities of faith around the world.

Two-Spirit people, identified by many different tribally specific names and standings within their communities, have been living, loving, and creating art since time immemorial. It wasn’t until the 1970s, however, that contemporary queer Native literature gained any public notice. Even now, only a handful of books address it specifically, most notably the 1988 collection Living the Spirit: A Gay American Indian Anthology. Since that book’s publication twenty-three years ago, there has not been another collection published that focuses explicitly on the writing and art of Indigenous Two-Spirit and Queer people. This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two. Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century. Contributors: Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack