In 1989, the rape and beating of a white female jogger in Central Park made international headlines. Many accounts reported the incident as an example of “wilding”—episodes of poor, minority youths roaming the streets looking for trouble. Police intent on immediate justice for the victim coerced five African-American and Latino boys to plead guilty. The teenage boys were quickly convicted and imprisoned. Natalie Byfield, who covered the case for the New York Daily News, now revisits the story of the Central Park Five from her perspective as a black female reporter in Savage Portrayals. Byfield illuminates the race, class, and gender bias in the massive media coverage of the crime and the prosecution of the now-exonerated defendants. Her sociological analysis and first-person account persuasively argue that the racialized reportage of the case buttressed efforts to try juveniles as adults across the nation. Savage Portrayals casts new light on this famous crime and its far-reaching consequences for the wrongly accused and the justice system.

This book critically examines how race is constructed globally to intersect gender, class, sexuality, language ability and religion and answers some very important questions, like how does anti-black racism manifest itself within various contexts? Chapters in the book use the ‘Black and White paradigm’ as a lens for critical race analysis examining how, for example, the saliency of race and Blackness shape the ‘post-colony’, as well as the various ‘post’ colonial nations. The paradigm centers Whiteness as the lens of defining what and what is different. The negative portrayal of difference is anchored in the sanctity of Whiteness. It is through such analysis that we can understand how historically colour has been a permanent marker of differentiation even though it has not been the only one. It is through conversations and dialogue in the classroom that the book was created; given the current political shift in American and the rise of Anti-Blackness, anti-Indigeneity, Islamophobia and xenophobia. The book critically examines White supremacy, racialization of gender, “post-racial” false narratives, and other contemporary issues surrounding race.

Walter Benjamin derided Werner Scholem as a ‘rogue’ in 1924. Josef Stalin referred him as a ‘splendid man’, but soon backtracked and labeled him an ‘imbecile’, while Ernst Thälmann, chairman of the Communist Party of Germany (KPD), warned his followers against the dangers of ‘Scholemism’. For the philosopher and historian Gershom Scholem, however, Werner was first and foremost his older brother. The life of German-Jewish Communist Werner Scholem (1895–1940) had many facets. Werner and Gerhard, later Gershom, rebelled together against their authoritarian father and the atmosphere of national chauvinism engulfing Germany during World War I. After inspiring his younger brother to take up the Zionist cause, Werner himself underwent a long personal journey before deciding to join the Communist struggle. Scholem climbed the party ladder and orchestrated the KPD's ‘Bolshevisation’ campaign, only to be expelled as one of Stalin's opponents in 1926. He was arrested in 1933, and ultimately murdered in the Buchenwald concentration camp seven years later. This first biography of Werner Scholem tells his life story by drawing on a wide range of original sources and archive material long hidden beyond the Iron Curtain of the Cold War era. First published in German by UVK Verlagsgesellschaft as Werner Scholem - eine politische Biographie (1895-1940), Konstanz, 2014.

The core of what we call St James's dates from the late seventeenth century, when large estates were leased by the Crown to the landed gentry after the Restoration in 1660. St James's clubs, coffee houses and institutions have been shaped by enterprise, political conflict, and Britain's emerging role as an Imperial power. This is the historic heart of London's Clubland. Over 300 years, Clubland has extended its reach to encompass Piccadilly, Mayfair, Bond Street, Covent Garden and Westminster. Ever discreet, the clubs do not draw attention to themselves, though their members are often highly influential individuals who are leaders in politics, the law, the media and much more. Palaces of Power charts the evolution of London's Clubland, St James's, exploring the social and cultural history of the city's most prestigious district, and studying the tensions between the world of privilege and an emerging public realm over the last three centuries.

A ground-breaking and intensely revealing examination of the life of the 20th century's most iconic writer. Ernest Hemingway was an involuntary chameleon, who would shift seamlessly from a self-cultivated image of hero, aesthetic radical, and existential non-conformist to a figure made up at various points of selfishness, hypocrisy, self-delusion, narcissism and arbitrary vindictiveness. Richard Bradford shows that Hemingway's work is by parts erratic and unique because it was tied into these unpredictable, bizarre features of his personality. Impressionism and subjectivity always play some part in the making of literary works. Some authors try to subdue them while others treat them as the essentials of creativity but they endure as a ubiquitous element of all literature. They are the writer's private signature, their authorial fingerprint. In this new biography, which includes previously unpublished letters from the Hemingway archives, Richard Bradford reveals how Hemingway all but erased his own existence through a lifetime of invention and delusion, and provides the reader with a completely new understanding of the Hemingway oeuvre.

Book Six and the incomplete Book Seven of The Faerie Queene are the last sections of the unfinished poem to have been published. They show Spenser inflecting his narrative with an ever more personal note, and becoming an ever more desperate and anxious author, worried that things were falling apart as Queen Elizabeth failed in health and the Irish crisis became ever more terrifying. The moral confusion and uncertainty that Calidore, the Knight of Courtesy, has to confront are symptomatic of the lack of control that Spenser saw everywhere around him. Yet, within such a troubling and disturbing work there are moments of great beauty and harmony, such as the famous dance of the Graces that Colin Clout, the rustic alter ego of the poet himself, conjures up with his pipe. Book Seven, the Two Cantos of Mutabilitie, is among the finest of Spenser's poetic works, in which he explains the mythical origins of his world, as the gods debate on the hill opposite his Irish house. Whether order or chaos triumphs in the end has been the subject of most subsequent critical debate.

Presenting an analysis of modern-day extremism, this book explores how any group of people or participants in a movement--political, ideological, racial, ethnonational, religious, or issue-driven--can adopt extremist mindsets if they believe their existence or interests are threatened. Looking beyond "fringe" resistance groups already labeled as terrorists or subversives, the author examines conventional organizations--political parties, religious groups, corporations, interest groups, nation-states, police, and the military--that deploy extremist strategies to further their agendas. Dynamics of mutual causation process between dominant and resistant extremist groups are explored, including how resistant extremisms surface in response to oppressive and abusive measures advanced by the dominant groups to further their interests and maintain supremacy through systemic injustices, as happens in slavery, caste systems, patriarchy, colonialism, autocracy, exploitive capitalism, and discrimination against minorities.