Rethinking Antisemitism in Nineteenth-Century France is a history of the stories the French told about the Jews in their midst during the early nineteenth century. Using a novel cultural analysis that brings together pamphlets, newspaper articles, novels, and works of art, Julie Kalman focuses on the period that historians have explored the least, encompassing the years 1815-1848. Kalman shows that there were significant discussions surrounding France's Jewish population taking place during this period and argues that these discussions are central to our understanding of the history of the Jew's place in France. These stories also allow us to reflect on core questions of French history during this period, a time when the French were questioning the fundamental nature of their own identity.

“Seeks to further our understanding of the relationship between perceptions of Jews and the reality of their existence in nineteenth-century France.” —H-France Review Orientalizing the Jew shows how French travelers depicted Jews in the Orient and then brought these ideas home to orientalize Jews living in their homeland during the 19th century. Julie Kalman draws on narratives, personal and diplomatic correspondence, novels, and plays to show how the “Jews of the East” featured prominently in the minds of the French and how they challenged ideas of the familiar and the exotic. Portraits of the Jewish community in Jerusalem, romanticized Jewish artists, and the wealthy Sephardi families of Algiers come to life. These accounts incite a necessary conversation about Jewish history, the history of anti-Jewish discourses, French history, and theories of Orientalism in order to broaden understandings about Jews of the day. “A well-argued, beautifully written, and intellectually stimulating investigation of representations of Middle Eastern and North African Jews by French Catholic pilgrims, writers, artists, and bureaucrats over the 19th century.” —Maud Mandel, author of Muslims and Jews in France “Jews of France, nominally full citizens since the French Revolution . . . experienced uncertainty regarding whether their status would be reversed with each change of government . . . Kalman’s work contributes significantly to an understanding of that insecurity, as she fleshes out the stereotypes that others, officials, artists, authors and intellectuals, projected onto the Jews living among them inside France.” —French History

Globalizing Race explores how intersections between French antisemitism and imperialism shaped the development of European racial thought. Ranging from the African misadventures of the antisemitic Marquis de Morès to the Parisian novels and newspapers of late nineteenth-century professional antisemites, Dorian Bell argues that France’s colonial expansion helped antisemitism take its modern, racializing form—and that, conversely, antisemitism influenced the elaboration of the imperial project itself. Globalizing Race radiates from France to place authors like Guy de Maupassant and Émile Zola into sustained relation with thinkers from across the ideological spectrum, including Hannah Arendt, Friedrich Nietzsche, Frantz Fanon, Karl Marx, Max Horkheimer, and Theodor Adorno. Engaging with what has been called the “spatial turn” in social theory, the book offers new tools for thinking about how racisms interact across space and time. Among these is what Bell calls racial scalarity. Race, Bell argues, did not just become globalized when European racism and antisemitism accompanied imperial penetration into the farthest reaches of the world. Rather, race became most thoroughly global as a method for constructing and negotiating the different scales (national, global, etc.) necessary for the development of imperial capitalism. As France, Europe, and the world confront a rising tide of Islamophobia, Globalizing Race also brings into fascinating focus how present-day French responses to Muslim antisemitism hark back to older, problematic modes of representing the European colonial periphery.

Saint-Simonians were a group of young engineers and doctors who proposed original solutions to the social and banking crises of the early nineteenth century. Through an examination of the lives, ideals and activities of these men and women, the book analyses the influence of the Saint-Simonians on nineteenth-century French society.

The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish “outsiders” to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness – as religion, ethnicity, social role, cultural code, or text – these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.

Bernard-Lazare (1865-1903) was a French Jewish writer and a prime mover in the Dreyfus Affair. After being involved in the Symbolist and anarchist movements, he took up the cause of Dreyfus in his brochure “Une erreur judiciaire” which anticipated Zola’s “J’accuse” by three years. He was an early analyst of antisemitism and in later years an ardent Zionist whose outspoken views provoked much controversy. The Dreyfus Affair lies at the center of this book as it was the turning-point in Bernard-Lazare’s life. The first part of the book traces Bernard-Lazare’s early career: his devotion to Mallarmé and defense of the Symbolist aesthetic as a philosophy of freedom; his adoption of anarchist principles which satisfied his love of freedom, his sympathy for oppressed individuality and minority groups, and his passion for social justice; above all his analysis of antisemitism where, at first, he argued for social assimilation only to reject this idea later in favor of cultural pluralism. The second part offers a history of the Dreyfus Affair and of how Bernard-Lazare drew attention to the grave irregularities of the case and convinced others of the threat posed to Republican democracy. Finally, Nelly Wilson shows how Bernard-Lazare came to espouse Jewish nationalism in a more radical and solitary way than did Herzl, the founder of Zionism, and how, after his death, his memory was kept alive by Péguy, who saw in Bernard-Lazare the embodiment of the prophetic spirit. “[A] finely-crafted study... Dr. Wilson has more than mastered her subject... Readers will benefit from her work” — Michael R. Marrus, University of Toronto

Germany’s acceptance of its direct responsibility for the Holocaust has strengthened its relationship with Israel and has led to a deep commitment to combat antisemitism and rebuild Jewish life in Germany. As we draw close to a time when there will be no more firsthand experience of the horrors of the Holocaust, there is great concern about what will happen when German responsibility turns into history. Will the present taboo against open antisemitism be lifted as collective memory fades? There are alarming signs of the rise of the far right, which includes blatantly antisemitic elements, already visible in public discourse. The evidence is unmistakable—overt antisemitism is dramatically increasing once more. The Future of the German-Jewish Past deals with the formidable challenges created by these developments. It is conceptualized to offer a variety of perspectives and views on the question of the future of the German-Jewish past. The volume addresses topics such as antisemitism, Holocaust memory, historiography, and political issues relating to the future relationship between Jews, Israel, and Germany. While the central focus of this volume is Germany, the implications go beyond the German-Jewish experience and relate to some of the broader challenges facing modern societies today.