Recueil factice d'articles de presse et de documents sur l'Oeuvre de l'aide aux artistes et au personnel des théâtres de Paris, par l'Association des directeurs de théâtre de Paris. 1914-1917
Title | Recueil factice d'articles de presse et de documents sur l'Oeuvre de l'aide aux artistes et au personnel des théâtres de Paris, par l'Association des directeurs de théâtre de Paris. 1914-1917 PDF eBook |
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Pages | 26 |
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Recueil factice d'articles de presse et documents concernant l'Oeuvre "Trente ans de théâtre"
Title | Recueil factice d'articles de presse et documents concernant l'Oeuvre "Trente ans de théâtre" PDF eBook |
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Recueil factice d'articles de presse et documents concernant l'historique et l'administration du théâtre de Paris (1921-1940)
Title | Recueil factice d'articles de presse et documents concernant l'historique et l'administration du théâtre de Paris (1921-1940) PDF eBook |
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Pages | 22 |
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Recueil factice d'articles de presse sur des spectacles donnés au théâtre de Paris. 1921-1944
Title | Recueil factice d'articles de presse sur des spectacles donnés au théâtre de Paris. 1921-1944 PDF eBook |
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Hammer Blows and Other Writings
Title | Hammer Blows and Other Writings PDF eBook |
Author | David Diop |
Publisher | Bloomington : Indiana University Press |
Pages | 0 |
Release | 1973 |
Genre | Senegalese literature (French) |
ISBN | 9780253284204 |
Immersion in the Visual Arts and Media
Title | Immersion in the Visual Arts and Media PDF eBook |
Author | |
Publisher | BRILL |
Pages | 401 |
Release | 2015-10-27 |
Genre | Language Arts & Disciplines |
ISBN | 9004308237 |
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.
Satie the Bohemian
Title | Satie the Bohemian PDF eBook |
Author | Steven Moore Whiting |
Publisher | Clarendon Press |
Pages | 610 |
Release | 1999-02-18 |
Genre | Music |
ISBN | 0191584525 |
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.