This highly acclaimed study draws on information from spy reports and contemporary literature to look at English popular radicalism during the period between the anti-Jacobin government "Terror" of the 1790s and the beginnings of Chartism. The book traces for the first time the history of theunderground revolutionary-republican grouping founded by the agrarian reformer, Thomas Spence. Challenging conventional distinctions between "high" and "low" culture, McCalman illuminates the darker, more populist sides of Romanticism. Radical Underworld broadens the conventional boundaries ofpopular politics and culture by exploring a political underworld connected with poverty, crime, prophetic religion, and literary culture.

Intellectual Politics and Cultural Conflict in the Romantic Period maps the intellectual formation of English plebeian radicalism and Scottish philosophic Whiggism over the long eighteenth century and examines their associated strategies of critical engagement with the cultural, social and political crises of the early nineteenth century. It is a story of the making of a wider British public sphere out of the agendas and discourses of the radical and liberal publics that both shaped and responded to them. When juxtaposed, these competing intellectual formations illustrate two important expressions of cultural politics in the Romantic period, as well as the peculiar overlapping of national cultural histories that contributed to the ideological conflict over the public meaning of Britain's industrial modernity. Alex Benchimol's study provides an original contribution to recent scholarship in Romantic period studies centred around the public sphere, recovering the contemporary debates and national cultural histories that together made up a significant part of the ideological landscape of the British public sphere in the early nineteenth century.

In 1988 Iain McCalman's seminal work, Radical Underworld, unravelled the complex and clandestine revolutionary networks of democrats that operated in London between 1790 and the beginnings of Chartism, to reveal an urban underworld of prophets, infidels, pornographers and rogue preachers where powerful satirical and subversive subcultures were developed. This present volume reflects and builds upon the diversity of McCalman's discoveries, to present fresh insights into the culture and operation of popular politics in the 'age of reform'. It is a coherent and integrated treatment of the subject that offers a window into this 'unrespectable' underworld and questions whether it was a blackguard subculture or a more complex and rich counter-culture with powerful literary, legal and political implications. This book brings together an international team of experienced scholars to explore the concepts and subjects pioneered by McCalman. The volume presents a focused and coherent review of popular politics, from the meeting rooms of a reform society and the theatre stage, to the forum of the courtroom and the depths of prison.

RADICAL SPACES explores the rise of popular radicalism in London between 1790 and 1845 through key sites of radical assembly: the prison, the tavern and the radical theatre. Access to spaces in which to meet, agitate and debate provided those excluded from the formal arenas of the political nation-the great majority of the population-a crucial voice in the public sphere. RADICAL SPACES utilises both textual and visual public records, private correspondence and the secret service reports from the files of the Home Office to shed new light on the rise of plebeian radicalism in the metropolis. It brings the gendered nature of such sites to the fore, finding women where none were thought to gather, and reveals that despite the diversity in these spaces, there existed a dynamic and symbiotic relationship between radical culture and the sites in which it operated. These venues were both shaped by and helped to shape the political identity of a generation of radical men and women who envisioned a new social and political order for Britain.

Shot, stabbed, and beaten, Miyazaki Manabu somehow emerged intact from his first fifty years to put his astonishing life story down on paper. Born the son of a yakuza boss in 1945, he grew up in a household of gang members and social misfits before his conversion to Marxism launched him into the violent world of 1960s student radicalism. After dropping out of university and spending a brief sojourn in South America, he became a reporter on a fast-rising weekly magazine. Called back home to Kyoto to take over the family demolition business, he was plunged into a maelstrom of bankruptcy and debt, forcing him to raise funds however he could. Along the way, he became the chief suspect in one of Japan's most sensational criminal cases----still unsolved----before getting caught up in the crazy years of Japan's bubble economy, when land speculators tipped their favorite bar hostesses millions of yen and Dom Perignon flowed like water. More than just one man's incredible story, unflinchingly told, Toppamono is a sophisticated analysis of Japan's postwar half-century that will astound and enlighten. Devastatingly critical of banks and bureaucrats, questioning of Japan's understanding of democracy, and cogent on the role played by the yakuza in Japanese society, this underground best-seller, first published in 1996, will keep you enthralled until the very last page. toppamono n: a person with a devil-may-care attitude, who pushes ahead regardless.

This fascinating study reveals the extent to which the Orientalism of Byron and the Shelleys resonated with the reformist movement of the Romantic era. It documents how and why radicals like Bentham, Cobbett, Carlile, Hone and Wooler, among others in post-Revolutionary Britain, invoked Turkey, North Africa and Mughal India when attacking and seeking to change their government's domestic policies. Examining a broad archive ranging from satires, journalism, tracts, political and economic treatises, and public speeches, to the exotic poetry and fictions of canonical Romanticism, Gerard Cohen-Vrignaud shows that promoting colonization was not Orientalism's sole ideological function. Equally vital was its aesthetic and rhetorical capacity to alienate the people's affection from their rulers and fuel popular opposition to regressive taxation, penal cruelty, police repression, and sexual regulation.

Poetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.