Who says you can’t be pious and fashionable? Throughout the Muslim world, women have found creative ways of expressing their personality through the way they dress. Headscarves can be modest or bold, while brand-name clothing and accessories are part of a multimillion-dollar ready-to-wear industry that caters to pious fashion from head to toe. In this lively snapshot, Liz Bucar takes us to Iran, Turkey, and Indonesia and finds a dynamic world of fashion, faith, and style. “Brings out both the sensuality and pleasure of sartorial experimentation.” —Times Literary Supplement “I defy anyone not to be beguiled by [Bucar’s] generous-hearted yet penetrating observation of pious fashion in Indonesia, Turkey and Iran... Bucar uses interviews with consumers, designers, retailers and journalists...to examine the presumptions that modest dressing can’t be fashionable, and fashion can’t be faithful.” —Times Higher Education “Bucar disabuses readers of any preconceived ideas that women who adhere to an aesthetic of modesty are unfashionable or frumpy.” —Robin Givhan, Washington Post “A smart, eye-opening guide to the creative sartorial practices of young Muslim women... Bucar’s lively narrative illuminates fashion choices, moral aspirations, and social struggles that will unsettle those who prefer to stereotype than inform themselves about women’s everyday lives in the fast-changing, diverse societies that constitute the Muslim world.” —Lila Abu-Lughod, author of Do Muslim Women Need Saving?

Lieutenant Jaymes Ellias is ready to leave the Basilean Navy. A career spent in coastal defence and administrative positions has left him dejected and resentful, and he has a plan for life outside the military. But when he is suddenly sent to the ship’s company of the HW Pious, an elohi-class frigate, he is propelled into action under the command of the harsh, sardonic Captain Charn Ferrus. Ferrus and his squadron are employed in pirate hunting duties in the sun-drenched Infant Sea, combating the increasingly aggressive exploits of the self-styled orc admiral, Ghurak. Fighting alongside Jaymes are Karnon Senne, a newly appointed Basilean marine captain experienced in warfare on land, and Caithlin Viconti, a privateer captain whose expert knowledge of sailing does not match her inexperience in warfare. Jaymes and the crew of the Pious must brave deadly orc warships and their violent pirate crews across the idyllic, green seas of the Infant Sea and the sandy island chains south of the Basilean mainland to put a stop to the brutal, deadly fleet of Ghurak.

PIOUS, a novel by Kenn Bivins, is about a duplicitous man who is confronted with all that he has tried to hide of his past when a registered sex-offender moves into his neighborhood.

Essays re members of the Moravian Church; although many of these Protestant immigrants spoke German, they originated in various countries.

"For all who want to make sense of fundamentalism as a long-term consequence of the modern world, Pious Passion will be required reading. It is also enjoyable, abounding in cogent arguments set forth in lucid prose and supported by compelling examples."—Bruce B. Lawrence, author of Defenders of God "Riesebrodt's trenchant analysis brings the comparative study of religious activism to a new level of sophistication, exploring not only the ideological development of fundamentalist movements but also the changes in social structure that produced them. Pious Passion is a signal event in the modern social sciences, for it helps to establish a new academic field—the comparative study of fundamentalism."—Mark Juergensmeyer, author of The New Cold War?

In Pakistan, religious talk shows emerged as a popular television genre following the 2002 media liberalization reforms. Since then, these shows have become important platforms where ideas about Islam and religious authority in Pakistan are developed and argued. In Religious Television and Pious Authority in Pakistan, Taha Kazi reveals how these talk shows mediate changes in power, belief, and practice. She also identifies the sacrifices and compromises that religious scholars feel compelled to make in order to ensure their presence on television. These scholars, of varying doctrinal and educational backgrounds—including madrasa-educated scholars and self-taught celebrity preachers—are given screen time to debate and issue religious edicts on the authenticity and contemporary application of Islamic concepts and practices. In response, viewers are sometimes allowed to call in live with questions. Kazi maintains that these featured debates inspire viewers to reevaluate the status of scholarly edicts, thereby fragmenting religious authority. By exploring how programming decisions inadvertently affect viewer engagements with Islam, Religious Television and Pious Authority in Pakistan looks beyond the revivalist impact of religious media and highlights the prominence of religious talk shows in disrupting expectations about faith.

The Taliban made piety a business of the state, and thereby intervened in the daily lives and social interactions of Afghan women. Pious Peripheries examines women's resistance through groundbreaking fieldwork at a women's shelter in Kabul, home to runaway wives, daughters, mothers, and sisters of the Taliban. Whether running to seek marriage or divorce, enduring or escaping abuse, or even accused of singing sexually explicit songs in public, "promiscuous" women challenge the status quo—and once marked as promiscuous, women have few resources. This book provides a window into the everyday struggles of Afghan women as they develop new ways to challenge historical patriarchal practices. Sonia Ahsan-Tirmizi explores how women negotiate gendered power mechanisms, notably those of Islam and Pashtunwali. Sometimes defined as an honor code, Pashtunwali is a discursive and material practice that women embody through praying, fasting, oral and written poetry, and participation in rituals of hospitality and refuge. In taking ownership of Pashtunwali and Islamic knowledge, in both textual and oral forms, women create a new supportive community, finding friendship and solidarity in the margins of Afghan society. So doing, these women redefine the meanings of equality, honor, piety, and promiscuity in Afghanistan.