A fascinating biography of a revolutionary American artist ripe for rediscovery as a photographer and champion of other artists Alfred Stieglitz (1864–1946) was an enormously influential artist and nurturer of artists even though his accomplishments are often overshadowed by his role as Georgia O’Keeffe’s husband. This new book from celebrated biographer Phyllis Rose reconsiders Stieglitz as a revolutionary force in the history of American art. Born in New Jersey, Stieglitz at age eighteen went to study in Germany, where his father, a wool merchant and painter, insisted he would get a proper education. After returning to America, he became one of the first American photographers to achieve international fame. By the time he was sixty, he gave up photography and devoted himself to selling and promoting art. His first gallery, 291, was the first American gallery to show works by Picasso, Rodin, Matisse, and other great European modernists. His galleries were not dealerships so much as open universities, where he introduced European modern art to Americans and nurtured an appreciation of American art among American artists.

A book for photography and fine art lovers alike. A stunning compilation of nudes in which photographer, Rankin, blurs the line between photography and painting. Inspired by Gerhard Richter amongst other influences, Rankin photographed the worlds top models naked against sumptuous materials. He then pushes the boundaries of modern retouching and shows what artistic effect it can have by turning his photographs into apparent oil paintings. A departure from his usual style, this book may surprise those familiar with Rankin's work, as the photographer breaks into an area previously unexplored by him or indeed many others. 'Painting Pretty Pictures' flies in the face of the media debate over photographic retouching, and shows the positive effect it can have

"This is an outstanding piece of work: timely, essential, authoritative, and original. Cahill throws light on obscure artists, emerging styles and regional traditions, unexplored aspects of cultural life, enigmatic iconographies, and questions of authorship and authenticity, leaving the reader richly informed and full of new ideas."--Susan Nelson, Indiana University "Cahill brings the vast body of 'vernacular' painting into the legitimate venue of art historical criticism, giving connoisseurs, viewers, and readers a more capacious and accurate grasp of the world of Chinese pictorial art."--Susan Mann, author of The Talented Women of the Zhang Family

Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.

This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.

Excerpt from The World's Painters and Their Pictures The present universal interest in the subject of historic art and the indications that very soon it will hold equal importance in our school curriculums with those of general history and literature, are sufficient excuse for the making of a new book which treats of the world's painters and paintings. It is hoped that the volume will be of especial usefulness to young students of the subject, to whom it has been carefully adapted, as well as to the general reader. In it reference will be found to painters of greatest note in the history of art, a careful analysis of the characteristics of their work, and abundant and well-arranged information concerning their most noted pictures, - all in accordance with the decisions of the latest and most authoritative criticism. This latter feature will be found of unusual service to those who are preparing to visit the picture galleries of the Old World. The significance of colors as used by the old masters and the emblems by which saints and other sacred personages, when found in an old picture, may be readily recognized, as well as the pronouncing vocabulary of artists' names, are useful features of the book. It also contains a list of pictures which have grown familiar to the public through reproduction, together with names of their painters and the places where they are to be found. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.