The On Poems by Philodemus (c. 110-35 BC), the Epicurean philosopher and poet who taught Vergil and influenced Horace, is our main source for Hellenistic literary theory. In Book 1 Philodemus summarizes a survey of previously unknown poetic and aesthetic theories. Compiled by Crates of Mallos this survey reviews the critical theories of earlier Epicureans, Peripatetics, and Stoics, who argued in some way that sound is the source of poetic excellence, and that the ear, unaided by the mind, can judge it. Philodemus led the reaction against this invasion of Hellenistic literary criticism by musical theory, arguing that form and content are interrelated, and that substantive content, not pretty sound, is what makes poetry worthwhile. The 200 fragments of Book 1 were entirely jumbled after its discovery at the site of Vesuvius' destruction of Herculaneum. This edition reconstitutes their original sequence, according to a new method, while exploiting previously unknown manuscript sources and new techniques for reading the extant pieces. In thus restoring this important aesthetic treatise from antiquity, it makes a major addition to the corpus of classical literature.

This volume offers authoritative discussions of all aspects of the philosophy of Epicurus (340-271 BCE) and then traces Epicurean influences throughout the Western tradition. It is an unmatched resource for those wishing to deepen their knowledge of Epicureanism's powerful arguments about death, happiness, and the nature of the material world.

This book elucidates the poetics of Philodemus of Gadara, a first century BCE Epicurean philosopher and poet, whose On Poems survives in extensive fragments among the Herculaneum papyri. Although his treatise was primarily polemical and lacks positive exposition, his views are often recoverable from a careful reading of the debates, occasional direct evidence, and attention to his basic Epicurean commitments. His main critical principle is that form and content are inseparable and mutually-reinforcing: a change in one means a change in the other. The poet uses this marriage of form and content to create the psychological effect of the poem in the audience. This effect is hard to pin down exactly. Poems produce "additional thoughts" in the audience, and these entertain them. It seems clear that Philodemus expected good poets to arrange form and content suggestively, so that the poems could exert a lasting pull on the minds of the audience. Additionally, this book summarizes the views of Philodemus' opponents, the technical terminology of literary criticism in the Hellenistic period, and the history of Epicureanism's engagement with poetics. Epicurus did not write an On Poems but Metrodorus did, and this is probably Philodemus' touchstone for his own views. Zeno of Sidon, Demetrius Laco, Siro, and other Epicureans are examined as well. The book concludes with an appendix of topics examined by Philodemus, such as genre, mimesis, "appropriateness," utility, and various technical terms.

Philodemus was an important Epicurean philosopher active in southern Italy in the first century B.C.E. His treatise On Property Management, whose surviving part is completely translated here into English for the first time, focuses primarily on the vices or virtues involved in the acquisition and preservation of property and wealth. The extant remains of the work contain the most extensive and thorough treatment of property management found in any Hellenistic author. Philodemus criticizes rival writings by Xenophon and Theophrastus on the subject of oikonomia, or property management, and defends his own Epicurean views on the topic. More systematic and philosophical than rival approaches, the treatise clarifies many moral issues pertaining to the possession and preservation of property and wealth and provides plausible answers to a cluster of moral questions.

Voula Tsouna presents a comprehensive study of the ethics of the Epicurean philosopher Philodemus, who taught Virgil, influenced Horace, and was praised by Cicero. His works have only recently become available to modern readers, through the decipherment of a papyrus carbonized by the eruption of Vesuvius in 79 AD. Tsouna examines Philodemus' theoretical principles in ethics, his contributions to moral psychology, his method, his conception of therapy, and his therapeutic techniques. Part I begins with an outline of the fundamental principles of Philodemus' ethics in connection with the canonical views of the Epicurean school, and highlights his own original contributions. In addition to examining central features of Philodemus' hedonism, Tsouna analyses central concepts in his moral psychology, notably: his conception of vices, which she compares with that of the virtues; his account of harmful or unacceptable emotions or passions; and his theory of corresponding acceptable emotions or 'bites'. She then turns to an investigation of Philodemus' conception of philosophy as medicine and of the philosopher as a kind of doctor for the soul. By surveying his methods of treatment, Tsouna determines the place that they occupy in the therapeutics of the Hellenistic era. Part II uses the theoretical framework provided in Part I to analyse Philodemus' main ethical writings. The works considered focus on certain vices and harmful emotions, including flattery, arrogance, greed, anger, and fear of death, as well as traits related to the administration of property and wealth.

Presents a side-by-side Greek-English translation of Philodemus' On Frank Criticism. The essay is of vast importance to an understanding of the relationship between classical culture and early Christianity. It treats techniques of pedagogy and moral improvement within the philosophical community that were to be central concerns of Christian teachers, whether in a congregational or a monastic context. Annotation copyrighted by Book News, Inc., Portland, OR

This edition collects all the epigrams attributed to Epicurean philosopher and poet Philodemos of Gadara (ca. 110-40 BC). In editing these epigrams, Sider has reexamined several manuscripts of the Greek Anthology. Thirty-eight epigrams (three only doubtfully Philodemean, and two spurious) are printed in the original Greek and in English translation, with full critical apparatus and commentary. Sider also includes the text of a recently edited papyrus containing fragments of many known and newly discovered epigrams by Philodemos. In addition to the usual issues involved in editing a Classical poet--i.e. the poet's life, his use of meter, the epigrammatic tradition, and the place of the epigrams in the Greek Anthology--Sider's introduction considers the relationship between Philodemos' philosophy and poetry. He explains how the epigrams fit into the literary views expressed in Philodemos' On Poems and how they clashed with the Epicurean stance against the writing of poetry.