The first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. Fontcuberta uses the motif of Pandora's box to conceptualise the capricious nature of photography, and its fickle relationship to truth - employing the Greek myth concerning a large jar containing myriad forms of human unhappiness, or blessings, depending on the version you read. As Pandora's camera, digital technology spells calamity to some and liberation to others; it is blamed for irretrievably discrediting veracity, but at the same time it introduces a new degree of truth. Fontcuberta examines the new principles that have arisen within the digital ecosystem, in critical reflections inspired by the hope that still remains in the notion of a postmodern Pandora's camera - one that might not only describe our environment, but also bring transparency to it.

Pandora Whalley is a haunted woman with a tragic past. For as long as she can remember, she has felt spirits around her, sometimes playful, sometimes spiteful, sometimes angry. But now, the spirits have become menacing and Pandora has become a recluse, trapped inside the house by something she cannot name. Something that is biding its time. Something that is preying on her soul. Nick van der Ryn is a parapsychologist who has stumbled onto the perfect haunted house—the Whalley Mansion. Orbs, ghosts, strange sounds, shadow people, an eerie mirror hung in the mansion's cavernous stairwell—this place has it all. But what fascinates Nick even more than the house is the woman who lives there. The one he can’t stop thinking about. The one who seems like she’s being consumed by the mansion even as he watches. Both Pandora and Nick will have to outwit the forces, both living and dead, that conspire to keep them apart—forces that want to keep Pandora from inheriting her birthright on her twenty-fifth birthday. Together, they must solve the mystery of Pandora's ancient family legacy, and survive, before they can truly understand the terrifying apparitions in Pandora's Mirror.

In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.

Computing technology is constantly evolving and changing, developing and consolidating its position as a vital component of our lives. It no longer plays a minor part in society – it is embedded in, and affects, all aspects of life, from education to healthcare to war. Dealing with the implications of this is a major challenge, and one that can impact upon us, both personally and professionally. As a consequence, it is vital that all in the computing industry make wise decisions regarding their conduct. Using case studies and discussion topics drawn from entertaining real world examples, Pandora’s Box examines the background of a wide range of vital contemporary issues, encouraging readers to examine the social, legal and ethical challenges they will face in their own careers. Written in an engaging style and packed with international examples, this book addresses topics which have come to the forefront of public consciousness in recent years, such as online crime, piracy and peer to peer file sharing. Comprehensive coverage is provided of digital entertainment, censorship and privacy issues, presenting a rich source of context in which to consider ethical matters. Suitable for students on computer science degree programmes, as well as those taking IT related modules on other courses which consider the impact of technology on 21st century living, Pandora’s Box is an essential read and a unique and timely textbook.

Named to Kirkus Reviews’ Best Books of 2023 A ‘remarkable book.’ – The New York Times This fearless, deeply reported book about laboratory accidents asks the haunting question some elite scientists don’t want the public to entertain: Did the COVID-19 pandemic start with a lab leak in Wuhan, China? This is an obvious question. Yet there’s been an extraordinary effort by government officials in China, as well as leading scientific experts in the United States and around the world, to shut down any investigation or discussion of the lab leak theory. In private, however, some of the world’s elite scientists have seen a lab accident as a very real and horrifying possibility. They know what the public doesn’t. Lab accidents happen with shocking frequency. Even at the world’s best-run labs. That’s among the revelations from Alison Young, the award-winning investigative reporter who has spent nearly 15 years uncovering shocking safety breaches at prestigious U.S. laboratories for USA Today and other respected news outlets. In Pandora’s Gamble, Young goes deep into the troubling history -- and enormous risks -- of leaks and accidents at scientific labs. She takes readers on a riveting journey around the world to some of the worst lab mishaps in history, including the largely unknown stories of the lab workers at the U.S. Army’s Camp Detrick who suffered devastating infections at alarming rates during World War II. And her groundbreaking reporting exposes for the first time disturbing new details about recent accidents at prestigious laboratories – and the alarming gaps in government oversight that put all of us at risk. Sourced through meticulous reporting and exclusive interviews with key players including Dr. Anthony Fauci, former CDC Director Tom Frieden and others, Young’s examination reveals that the only thing rare about lab accidents is the public rarely finds out about them. Because when accidents happen, powerful people and institutions often work hard to keep the information secret.