Patrice Evans is The Assimilated Negro, a hyperobservant, savagely pop-savvy instigator bent on pranking the crap out of our modern racial discourse. Since the debut of his popular “Ghetto Pass” column for Gawker.com, Evans has been the rare voice capable of speaking to junkies for both White Castle and Colson Whitehead with equal insight and aplomb. His first book, Negropedia, is a wide-ranging, deeply idiosyncratic tour through the tricky racial landscape of the Obama era, aimed at pop-culture consumers at the intersecting fan bases of South Park and Chappelle’s Show, Scott Pilgrim and The Boondocks. Whether deconstructing Lil Wayne’s “no homo hypocrisy,” outlining the all-important Clair Huxtable code for finding a mate, or assessing Susan Sontag’s street cred, Evans provides a stream of daring outsider anthropology.

Patrice Evans is The Assimilated Negro, a hyperobservant, savagely pop-savvy instigator bent on pranking the crap out of our modern racial discourse. Since the debut of his popular “Ghetto Pass” column for Gawker.com, Evans has been the rare voice capable of speaking to junkies for both White Castle and Colson Whitehead with equal insight and aplomb. His first book, Negropedia, is a wide-ranging, deeply idiosyncratic tour through the tricky racial landscape of the Obama era, aimed at pop-culture consumers at the intersecting fan bases of South Park and Chappelle’s Show, Scott Pilgrim and The Boondocks. Whether deconstructing Lil Wayne’s “no homo hypocrisy,” outlining the all-important Clair Huxtable code for finding a mate, or assessing Susan Sontag’s street cred, Evans provides a stream of daring outsider anthropology.

Negropedia is concerned with discovering the word Negro and its translations embedded within other words. In this first edition we go through many sources and investigate over six thousand expressions that conceal the Negro within. First we show you the saying Negro translated in many languages; next you can read through thousands of words and find Negro infused.

A memoir of astonishing power–the true story of a middle-class, middle-aged man who fell into the Inferno of the American prison system, and what he has to do to survive. It is your worst nightmare. You wake up in an 8' x 6' concrete-and-steel cell designated "Suicide Watch #3." The cell is real. Jimmy Lerner, formerly a suburban husband and father, and corporate strategic planner and survivor, is about to become a prison "fish," or green new arrival. Taken to a penitentiary in the Nevada desert to begin serving a twelve-year term for voluntary manslaughter, this once nice Jewish boy from Brooklyn ends up sharing a claustrophobic cell with Kansas, a hugely muscled skinhead with a swastika engraved on his neck and a serious set of issues. And if he dares complain, the guards will bluntly tell him, "You got nothing coming." Bringing us into a world of petty corruption, racial strife, and crank-addicted neo-Nazis, Jimmy Lerner gives us a fish’s progress: a brash, compelling, and darkly comic story peopled with characters who are at various times funny, violent, and surprisingly tender. His rendering of prison language is mesmerizingly vivid and exact, and his search for a way not simply to survive but to craft a new way to live, in the most unpropitious of circumstances, is a tale filled with resilience, dignity, and a profound sense of the absurd. In the book’s climax, we learn just what demonic set of circumstances–a compound of bad luck and worse judgment–led him to the lethal act of self-defense that landed him in a circle of an American hell. Electrifying, unforgettable, bracingly cynical, and perceptive, You Got Nothing Coming is impossible to put down or shake off. What the cult favorite Oz is to television, this book is to prose–and all of the events are real.

New York Times Bestseller • From a former White House speechwriter comes a deliciously candid memoir about official Washington—a laugh-out-loud cri de coeur that shows what can happen to idealism in a town driven by self-interest. “[An] entertaining book about what goes on—or doesn’t—in Washington.” —American Spectator Despite being raised by reliably liberal parents, Matt Latimer is lured by the upbeat themes of the Reagan Revolution and, in the tradition of Mary Tyler Moore, sets off from the Midwest for the big city. Determined to “make it after all,” Matt daydreams of eradicating do-nothing boondoggleism and leading America to new heights of greatness. But first he has to find a job. Like an inside-the-Beltway Dante, Matt descends into Washington, D.C., hell, and snares a series of increasingly lofty—but unsatisfying—jobs with powerful figures on Capitol Hill. When Fate offers Matt a job as chief speechwriter for Secretary of Defense Donald Rumsfeld and Matt finds he actually admires the man (causing his liberal friends to shake their heads in dismay), his youthful passion is renewed. But Rummy soon becomes a piñata for the press, and the Department of Defense is revealed as alarmingly dysfunctional. Eventually, Matt lands at the White House, his heart aflutter with the hope that, here at last, he can fulfill his dream of penning words that will become part of history—and maybe pick up some cool souvenirs. But reality intrudes once again. More like The Office than The West Wing, the nation’s most storied office building is run by staffers who are in way over their heads, and almost everything the public has been told about the major players—Bush, Cheney, Rice, Rumsfeld, Rove—is wrong. Both a rare behind-the-scenes account that boldly names the fools and scoundrels, and a poignant lament for the principled conservatism that disappeared during the Bush presidency, Speech-less will forever change the public’s view of our nation’s capital and the people who joust daily for its power. Praise for Speech-less “Deft, surprising, darned entertaining.” —Christopher Buckley "It's a good read… quite frankly, the stories are funny!" —Pat Buchanan

Now the TNT Original Series MOB CITY Midcentury Los Angeles. A city sold to the world as "the white spot of America," a land of sunshine and orange groves, wholesome Midwestern values and Hollywood stars, protected by the world’s most famous police force, the Dragnet-era LAPD. Behind this public image lies a hidden world of "pleasure girls" and crooked cops, ruthless newspaper tycoons, corrupt politicians, and East Coast gangsters on the make. Into this underworld came two men—one L.A.’ s most notorious gangster, the other its most famous police chief—each prepared to battle the other for the soul of the city.