Muse No More is a paranormal fantasy women’s fiction novel and is a women’s action and adventure tale from USA Today Bestselling Author Donna McDonald. Was it necessary for an entire task of the prophecy to be about me making amends? With four tasks of the Doomsday Prophecy solved and five more to go, I need time some time off to rest and recharge before tackling task five. My goddess power is dwindling daily. Signs of mortal aging are warning me that my goddess days may be nearing their Mortal Realm end. Should I admit failure to the Fates and beg for help from them? That’s never happening. Or at least it’s not happening until I’ve run out of other options. I’m not sure what other goddesses would do in my situation, but I’m taking my dragon champion and heading to Rome for a break. Who knows? Maybe I’m just tired. So what if I can’t make a portal and have to ask a magical friend to do it for me? A visit to my secret treasure vault in Rome will hopefully be worth swallowing that much of my pride. My mortal sins are few. My goddess sins are many. Maybe a walk down memory lane is long overdue. AUTHOR NOTE: This story is paranormal fantasy (think Dark Fairies, Demons, Pegasi, and Dragons) and a women’s action and adventure novel. Some romantic elements are also included. This is the third book in the Nine Heirs and a Spare series which has its roots in Greek mythology. You can count on the good guys (or rather good women) winning some of their battles, but that’s the only promise I can make. As with all my work, there will be some good laughs along the way. Topics: mythology, Greek mythology, goddess, series starter, first in series, fantasy series, paranormal action and adventure, women's fiction, fantasy fiction, paranormal romance, shifter romance, romance ebook, romance series, fantasy romance, paranormal elements, contemporary fantasy, urban fantasy, HEA, strong heroine, alpha hero, romance fiction, romance books, USA Today Bestseller, paranormal romance shifters series

Commanding a vast historiography of slavery and emancipation, Aline Helg reveals as never before how significant numbers of enslaved Africans across the entire Western Hemisphere managed to free themselves hundreds of years before the formation of white-run abolitionist movements. Her sweeping view of resistance and struggle covers more than three centuries, from early colonization to the American and Haitian revolutions, Spanish American independence, and abolition in the British Caribbean. Helg not only underscores the agency of those who managed to become "free people of color" before abolitionism took hold but also assesses in detail the specific strategies they created and utilized. While recognizing the powerful forces supporting slavery, Helg articulates four primary liberation strategies: flight and marronage; manumission by legal document; military service, for men, in exchange for promised emancipation; and revolt—along with a willingness to exploit any weakness in the domination system. Helg looks at such actions at both individual and community levels and in the context of national and international political movements. Bringing together the broad currents of liberal abolitionism with an original analysis of forms of manumission and marronage, Slave No More deepens our understanding of how enslaved men, women, and even children contributed to the slow demise of slavery.

Turning an anthropological eye toward cyberspace, Human No More explores how conditions of the online world shape identity, place, culture, and death within virtual communities. Online worlds have recently thrown into question the traditional anthropological conception of place-based ethnography. They break definitions, blur distinctions, and force us to rethink the notion of the "subject." Human No More asks how digital cultures can be integrated and how the ethnography of both the "unhuman" and the "digital" could lead to possible reconfiguring the notion of the "human." This provocative and groundbreaking work challenges fundamental assumptions about the entire field of anthropology. Cross-disciplinary research from well-respected contributors makes this volume vital to the understanding of contemporary human interaction. It will be of interest not only to anthropologists but also to students and scholars of media, communication, popular culture, identity, and technology.

Home to established African American institutions and communities, Washington, D.C., offered women in the New Negro movement a unique setting for the fight against racial and gender oppression. Colored No More traces how African American women of the late-nineteenth and early twentieth century made significant strides toward making the nation's capital a more equal and dynamic urban center. Treva B. Lindsey presents New Negro womanhood as a multidimensional space that included race women, blues women, mothers, white collar professionals, beauticians, fortune tellers, sex workers, same-gender couples, artists, activists, and innovators. Drawing from these differing but interconnected African American women's spaces, Lindsey excavates a multifaceted urban and cultural history of struggle toward a vision of equality that could emerge and sustain itself. Upward mobility to equal citizenship for African American women encompassed challenging racial, gender, class, and sexuality status quos. Lindsey maps the intersection of these challenges and their place at the core of New Negro womanhood.

A young man describes his torment as he struggles to reconcile the diverse influences of Western culture and the traditions of his own Japanese heritage.