Praise for The Wicked Wedding of Miss Ellie Vyne: "[The characters] banter and quibble with comic perfection."—Publishers Weekly "Wickedly funny, fast and sassy romance."—RT Book Reviews She Designs Dresses for London's Leading Ladies Molly Robbins is finally stepping into the spotlight. Her unique dress designs have caught the eye of London's elite. And if it means her own dress shop, proper Molly will make a deal with the devil himself—the notoriously naughty Earl of Everscham. But becoming his mistress is not a part of their arrangement. It's right there in the contract's fine print: No Tomfoolery. He's an Expert at Taking Them Off Carver Danforthe has a reputation for beautiful mistresses, cutting remarks, and shirking his responsibilities—not for indulging the ambitions of his sister's maid. He must have been drunk when he signed that blasted contract. The stubborn female may thing she's gotten the best of him, but what this situation calls for is a little hands-on negotiating... All's Fair in Love and Fashion

Praise for The Wicked Wedding of Miss Ellie Vyne: "[The characters] banter and quibble with comic perfection."—Publishers Weekly "Wickedly funny, fast and sassy romance."—RT Book Reviews She Designs Dresses for London's Leading Ladies Molly Robbins is finally stepping into the spotlight. Her unique dress designs have caught the eye of London's elite. And if it means her own dress shop, proper Molly will make a deal with the devil himself—the notoriously naughty Earl of Everscham. But becoming his mistress is not a part of their arrangement. It's right there in the contract's fine print: No Tomfoolery. He's an Expert at Taking Them Off Carver Danforthe has a reputation for beautiful mistresses, cutting remarks, and shirking his responsibilities—not for indulging the ambitions of his sister's maid. He must have been drunk when he signed that blasted contract. The stubborn female may thing she's gotten the best of him, but what this situation calls for is a little hands-on negotiating... All's Fair in Love and Fashion

She Thinks She's Bought a Compliant Husband...They're Both in for a Shock Although Clare Greenough has inherited an unexpected fortune, her money is in the hands of a trustee until she marries—everyone knows a woman is incapable of managing funds. What she needs is an easygoing husband, right away... She makes a deal with impetuous young James Boleigh, seventh baron Trehearth: they will marry, Clare will get control of her money, and Jamie will get the funds he desperately needs to restore his lands. To stave off ruin, Jamie agrees, believing Clare will soon become a proper, submissive wife. But to expect a serene, passionless marriage was only their first mistake. Praise for Once Again a Bride: "A romance that shouldn't be missed."—Library Journal "A superbly crafted story."—Fresh Fiction

A fiery lady must tame her brooding employer in this enchanting retelling of Beauty and the Beast from the New York Times bestselling author of the Maiden Lane series. THERE COMES A TIME IN A LADY'S LIFE The Earl of Swartingham is in a quandary. Having frightened off two secretaries, Edward de Raaf needs someone who can withstand his bad temper and boorish behavior. WHEN SHE MUST DO THE UNTHINKABLE . . . When Anna becomes the earl's secretary, it would seem that both their problems are solved. But when she discovers he plans to visit the most notorious brothel in London, she sees red-and decides to assuage her desires . . .

Despite creating vast inequalities and propping up reactionary world regimes, capitalism has many passionate defenders—but not because of what it withholds from some and gives to others. Capitalism dominates, Todd McGowan argues, because it mimics the structure of our desire while hiding the trauma that the system inflicts upon it. People from all backgrounds enjoy what capitalism provides, but at the same time are told more and better is yet to come. Capitalism traps us through an incomplete satisfaction that compels us after the new, the better, and the more. Capitalism's parasitic relationship to our desires gives it the illusion of corresponding to our natural impulses, which is how capitalism's defenders characterize it. By understanding this psychic strategy, McGowan hopes to divest us of our addiction to capitalist enrichment and help us rediscover enjoyment as we actually experienced it. By locating it in the present, McGowan frees us from our attachment to a better future and the belief that capitalism is an essential outgrowth of human nature. From this perspective, our economic, social, and political worlds open up to real political change. Eloquent and enlivened by examples from film, television, consumer culture, and everyday life, Capitalism and Desire brings a new, psychoanalytically grounded approach to political and social theory.

In Designs for the Pluriverse Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design—from consumer goods and digital technologies to built environments—currently serves capitalist ends, Escobar argues for the development of an “autonomous design” that eschews commercial and modernizing aims in favor of more collaborative and placed-based approaches. Such design attends to questions of environment, experience, and politics while focusing on the production of human experience based on the radical interdependence of all beings. Mapping autonomous design’s principles to the history of decolonial efforts of indigenous and Afro-descended people in Latin America, Escobar shows how refiguring current design practices could lead to the creation of more just and sustainable social orders.

Over 25 years ago, Raymond Williams’ Keywords: A Vocabulary of Culture and Society set the standard for how we understand and use the language of culture and society. Now, three luminaries in the field of cultural studies have assembled a volume that builds on and updates Williams’ classic, reflecting the transformation in culture and society since its publication. New Keywords: A Revised Vocabulary of Culture and Society is a state-of-the-art reference for students, teachers and culture vultures everywhere. Assembles a stellar team of internationally renowned and interdisciplinary social thinkers and theorists Showcases 142 signed entries – from art, commodity, and fundamentalism to youth, utopia, the virtual, and the West – that capture the practices, institutions, and debates of contemporary society Builds on and updates Raymond Williams’s classic Keywords: A Vocabulary of Culture and Society, by reflecting the transformation in culture and society over the last 25 years Includes a bibliographic resource to guide research and cross-referencing The book is supported by a website: www.blackwellpublishing.com/newkeywords.