This book presents new readings of D.H. Lawrence’s later novels from the perspective of established critical theory and contemporary thought: a specific critical theory or critical perspective is selected and applied to each novel in order to present particular interpretations of each. Although remaining faithful to one’s personal desires without being unduly concerned with the outside world is considered a Lawrentian virtue, I would like to show another Lawrence who was sensitive enough to the outside world and to the social discourses of his time to employ elements of them in his novels, although subtly, and with critical shifts and displacements. Lawrence is a writer who continually draws lines of flight to escape from capitalist societies that ascribe essential value and power to money.

As an analyst, philosopher and militant, Félix Guattari anticipated decentralized forms of political activism that have become increasingly evident around the world since the events of Seattle in 1999. Lines of Flight offers an exciting introduction to the sometimes difficult and dense thinking of an increasingly important 20th century thinker. An editorial introduction by Andrew Goffey links the text to Guattari's long-standing involvement with institutional analysis, his writings with Deleuze, and his consistent emphasis on the importance of group practice - his work with CERFI in the early 1970s in particular. Considering CERFI's work on the 'genealogy of capital' it also points towards the ways in which Lines of Flight anticipates Guattari's later work on Integrated World Capitalism and on ecosophy. Providing a detailed and clearly documented account of his micropolitical critique of psychoanalytic, semiological and linguistic accounts of meaning and subjectivity, this work offers an astonishingly fresh set of conceptual tools for imaginative and engaged thinking about capitalism and effective forms of resistance to it.

This book offers a sustained engagement with the writings of the increasingly influential French philosopher and writer on literature, Gilles Deleuze, offering an introduction to his fascinating body of work and emphasizing its multiple possibilities for literary study. Deleuze offers a 'philosophy of becoming' whose many aspects are gaining increasing importance in a variety of disciplines both on the Continent and in Anglo-American circles. Accordingly, the first part of the book stresses the distinctiveness of Deleuze's work, setting out its provenance and recurrent concerns, and developing an account of its relevance for literary theory and literary criticism. The second part of the book provides, in these latter contexts, close readings of several late nineteenth- and early twentieth-century works of fiction by Hardy, Gissing, Conrad and Woolf. Above all, Deleuze's work opens up ways of reading that enable an articulation of fundamental ethical and effective issues explored and staged within literary texts.

A trans-world journey with an extraorindary shorebird—from Australia's southern ocean to the Arctic and back—that explores the mysteries of the natural world and its power to heal. As the sun lowered and turned Gulf St Vincent fiery, they each called a high-pitched 'peeooowiii!', flashed their black wing-pits, spread their tail skirts and took flight... In a luminous new boook, Andrew Darby follows the odysseys of two seemingly-humble Grey Plovers, little-known migratory shorebirds, as they take previously uncharted ultramarathon flights from the southern coast of Australia to Arctic breeding grounds. On these death-defying flights they dodge predators, typhoons, exhaustion, and countless other dangers before they can breed...and then survive the jrouney all over again and return south to their feeding grounds. But the greatest threat to these, and other long-distance migrants on the flyway, is China's "dragon economy," which is engulfing their vital Yellow Sea staging spots. In Flight Lines, we meet the dedicated people of all nationalities and backgrounds working to save these intrepid birds, from Russia to Alaska, from the rim of the Arctic Sea to the coasts of the Southern Ocean. Out of their hard-won science Darby finds hope for the birds—an unexpected bright light for our times. But his journey to understand these marvellous birds almost ends when he is suddenly diagnosed with an incurable cancer. Then he finds science coming to his rescue too, as his own story and the journey of these little birds intersect in an unexpected and beautiful way.

Mises' classic avoids the formidable mathematical structure of fluid dynamics, while conveying — by often unorthodox methods — a full understanding of the physical phenomena and mathematical concepts of aeronautical engineering.

For Thomas Pynchon, the characteristic features of late capitalism—the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing influence of the mass media—all point to a transformation in the way human beings experience time and duration. Focusing on Pynchon’s novels as representative artifacts of the postwar period, Stefan Mattessich analyzes this temporal transformation in relation not only to Pynchon’s work but also to its literary, cultural, and theoretical contexts. Mattessich theorizes a new kind of time—subjective displacement—dramatized in the parody, satire, and farce deployed through Pynchon’s oeuvre. In particular, he is interested in showing how this sense of time relates to the counterculture of the 1960s and 1970s. Examining this movement as an instance of flight or escape and exposing the beliefs behind it, Mattessich argues that the counterculture’s rejection of the dominant culture ultimately became an act of self-cancellation, a rebellion in which the counterculture found itself defined by the very order it sought to escape. He points to parallels in Pynchon’s attempts to dramatize and enact a similar experience of time in the doubling-back, crisscrossing, and erasure of his writing. Mattessich lays out a theory of cultural production centered on the ethical necessity of grasping one’s own susceptibility to discursive forms of determination.

Julie Salverson grew up listening to the secrets of others. As an adult she works to help people tell their own difficult and painful histories by turning them into plays and performances, but eventually the trauma of these stories overwhelms her. Buckling under the weight of her work and on the verge of losing faith in anything, Salverson discovers a connection between Canada's north and the atomic bombsthat fell on Japan, which becomes the start of a ten-year journey. In Lines of Flight, she traces that radioactive trail from a small village outside Toronto to Great Bear Lakein the Northwest Territories and onto Hiroshima.