Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.

The great Romantic poet Lord Byron starved himself compulsively for most of his life. His behaviour mystified his friends and other witnesses, yet he never imagined he was ill. Instead, he rationalised his behaviour as a fight for spiritual freedom and made it the cornerstone of his heroic ideal, which was central to his work and to his life and his death. This fresh biographical study aims to explore neglected or misunderstood aspects of his private life to illuminate his writing, his affairs with women, his passion for Napoleon and his conflicted friendships with Coleridge and Shelley. This in turn leads to a new understanding of his masterpiece, Don Juan. 15 July 2019 marks the 200th anniversary of its first publication. Antony Peattie situates these patterns of behaviour in a vividly rendered contemporary world, culminating in Byron’s last days in Greece, where he tried to starve himself into heroic leadership but damaged his constitution, resulting in his death at the age of thirty-six.

In 1815, the clever and courted Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron’s little girl was introduced to mathematics as a means of calming her wild spirits. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage’s unbuilt calculating engine to predict the dawn of the modern computer age.During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unexpectedly sympathetic personality.Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter.

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Childe Harold's Pilgrimage is a lengthy narrative poem in four parts written by Lord Byron. The poem describes the travels and reflections of a world-weary young man who, disillusioned with a life of pleasure and revelry, looks for distraction in foreign lands. In a wider sense, it is an expression of the melancholy and disillusionment felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras.