“The reading is something like archeology, sifting the layers that have built up over the years to find the source of a familiar voice . . . Left Out in the Rain shows us the footsteps in the wet meadow grass.” —Los Angeles Times “A fascinating case study and verse autobiography of a man who long ago staked his claim as one of America’s finest poets.” —Boston Herald When Gary Snyder was in his twenties working as a forester and logger, one of the old loggers told him, “If you’re gonna work these woods, don’t want nothing that can’t be left out in the rain.” Borrowing the phrase, Left Out in the Rain charts the journeys of the poet from 1947 to 1985. From the mountains and shores of the Pacific Northwest to the city streets of San Francisco, New York, and Kyoto, Snyder’s reflections are as much about the human experience as they are about the environment that encompasses it. Sensual, sardonic, meditative, epigrammatic, formalist—whatever the subject, tone, or structure, these poems all bear the indelible stamp of a master. A villanelle for Finnish folklore, riffs on the neo–formalist poems trendy in the 1950s, a sestina on the philosophical dilemmas of anthropology and linguistics, a transformation of the third century BC Daoist essay “Discourse on Swords” into a satire on contemporary warlike administrations and governments—the experiments in this collection place Snyder among the most diverse of contemporary poets. Left Out in the Rain means to include items carefully chosen to outlast the elements and remain useful for years. In his new preface to this edition, Snyder notes, “This complicated gathering of many poems, tight and loose together is like an understory ecosystem of the Old Growth. It needs rain.” On the wooded coast, eating oysters Looking off toward China and Japan “If you’re gonna work these woods Don’t want nothing That can’t be left out in the rain—”

Sixty-something Southerner MacLaren Yarbrough keeps busy as a county magistrate, a co-owner of Yarbrough’s Feed, Seed and Nursery, and a loving wife and mother. But her penchant for snooping around in other people’s business often lands her up to her neck in murder… In Hopemore, Georgia, good ol’ boy Skye MacDonald lives life large––as a dedicated family man, back-slapping civic leader, and flamboyantly successful owner of a local automobile empire. Very little happens in this cozy town without Skye’s full knowledge and participation. So the whole community is shocked when his body is found in a muddy road, run over by his own car. Judge MacLaren Yarbrough and her husband, Joe Riddley, have known the MacDonalds for years. So they can’t help but get involved in this baffling murder investigation, especially when it produces more questions than answers: Why has Skye’s son skipped town? How many secrets was Skye keeping? And… Who Left That Body in the Rain?

A poetic autobiography that traces the author's life from his boyhood in Oregon to San Francisco, Kyoto and New York, and to his home in the Sierra foothills of northern California.

New York Times bestselling author and former NFL player Tim Green tells a heartfelt and moving story about a deaf boy’s journey to change how others see him—both on and off the football field. Perfect for fans of Mike Lupica. Landon Dorch wants to be like everyone else. But his deafness and the way he talks have always felt like insurmountable obstacles. But now he finally sees his chance to fit in. Bigger and taller than any other seventh grader in his new school, Landon plans to use his size to his advantage and join the school’s football team. But the same speech problems and the cochlear implants that help him hear continue to haunt him. Just when it looks like Landon will be left out of football for good, an unlikely friend comes along. But in the end only Landon can fight his way off the bench and through a crowded field of bullies bent on seeing him forever left out.

When the effects of a hypnosis-inducing drug fade, April slowly begins a conscious awakening. Memories of her past are unclear, and she has no recollection of her identity or whereabouts. As the days slip by, April realizes there is more to life than existing when she is introduced to an occupant who does just that - her sister. The more she learns about her environment, the more she wants to escape. But can April remember her past, and her sister? Will she have the courage to leave - and if she does, where can she go? A riveting story of suspense set in a post-apocalyptic world, 'Playing In The Rain' is the first book in Sandra J. Jackson's Escape Series.

This is a simple poetry book intended for young readers to start with their poetry interests. This is also a basic introduction and easy read for people interested in Greek-American poetry. I wrote this as a modern mid-Western approach to poetry—just some simple stuff I have done in my spare time. I hope you enjoy this new approach to American poetry.