“Mad world, mad kings, mad composition!” —King John In one volume, eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide fresh new editions of two classic histories: Henry VIII and King John. THIS VOLUME ALSO INCLUDES MORE THAN A HUNDRED PAGES OF EXCLUSIVE FEATURES: • original Introductions to Henry VIII and King John • incisive scene-by-scene synopses and analyses with vital facts about the works • commentary on past and current productions based on interviews with leading directors, actors, and designers • photographs of key RSC productions • an overview of Shakespeare’s theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.

“Mad world, mad kings, mad composition!” —King John In one volume, eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide fresh new editions of two classic histories: Henry VIII and King John. THIS VOLUME ALSO INCLUDES MORE THAN A HUNDRED PAGES OF EXCLUSIVE FEATURES: • original Introductions to Henry VIII and King John • incisive scene-by-scene synopses and analyses with vital facts about the works • commentary on past and current productions based on interviews with leading directors, actors, and designers • photographs of key RSC productions • an overview of Shakespeare’s theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.

The New Kittredge Shakespeare King John and Henry VIII offers the text of both plays, and glosses, as prepared by William Kittredge for his Complete Works of William Shakespeare. Performance notes by the New Kitteredge Shakespeare editors help readers imagine how key scenes have been, and might yet be, performed on stage and screen. New Introductions, Timelines, Topics for Discussion and Further Study, as well as Bibliographies and Filmographies, combine to help make this the edition of choice for performance-minded students of these fascinating historical dramas.

These two history plays—one written in the early days of Shakespeare’s career and one at the very end—are alike in the complexity of their political vision. King John probes the nature of good and evil as self-interest and ruthless ambition proceed unchecked while an unpopular ruler wages a brutal fight to keep his throne. Henry VIII is a sumptuous spectacle of pomp and ceremony, as well as an exploration of the mysterious ways in which the rise and fall from power of individuals led ultimately to England’s destiny as a Protestant nation.

This compelling new account of Henry VIII is by no means yet another history of the 'old monster' and his reign. The 'monster' displayed here is, at the very least, a newer type, more beset by anxieties and insecurities, and more tightly surrounded by those who equated loyalty with fear, self-interest and blind obedience. This ground-breaking book also demonstrates that Henry VIII's priorities were always primarily martial rather than marital, and accepts neither the necessity of his all-consuming quest for a male heir nor his need ultimately to sever ties with Rome. As the story unfolds, Henry's predicaments prove largely of his own making, the paths he chooses neither the only nor the best available. For Henry VIII was not only a bad man, but also a bad ruler who failed to achieve his aims and blighted the reigns of his two immediate successors. Five hundred years after he ascended the throne, the reputation of England's best known king is being rehabilitated and subtly sanitized. Yet Tudor historian John Matusiak paints a colourful and absorbingly intimate portrait of a man wholly unfit for power.

Originally published in 1988. Arranged by play, the essays presented here focus first on production and then on a range of other issues such as characters, imagery, textual problems and themes. Both plays were more popular in earlier centuries and most later essayists focused on small issues rather than view the plays in wider perspective. More recent pieces included here seek organising principles for King John and look in more detail at Henry VIII. Beginning with the in-depth introduction by the editor, this collection shows the reception of the play by its Elizabethan audience compared to twentieth century audiences and looks at the history portrayed by Shakespeare. Some chapters review very varied stage productions while others are character analysis or individual focuses.