National leaders often worry that civil wars might spread, but also seem to have little grasp on which civil wars will in fact draw in other states. An ability to understand which civil wars are most likely to draw in outside powers and when this is likely to happen has important policy implications as well as simply answering a scholarly question. Joining the Fray takes existing explanations about which outside states are likely to intervene militarily in civil wars and adds to them explanations about when states join and why. Building on his earlier volume, Is this a Private Fight or Can Anybody Join?, Zachary C. Shirkey looks at how the decision to join a civil war can be intuitively understood as follows: given that remaining neutral was wise when a war began something must change in order for a country to change its beliefs about the benefits of fighting and join the war. This book studies what these changes are, focusing in particular on revealed information and commitment problems.

From 1961 to 1989, a committed group of documentary journalists from the National Broadcasting Company (NBC) reported the stories of AmericaÆs overseas conflicts. Stuart Schulberg supplied film evidence to prosecute Nazi war criminals and established documentary units in postwar Berlin and Paris. NBC newsman David Brinkley created the template for prime-time news in 1961 and bore the scars to prove it. In 1964 Ted Yates and Bob Rogers produced a documentary warning of the pitfalls in Vietnam. Yates was later shot and killed in Jerusalem on the first day of the Six-Day War while producing a documentary for NBC News. In Into the Fray, Tom Mascaro vividly recounts the characters and experiences that helped create a unique, colorful documentary film crew based at the Washington bureau of NBC News. From the Kennedy era through the Reagan years, the journalists covered wars, rebellions, the Central Intelligence Agency, covert actions, the Pentagon, military preparedness, and world and American cultures. They braved conflicts and crises to tell the stories that Americans needed to see and hear, and in the process they changed the face of journalism. Mascaro also looks at the social changes in and around the unit itself, including the struggles and triumphs of women and African Americans in the field of television documentary. Into the Fray is the story of adventure, loyalty to reason, and life and death in the service of broadcast journalism.

In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.

From Lake Chad to Iraq, nongovernmental organizations (NGOs) provide relief around the globe, and their scope is growing every year. Policy makers and activists often assume that humanitarian aid is best provided by these organizations, which are generally seen as impartial and neutral. In Above the Fray, Shai M. Dromi investigates why the international community overwhelmingly trusts humanitarian NGOs by looking at the historical development of their culture. With a particular focus on the Red Cross, Dromi reveals that NGOs arose because of the efforts of orthodox Calvinists, demonstrating for the first time the origins of the unusual moral culture that has supported NGOs for the past 150 years. Drawing on archival research, Dromi traces the genesis of the Red Cross to a Calvinist movement working in mid-nineteenth-century Geneva. He shows how global humanitarian policies emerged from the Red Cross founding members’ faith that an international volunteer program not beholden to the state was the only ethical way to provide relief to victims of armed conflict. By illustrating how Calvinism shaped the humanitarian field, Dromi argues for the key role belief systems play in establishing social fields and institutions. Ultimately, Dromi shows the immeasurable social good that NGOs have achieved, but also points to their limitations and suggests that alternative models of humanitarian relief need to be considered.

Indian Battles and Adventures - The Boys' Book written by Alexander Vietts Blake and John Lauris Blake, is an enthralling literary effort. The book elucidates a sweeping compilation of chronicles and anecdotes, recognizing remarkable battles and escapades that transpired during India's progress. By probing the depths of their studies, the writers adroitly coalesce chronicles of fortitude, tactics, and cultural intermingling, endowing enthusiasts with a profound comprehension of the occurrences that configured India's bygone era. Captivating narratives await readers within the pages of this book, jumping from legendary battles like the Siege of Seringapatam to explorers and conquerors, such as Alexander the Great and Mahmud of Ghazni. Extraordinary tales of adventurers who traversed the Indian subcontinent, including Marco Polo, are also included. This book breathes new life into the historical events and figures, making them relatable and accessible.

In modern times the relationship between the church and academy has been strained and tension-filled. Mainstream church culture has often been skeptical of Bible scholars, depicting them as self-serving intellectuals trying to out-think God by devising new and controversial interpretations. Just as well, academics have often leveled harsh critiques against church culture, painting pastors and laity as anti-intellectual pseudo-spiritualists. Entering the Fray argues that, in spite of the wide gap between the academic and ecclesiastical worlds, the modern church should be aware of the key discussions taking place among biblical scholars. To be sure, the average churchgoer has not been tuned in to scholarly conversations concerning matters such as the Messianic Secret, Q, the Historical Jesus, the pistis Christou debate, and related topics. In fact, they may have purposefully tuned out! Some, however, are simply unaware that any such dialogue has taken place, and beyond the internet, may not have the first clue as to how to explore the details. This primer seeks to function as that "first clue" by helping congregants, pastors, and students of the Bible enter into the fray of scholarly discussions that, over the last few hundred years, have shaped both the academy and church.

In the earliest days of the Christian church, the gospel spread out from Jerusalem in a burst of incredible stories. A man who could calm a stormy sea with a word, who healed the lame and the blind, who raised the ire of the religious leaders, and who even raised people from the dead. Compare this organic, even entertaining, method of spreading the Good News to how we are often encouraged to evangelize today, with clever arguments and our defenses already up in anticipation of rebuttal. Somewhere along the way, we've lost the plot to the greatest story ever told. Now Matt Mikalatos invites us back into God's story, both to find our place in it and to rediscover the wonder that the apostles saw in their listeners as they told the story of Jesus, the Messiah they knew personally and loved fiercely. As they lose themselves in modern retellings of the events of the book of Acts, readers will find that sharing the story is easier and more rewarding than they ever imagined.