". . . the greatest war of all time told as it is best told - by the people who lived it." - The Washington Post All first-person accounts of great events have their own fascination, but the editors of American Heritage have discovered that people writing about World War II seem to tell their own story with particular passion and eloquence. That is one reason American Heritage has published so many of them - and why noted military historian Stephen W. Sears has selected the most compelling. The result of his search is a uniquely moving and valuable anthology - a series of personal histories that, marshaled together, become an intimate history of the Second World War. Here is Edward Beach, the highly decorated submarine skipper and author of Run Silent, Run Deep, recalling what it was like to be sent into hostile waters with torpedoes that didn't work; Charles Cawthon recounts the landing at Normandy Beach in a restrained and poetic narrative whose quiet humor does nothing to blunt the savagery of the experience; General James Gavin tells of the jump into Sicily and of a battle fought that never should have been fought; Hughes Rudd watched the war from overhead in a flimsy spotter plane, his "Maytag Messerschmitt; and William Manchester remembers a particularly audacious and hilarious scam that a reckless Marine buddy played on the entire army. Some of the stories are heartbreaking, some amusing, some horrifying, but every one of them - whether told by the women who hammered fighter planes together or the men who flew them - glows with hard-won experience.

This elegant narrative edition of Neil Kagan's best-selling Eyewitness to World War II offers incredible first-person stories and amazing moments of heroism, providing new context and perspective on history's greatest conflict. The unforgettable story of World War II is told through the words of those who lived it--both on the battlefield and the home front--creating a dramatic tapestry of the wartime experience. Personal writings and recollections of Roosevelt, Hitler, and Patton, as well as letters composed by soldiers at battle and diaries of women serving in the military at home, present an absorbing narrative that tells the entire history of the war from several perspectives. In this absorbing reader's edition, a carefully curated selection of memorable, significant photographs and illuminating maps from the 2012 book accompanies the revised text. Comprehensive and compelling, this finely wrought book is as gift-worthy as its predecessor.

In the momentous days from April 28 to May 2, 1945, the world witnessed the death of two Fascist dictators and the fall of Berlin. Mussolini's capture and execution by Italian partisans, the suicide of Adolf Hitler, and the fall of the German capital signaled the end of the four-year war in the European Theater. In Five Days That Shocked the World, Nicholas Best thrills readers with the first-person accounts of those who lived through this dramatic time. In this valuable work of history, the author's special achievement is weaving together the reports of famous and soon-to-be-famous individuals who experienced the war up close. We follow a young Walter Cronkite as he parachutes into Holland with a Canadian troop; photographer Lee Miller capturing the evidence of Nazi atrocities; the future Pope Benedict returning home and hoping not to get caught and shot after deserting his infantry unit; Audrey Hepburn no longer having to fear conscription into a Wehrmacht brothel; and even an SS doctor's descriptions of a decadent sex orgy in Hitler's bunker. In skillfully synthesizing these personal narratives, Best creates a compelling chronicle of the five earth-shaking days when Fascism lost it death grip on Europe. With this vivid and fast-paced narrative, the author reaffirms his reputation as an expert on the final days of great wars.

When a machine-gun bullet ended the life of war correspondent Ernie Pyle in the final days of World War II, Americans mourned him in the same breath as they mourned Franklin Roosevelt. To millions, the loss of this American folk hero seemed nearly as great as the loss of the wartime president. If the hidden horrors and valor of combat persist at all in the public mind, it is because of those writers who watched it and recorded it in the faith that war is too important to be confined to the private memories of the warriors. Above all these writers, Ernie Pyle towered as a giant. Through his words and his compassion, Americans everywhere gleaned their understanding of what they came to call “The Good War.” Pyle walked a troubled path to fame. Though insecure and anxious, he created a carefree and kindly public image in his popular prewar column—all the while struggling with inner demons and a tortured marriage. War, in fact, offered Pyle an escape hatch from his own personal hell. It also offered him a subject precisely suited to his talent—a shrewd understanding of human nature, an unmatched eye for detail, a profound capacity to identify with the suffering soldiers whom he adopted as his own, and a plain yet poetic style reminiscent of Mark Twain and Will Rogers. These he brought to bear on the Battle of Britain and all the great American campaigns of the war—North Africa, Sicily, Italy, D-Day and Normandy, the liberation of Paris, and finally Okinawa, where he felt compelled to go because of his enormous public stature despite premonitions of death. In this immensely engrossing biography, affectionate yet critical, journalist and historian James Tobin does an Ernie Pyle job on Ernie Pyle, evoking perfectly the life and labors of this strange, frail, bald little man whose love/hate relationship to war mirrors our own. Based on dozens of interviews and copious research in little-known archives, Ernie Pyle's War is a self-effacing tour de force. To read it is to know Ernie Pyle, and most of all, to know his war.

Witness to History, a comprehensive book on the Holocaust aimed at both laymen and Jewish high school and college students, is unique in that it is a fully sourced, academically reliable history of the Holocaust, with particular emphasis on the experiences of religious Jews.