In medieval England, women in labor wrapped birth girdles around their abdomens to protect themselves and their unborn children. These parchment or paper rolls replicated the "girdle relics" of the Virgin Mary and other saints loaned to queens and noblewomen, extending childbirth protection to women of all classes. This book examines the texts and images of nine English birth girdles produced between the reigns of Richard II and Henry VIII. Cultural artifacts of lay devotion within the birthing chamber, the birth girdles offered the solace and promise of faith to the parturient woman and her attendants amid religious dissent, political upheaval, recurring epidemics, and the onset of print.

In medieval England, women in labor wrapped birth girdles around their abdomens to protect themselves and their unborn children. These parchment or paper rolls replicated the "girdle relics" of the Virgin Mary and other saints loaned to queens and noblewomen, extending childbirth protection to women of all classes. This book examines the texts and images of nine English birth girdles produced between the reigns of Richard II and Henry VIII. Cultural artifacts of lay devotion within the birthing chamber, the birth girdles offered the solace and promise of faith to the parturient woman and her attendants amid religious dissent, political upheaval, recurring epidemics, and the onset of print. Mary Morse specializes in medieval women's devotional and childbirth practices. She is Professor Emerita of English and past director of the Gender and Sexuality Studies program at Rider University.

Chaucer, Gower and Langland -- Lyrics and romances -- Devotional writings -- Owners and users of medieval books -- A tribute to Professor Takamiya

When the wise woman Magda Digby is suspected of murder, Owen Archer sets out to prove her innocence in this intricately plotted medieval mystery. May, 1375. Owen Archer returns from London to find York in chaos. While the citizens are living in terror of the pestilence which is spreading throughout the land, a new physician has arrived, whipping up fear and suspicion against traditional healers and midwives. With the backing of the new archbishop, he is especially hostile towards Magda Digby, the wise woman who has helped and healed the people of York for many years. At the same time, Magda is uneasy about the arrival of two long-lost kinsfolk. Though they say they are seeking her help, she senses a hidden agenda. Magda’s troubles deepen when she discovers a body in the river near her home – and finds herself under suspicion of murder. Days later, fire rips through a warehouse in the city. Amongst the charred debris lies the body of a man – not burned, but stabbed in the back. Could there be a connection to the corpse in the river? Determined to prove Magda’s innocence, Owen sets out to find answers – but the more he uncovers, the deeper the mystery becomes . . .

This volume of contributions from international scholars offers a cross-cultural and multi-period analysis of pregnancy and childbirth traditions in Western and Middle Eastern cultures. The studies focus on the ideas, practices, and visual representations surrounding pregnancy and birth-giving from Late Antiquity to the Renaissance and offer the reader the possibility of observing the perception, representation, and theoretic paradigm of these events in a wide range of cultural contexts. The collection fits within multiple traditions of specialized scholarship, yet its scope suggests a geographically global approach and a new, multicultural methodology that encompasses a wide range of practices, historical periods, and topics. On one hand, it participates in the well-established medical, historical, and iconographic discourse on childbirth and family that has enticed much interest over the last two decades; on the other, its unique thematic structure includes cultures and periods previously ignored in similar collections of essays. The articles span from Northern Europe to the Mediterranean, the Middle East, and India, and connect the experience of childbirth to the exchanges of knowledge, religious beliefs, and social practices. With its variety of topics and specializations, the volume encourages a global comparative approach to the cultural narrative surrounding the activities and attitudes connected to conception and birth, paying particular attention to material culture, religion, history, and iconography, as well as to the exchange and dispersion of medical knowledge.

In the Middle Ages, textual amulets--short texts written on parchment or paper and worn on the body--were thought to protect the bearer against enemies, to heal afflictions caused by demonic invasions, and to bring the wearer good fortune. In Binding Words, Don C. Skemer provides the first book-length study of this once-common means of harnessing the magical power of words. Textual amulets were a unique source of empowerment, promising the believer safe passage through a precarious world by means of an ever-changing mix of scriptural quotations, divine names, common prayers, and liturgical formulas. Although theologians and canon lawyers frequently derided textual amulets as ignorant superstition, many literate clergy played a central role in producing and disseminating them. The texts were, in turn, embraced by a broad cross-section of Western Europe. Saints and parish priests, physicians and village healers, landowners and peasants alike believed in their efficacy. Skemer offers careful analysis of several dozen surviving textual amulets along with other contemporary medieval source materials. In the process, Binding Words enriches our understanding of popular religion and magic in everyday medieval life.

Building on the success of their previous book, White and Folkens' The Human Bone Manual is intended for use outside the laboratory and classroom, by professional forensic scientists, anthropologists and researchers. The compact volume includes all the key information needed for identification purposes, including hundreds of photographs designed to show a maximum amount of anatomical information. Features more than 500 color photographs and illustrations in a portable format; most in 1:1 ratio Provides multiple views of every bone in the human body Includes tips on identifying any human bone or tooth Incorporates up-to-date references for further study