Contains the 'vampire' cycle of five storieswritten between 1835 and 1842 which in many ways,form the nucleus of Poe's prose work. In these,classic tales, Poe investigates the vampiric,nature of human relationships, including love and,lust, both 'normal' and incestuous, and develops,his theme to observe the vampiric qualities,inherent in the creative or artistic process.,Vampirism, with its terrible energy exchanges and,lesions, is ultimately Poe's analogy for a love,that persists beyond the grave.

The Church was put here to do the work of ministry but somehow we have gotten off course. We spent decades arguing among ourselves about everything from our naval, the rapture, hymns versus choruses and eternal security while the devil laughs his butt off. In the meantime, abortion became legal, evolution became fact, living together became a way of life and the divorce rate in the church became higher than in the world. Hell risks being over-crowded, the homeless starve, young girls are sold as sex slaves and the church has become irrelevant. I don't believe this is what Christ had in mind when He gave His life on the cross of Calvary.

In 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs.

Now a Netflix Mandarin original drama! From the New York Times bestselling author of The Night Tiger, a Reese’s Book Club pick Yangsze Choo’s stunning debut, The Ghost Bride, is a startlingly original novel infused with Chinese folklore, romantic intrigue, and unexpected supernatural twists. Li Lan, the daughter of a respectable Chinese family in colonial Malaysia, hopes for a favorable marriage, but her father has lost his fortune, and she has few suitors. Instead, the wealthy Lim family urges her to become a “ghost bride” for their son, who has recently died under mysterious circumstances. Rarely practiced, a traditional ghost marriage is used to placate a restless spirit. Such a union would guarantee Li Lan a home for the rest of her days, but at what price? Night after night, Li Lan is drawn into the shadowy parallel world of the Chinese afterlife, where she must uncover the Lim family’s darkest secrets—and the truth about her own family. Reminiscent of Lisa See’s Peony in Love and Amy Tan’s The Bonesetter’s Daughter, The Ghost Bride is a wondrous coming-of-age story and from a remarkable new voice in fiction.

Set in a 19th century European village, this stop-motion, animated feature follows the story of Victor (Johnny Depp), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride (Helena Bonham-Carter), while his real bride, Victoria (Emily Watson), waits bereft in the land of the living

Bookstore owner Samantha Washington sells and solves mysteries in North Harbor, Michigan—including the murder of her mother's wedding planner . . . Sam's mother can't wait to wed her wealthy beau, Harold Robertson. The big mystery is how they're going to pull off a lavish wedding in three weeks. Harold's snobby sister-in-law proposes a solution: engage flamboyant wedding planner Lydia Lighthouse. But their beacon of hope quickly sends everyone into a blind rage, most of all the groom-to-be. So when the maddening micromanager is strangled with her own scarf, it's a shock, but not a surprise. It’s a case of art imitating life as Sam pens her next historical mystery set in England between the wars. Lady Daphne Marsh insists on marrying Lord James Browning on Christmas Eve, three weeks hence. But when the fop planning their wedding ends up with a knife in his back, she vows to nab the backstabber before she walks down the aisle. Meanwhile, when she’s not writing, Sam and her beloved and boisterous Nana Jo rush to shine a light on Lydia's killer—so her mother's new husband won't spend his honeymoon behind bars . . . Praise for The Plot Is Murder “Readers of Carolyn Hart and Vicki Delany will appreciate the lively seniors, the humor, and the bookstore environment.” —Library Journal (Starred Review)