Colorists of all ages will appreciate these graceful courtesans, mountainous landscapes, and other images from the woodblock tradition. Thirty meticulous renderings include masterly works by Kunisada, Hiroshige, Utamaro, Eisen, and Toyokuni.

Of all the sophisticated traditional arts and crafts of Japan, woodblock prints are probably the most widely known in the West. The bold yet refined compositions are as fresh to the Western eye today as they were when they first came to the attention of the Impressionists in the nineteenth century. With their fluid lines, intricate carving and delicate colors, Japanese prints are still as fascinating as ever. In this book, Rebecca Salter takes us through the history of the Japanese woodblock, discusses the materials, tools, and papers available (and their Western equivalents) and shows how to get the most out of them through interesting step-by-step projects. The work of an international group of artists shows the varied and exciting prints being produced today.

Featuring elegant designs and high-quality paper, Floating Worlds Japanese Prints Coloring Book is the perfect stress-reliever for fans of classical Japanese woodblock prints. The floating world of Geisha, Kabuki actors, cherry blossoms and the majestic Mt. Fuji—with this coloring book for adults you are there, recreating woodblock prints of people, landscapes, flora and fauna. This fine art, adult coloring book includes 22 woodblock prints from the Ukiyo-e genre, all ready for the touch of your colored pencils or fine markers. A copy of the richly-colored original print sits opposite your coloring "canvas" to use as a reference, or not. Before beginning, enjoy a little of the story behind the image, as each print comes with a brief yet fascinating introduction to the original work. Altogether, it's the perfect way to relax and have fun with art. When your masterpiece is complete, tear it out at the perforation to frame and display.

Japanese woodblock printing is a beautiful art that traces its roots back to the eighth century. It uses a unique system of registration, cutting and printing. This practical book explains the process from design drawing to finished print, and then introduces more advanced printing and carving techniques, plus advice on editioning your prints and their aftercare, tool care and sharpening. Supported by nearly 200 colour photographs, this new book advises on how to develop your ideas, turning them into sketches and a finished design drawing, then how to break an image into the various blocks needed to make a print. It also explains how to use a tracing paper transfer method to take your design from drawing to woodblock and, finally, explains the traditional systems of registration, cutting and printing that define an authentic Japanese woodblock.

This fine art, adult coloring book includes 43 japanese woodblock prints. Coloring these black and white drawings takes you to the other time and place. Enjoy and relax!Woodblock printing in Japan (mokuhanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Although similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks-as opposed to western woodcut, which often uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.The technique for printing texts and images was generally similar. The obvious differences were the volume produced when working with texts (many pages for a single work), and the complexity of multiple colors in some images. Images in books were almost always in monochrome (black ink only), and for a time art prints were likewise monochrome or done in only two or three colors.The text or image was first drawn onto thin washi (Japanese paper), then glued face-down onto a plank of close-grained wood, usually a block of smooth cherry. Oil could be used to make the lines of the image more visible. An incision was made along both sides of each line or area. Wood was then chiseled away, based on the drawing outlines. The block was inked using a brush or brushes. A flat hand-held tool called a baren was used to press the paper against the inked woodblock to apply the ink to the paper. The traditional baren is made in three parts, it consists of an inner core made from bamboo leaves twisted into a rope of varying thicknesses, the nodules thus created are what ultimately applies the pressure to the print. This coil is contained in a disk called an "ategawa" made from layers of very thin paper which is glued together and wrapped in a dampened bamboo leaf, the ends of which are then tied to create a handle. Modern printmakers have adapted this tool, and today barens are made of aluminum with ball bearings to apply the pressure are used; as well as less expensive plastic versions. Although the first prints were simply one-color, with additional colors applied by hand, the development of two registration marks carved into the blocks called "kento" were added. The sheet of washi to be printed is placed in the kento, then lowered onto the woodblock. This was especially helpful with the introduction of multiple colors that had to be applied with precision over previous ink layers.(source: Wikipedia)

Extraordinary collection of Japanese woodblock prints by a well-known artist features 120 plates in brilliant color. Realistic images from a rare edition include daffodils, tulips, and other familiar and unusual flowers.