Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

Featuring renowned artist-historian Don Troiani's careful research, painstaking attention to detail, and dramatic style.

A history of the series of American Civil War battles fought at a town outside of Richmond, Virginia. Robert E. Lee feared the day the Union army would return up the James River and invest the Confederate capital of Richmond. In the spring of 1864, Ulysses Grant, looking for a way to weaken Lee, was about to exploit the Confederate commander’s greatest fear and weakness. After two years of futile offensives in Virginia, the Union commander set the stage for a campaign that could decide the war. Grant sent the 38,000-man Army of the James to Bermuda Hundred, to threaten and possibly take Richmond, or at least pin down troops that could reinforce Lee. Jefferson Davis, in desperate need of a capable commander, turned to the Confederacy’s first hero: Pierre Gustave Toutant Beauregard. Butler’s 1862 occupation of New Orleans had infuriated the South, but no one more than Beauregard, a New Orleans native. This campaign would be personal. In the hot weeks of May 1864, Butler and Beauregard fought a series of skirmishes and battles to decide the fate of Richmond and Lee’s army. Historian Sean Michael Chick analyzes and explains the plans, events, and repercussions of the Bermuda Hundred Campaign in Grant’s Left Hook: The Bermuda Hundred Campaign, May 5-June 7, 1864. The book contains hundreds of photographs, new maps, and a fresh consideration of Grant’s Virginia strategy and the generalship of Butler and Beauregard. The book is also filled with anecdotes and impressions from the rank and file who wore blue and gray. Praise for Grant’s Left Hook “A superb installment . . . one of the best books in the ECW series (easily rating among the top handful in this reviewer’s estimation). Sean Chick’s Grant’s Left Hook is highly recommended reading.” —Civil War Books and Authors “An excellent, very informative book about one of the least understood campaigns of the Civil War . . . also quite readable, and is highly recommended for anyone with an interest in the great conflict, and particularly for those who like tramping across battlefields.” —The NYMAS Review

For nearly 30 years, Mort Knstler has focused his considerable talent on interpreting the Civil War. More than 160 of these images are the basis for the four volumes in this series.

What is the function of art in the era of digital globalization? How can one think of art institutions in an age defined by planetary civil war, growing inequality, and proprietary digital technology? The boundaries of such institutions have grown fuzzy. They extend from a region where the audience is pumped for tweets to a future of “neurocurating,” in which paintings surveil their audience via facial recognition and eye tracking to assess their popularity and to scan for suspicious activity. In Duty Free Art, filmmaker and writer Hito Steyerl wonders how we can appreciate, or even make art, in the present age. What can we do when arms manufacturers sponsor museums, and some of the world’s most valuable artworks are used as currency in a global futures market detached from productive work? Can we distinguish between information, fake news, and the digital white noise that bombards our everyday lives? Exploring subjects as diverse as video games, WikiLeaks files, the proliferation of freeports, and political actions, she exposes the paradoxes within globalization, political economies, visual culture, and the status of art production.

For nearly 30 years, Mort Künstler has focused his considerable talent on interpreting the Civil War. More than 160 of these images are the basis for the four volumes in this series.