"When I swung over that windowsill, everything changed for me. We are meant to go in and out of doors in civilized style, but my mother bade me climb into woodsy wildness and a darkness flushed with crimson light and torches …" Clambering into the branches of a tree, a young woman flees flaming arrows and massacre. She will need to struggle for survival: to scour the wilderness for shelter, to strive and seek for a new family and a setting where she can belong. Her unmarked way is costly and hard. For Charis, the world outside the window of home is a maze of hazards. And even if she survives the wilds, it is no simple matter to discover and nest among her own kind—the godly, those called Puritans by others. She may be tugged by her desires for companionship, may even stumble into an intense love for a man, and may be made to try the strength of female heroism in ways no longer familiar to women in our century. Streams of darkness run through the seventeenth-century villages of the Massachusetts Bay Colony. Occult fears have a way of creeping into the mind. What young woman can be safe from the dangers of wilderness when its shadowy thickets spring up so easily in the soil of human hearts? Much will oppose Charis' longings for renewal and peace; she must pursue and discover the hero's path to a larger, more vivid life.

"When I swung over that windowsill, everything changed for me. We are meant to go in and out of doors in civilized style, but my mother bade me climb into woodsy wildness and a darkness flushed with crimson light and torches …" Clambering into the branches of a tree, a young woman flees flaming arrows and massacre. She will need to struggle for survival: to scour the wilderness for shelter, to strive and seek for a new family and a setting where she can belong. Her unmarked way is costly and hard. For Charis, the world outside the window of home is a maze of hazards. And even if she survives the wilds, it is no simple matter to discover and nest among her own kind—the godly, those called Puritans by others. She may be tugged by her desires for companionship, may even stumble into an intense love for a man, and may be made to try the strength of female heroism in ways no longer familiar to women in our century. Streams of darkness run through the seventeenth-century villages of the Massachusetts Bay Colony. Occult fears have a way of creeping into the mind. What young woman can be safe from the dangers of wilderness when its shadowy thickets spring up so easily in the soil of human hearts? Much will oppose Charis' longings for renewal and peace; she must pursue and discover the hero's path to a larger, more vivid life.

“A poet celebrates the wonders of nature in a collection of essays that could almost serve as a coming-of-age memoir.” —Kirkus Reviews As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted—no matter how awkward the fit or forbidding the landscape—she was able to turn to our world’s fierce and funny creatures for guidance. “What the peacock can do,” she tells us, “is remind you of a home you will run away from and run back to all your life.” The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world’s gifts. Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy. Praise for World of Wonders Barnes & Noble 2020 Book of the Year An NPR Best Book of 2020 An Esquire Best Book of 2020 A Publishers Weekly “Big Indie Book of Fall 2020” A BuzzFeed Best Book of Fall 2020 “Hands-down one of the most beautiful books of the year.” —NPR “A timely story about love, identity and belonging.” —New York Times Book Review “A truly wonderous essay collection.” —Roxane Gay, The Audacity

Named one of “the year’s best gardening books” by The Spectator (UK, Nov. 2014) The 1890s saw a revolution in advertising. Cheap paper, faster printing, rural mail delivery, railroad shipping, and chromolithography combined to pave the way for the first modern, mass-produced catalogs. The most prominent of these, reaching American households by the thousands, were seed and nursery catalogs with beautiful pictures of middle-class homes surrounded by sprawling lawns, exotic plants, and the latest garden accessories—in other words, the quintessential English-style garden. America’s Romance with the English Garden is the story of tastemakers and homemakers, of savvy businessmen and a growing American middle class eager to buy their products. It’s also the story of the beginnings of the modern garden industry, which seduced the masses with its images and fixed the English garden in the mind of the American consumer. Seed and nursery catalogs delivered aspirational images to front doorsteps from California to Maine, and the English garden became the look of America.

It is early May 1678 when Catherwood and her one-year-old daughter, Elisabeth, get lost in the woods of the New World. Catherwood has recently immigrated from England with her husband, and they have settled near Albany, New York. Now a moment's inattention on a spring day has turned a short visit to the closest neighbors into a long sojourn in the wilderness. As summer comes, Catherwood travels through a landscape which is as harsh and unforgiving as it is majestic and lush. With the winter months quickly closing in, she searches frantically through the sparsely populated terrain for signs of human habitation as she and her child struggle to stay alive.

This book examines the development of drawing and painting from several currently dominant theoretical perspectives and examines empirical data on the art work of children who are ordinary, talented, emotionally disturbed, and atypically developed due to

William, a studious and curious North Dakota boy, captures a Monarch butterfly—a trophy he wants to present for show-and-tell at school next Friday. The captive girl butterfly, Anka, is able to speak. With a sad, trembling voice, Anka pleads for freedom so she may fulfill her life destiny. Worried to show up at school empty handed, William resists her pleas. But clever Anka bargains for her freedom by enticing William to accompany her as a passenger on her fantastic journey. There is one catch, though: William has to shrink in size and become a miniature boy in order to ride on Anka’s back. William faces a dilemma. Should he set Anka free and show up at school empty handed? Or should he join this girl butterfly on an adventure to an unknown destination? Intrigued, he agrees to join Anka on her special trip. Whisked away on the wings of a butterfly, a whole new world unfolds for William. Together, he and Anka soar south-southwest from North Dakota to the Oyamel fir forests in central Mexico. A strong friendship develops as they depend on each other for survival. They stay for five months at their destination high up in the mountains—the Monarch Butterfly Biosphere Reserve. There, William learns much about Monarch butterflies, about survival, and about himself. During their return travels in the spring, William better understands the significance of Anka’s need for freedom. This story is about the importance of friendship and trust. It is also about one of nature’s most amazing wonders—the curious life-cycle and incredible migration of a fourth-generation, eastern Monarch butterfly.