Features the work of five contemporary lesbian photographers, together with a selection of historical photographs from the Lesbian Herstory Archives (some of which date back to 1910). Accompanying the photographs is an essay on being butch by Judy Grahn and one on being femme by Nisa Donnelly. A beautifully produced collection celebrating the gender roles, erotic desires, and self-perceptions of lesbian life. Illustrated throughout with duotone photographs. 6 X 4''

Lambda Literary Award finalist American Library Association Stonewall Honor Book In the summer of 2009, butch writer and storyteller Ivan Coyote and gender researcher and femme dynamo Zena Sharman wrote down a wish-list of their favourite queer authors; they wanted to continue and expand the butch-femme conversation. The result is Persistence: All Ways Butch and Femme. The stories in these pages resist simple definitions. The people in these stories defy reductive stereotypes and inflexible categories. The pages in this book describe the lives of an incredible diversity of people whose hearts also pounded for some reason the first time they read or heard the words "butch" or "femme." Contributors such as Jewelle Gomez (The Gilda Stories), Thea Hillman (Intersex), S. Bear Bergman (Butch is a Noun), Chandra Mayor (All the Pretty Girls), Amber Dawn (Sub Rosa), Anna Camilleri (Brazen Femme), Debra Anderson (Code White), Anne Fleming (Anomaly), Michael V. Smith (Cumberland), and Zoe Whittall (Bottle Rocket Hearts) explore the parameters, history, and power of a multitude of butch and femme realities. It's a raucous, insightful, sexy, and sometimes dangerous look at what the words butch and femme can mean in today’s ever-shifting gender landscape, with one eye on the past and the other on what is to come. Includes a foreword by Joan Nestle, renowned femme author and editor of The Persistent Desire: A Femme-Butch Reader, a landmark anthology originally published in 1992. Ivan E. Coyote is the author of seven books (including the novel Bow Grip, an American Library Association Stonewall Honor Book) and a long-time muser on the trappings of the two-party gender system. Zena Sharman is the assistant director of Canada's national Institute of Gender and Health.

There are many identities within the LGBTQI community. Among these are butch and femme. Both of these identities date back to the beginning of the 20th century and are a part of the lesbian and bisexual subculture. Both have taken on many definitions. In this collection of photographs, people from across the United States and Canada who claim these identities today share their own definitions and describe how they express themselves uniquely.

Essays on the butch-femme designations, respecting the power that these categories have in the lesbian community while at the same time avoiding the cliched romanticism often inherent in their representation.

What are the meanings behind constructed lesbian identities? This unique collection brings together writing, photography, artwork, and poetry about lesbian butch and femme gender. Femme/Butch: New Considerations of the Way We Want to Go distinguishes itself by celebrating a wide span of intellectual engagement, from reflection to traditional academic work, including both disciplinary and interdisciplinary approaches. In addition to more “serious” writing, lesbian comediennes offer their irreverent takes on femme/butch in this book. Their perspectives are almost never found in academic publications, but what Lea DeLaria, Vickie Shaw, Karen Williams, and other edgy comics have to say about femme/butch sexuality deserves to be heard. You’ll also find that Femme/Butch is essential for the global perspective it brings to lesbian gender. With chapters focused on lesbians in Chinese cultures and on the emerging lesbian community in Bulgaria, this book explores the role of femme/butch identification in cultures without recognizable lesbian institutions. Here are a few of the questions the contributors to Femme/Butch examine in this remarkable book: Can theory about femme/butch exist in the electric realm of sex and sexuality, or does theory necessarily neutralize sexuality? What role does popular culture play in helping us to theorize about lesbian gender? What are the relationships between history and femme/butch lesbian gender? Does lesbian identity development come in individual stages or is it more of a free-flowing process? How does social class relate to how we think about femme/butch race, ethnicity, and butch-femme? Femme/Butch is an ideal guide to understanding: the similarities between stone-butch and transgender identities—using Leslie Feinberg’s Stone Butch Blues as a reference point the erotically resignified roles of Mommy, Daddy, girl, and boy in butch-femme femme/butch issues of power, trust, love, and loss the “female husbands” of the 18th century and their “wives” the meanings of cross-dressing for lesbians the variety of lesbian-queer genders—butch, femme, androgynous, and “other” and much more!

This collection of Butch/Femme stories aims to take readers on a fantasy journey - on the road, in the pool, against the wall, and wherever else you long to go. Whether you dream of long-legged soccer stars, the girl next door, your favourite bartender or a sultry tango dancer, you'll find her waiting for you inside.

Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances. Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among "transgender dykes"--lesbians who pass as men--and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators. Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.