I am an unlikely person to be a long-haul trucker. People comment that I look more like a librarian or an English teacher than a trucker. And I have been both. Trucking is physically a little too hard for me. Perhaps for this reason, my life as a trucker has been one of radical dependence on God. The truck runs, after all, by grace, and I'm on the road only as long as God wants me to be. I have truly experienced that God's mercies are new every morning and are inexhaustible. He always helps! That's what this story is about.

Nine weeks after losing her husband, Charlotte escapes to a wooden motor yacht in New Hampshire, where her shipmates are an aging blue-haired widow, an emotional seventeen-year-old, and the ugliest dog in literature. A genuine bond develops among the three women, as their distinct personalities and paths cross and converge against the backdrop of emotional secrets, abuse, and the wages of old age. Off the boat, Charlotte, an archaeologist, joins a local excavation to uncover an ancient graveyard. Here she can indulge her passion for reconstructing the past, even as she tries to bury her own recent history. She comes to realize, however, that the currents of time are as fluid and persistent as the water that drifts beneath her comforting new home.

The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation

"Lewis struck me as the most thoroughly converted man I ever met," observes Walter Hooper in the preface to this collection of essays by C.S. Lewis. "His whole vision of life was such that the natural and the supernatural seemed inseparably combined. "It is precisely this pervasive Christianity which is demonstrated in the forty-eight essays comprising God in the Dock. Here Lewis addresses himself both to theological questions and to those which Hooper terms "semi-theological," or ethical. But whether he is discussing "Evil and God," "Miracles," "The Decline of Religion," or "The Humanitarian Theory of Punishment," his insight and observations are thoroughly and profoundly Christian. Drawn from a variety of sources, the essays were designed to meet a variety of needs, and among other accomplishments they serve to illustrate the many different angles from which we are able to view the Christian religion. They range from relatively popular pieces written for newspapers to more learned defenses of the faith which first appeared in The Socratic Digest. Characterized by Lewis's honesty and realism, his insight and conviction, and above all his thoroughgoing commitments to Christianity, these essays make God in the Dock very much a book for our time.--Amazon.com.

The Founding of the American Republic is on trial. Critics say it was a poison pill with a time-release formula; we are its victims. Its principles are responsible for the country's moral and social disintegration because they were based on the Enlightenment falsehood of radical individual autonomy. In this well-researched book, Robert Reilly declares: not guilty. To prove his case, he traces the lineage of the ideas that made the United States, and its ordered liberty, possible. These concepts were extraordinary when they first burst upon the ancient world: the Judaic oneness of God, who creates ex nihilo and imprints his image on man; the Greek rational order of the world based upon the Reason behind it; and the Christian arrival of that Reason (Logos) incarnate in Christ. These may seem a long way from the American Founding, but Reilly argues that they are, in fact, its bedrock. Combined, they mandated the exercise of both freedom and reason. These concepts were further developed by thinkers in the Middle Ages, who formulated the basic principles of constitutional rule. Why were they later rejected by those claiming the right to absolute rule, then reclaimed by the American Founders, only to be rejected again today? Reilly reveals the underlying drama: the conflict of might makes right versus right makes might. America's decline, he claims, is not to be discovered in the Founding principles, but in their disavowal.

The Story of Holy Apostles College and Seminary is a yearbook of over sixty years of a Catholic seminary and college located in picturesque Cromwell, Connecticut. Dr. Toolin-Wilson and Prof. Hubbard begin with a brief overview of the first years of Holy Apostles, including its founder, Fr. Eusebe Menard, OFM. They next use words and pictures to describe the vibrant Holy Apostles community. This community is guided by bishops, rectors, faculty, and staff whose concern is the development of Catholic ordained, religious, and lay faithful leaders. The authors emphasize the stability of Holy Apostles in its mission of forming Catholic leaders. They document its development from a small school with fewer than ten students to an institution serving a diverse student body composed of many ethnic and national groups globally through its online programs and residentially on its home campus. Among these groups are vocations to the priesthood, candidates to the permanent diaconate, religious sisters and brothers, and the laity.

It’s 1954 and the world is about to change—including the far Northwoods of Maine. But that change can’t happen soon enough for fourteen-year-old Mercy Millar. Long tired of standing in as the “son” her father never had, Mercy’s ready for the world to embrace her as the young woman she is—as well as embrace the forbidden love she feels. When childhood playmates grow up and fall in love, the whole community celebrates. But in the case of Mercy and Mick, there would be no celebration. Instead, their relationship must stay hidden. Good girls do not date young men from the Maliseet tribe, at least not in Watsonville, Maine. When racial tensions escalate and Mick is thrown in jail under suspicion of murder, Mercy nearly loses all hope—in love, in her father, and in God Himself.