Personal account of the first twenty years in the life of a Canadian Indian woman from British Columbia.

Bobbi Lee Indian Rebel is a gritty portrait of a turbulent home life and harrowing adventures on the road, from the mud flats of North Vancouver to the farm fields of California and the fringes of the hippie subculture in Toronto. Renowned author Lee Maracle’s groundbreaking biographical novel captures the spirit of Indigenous resistance during the Red Power movement of the 60s and 70s, chronicling a journey towards political consciousness in the movement for self-determination. A fearless portrayal of one woman’s struggle to make sense of the world as she fights to change it, Bobbi Lee is a powerful, unforgettable story that marks a significant beginning in the modern history of Indigenous people.

Lee Maracle's Bobbi Lee Indian Rebel tells the narrative of an Indigenous woman raised in North America who finds her strength despite the forces that challenge and oppress her. Grippingly honest, Lee's autobiographical exploration of post-colonial tensions in Toronto circa 1960-1980 sheds light on the existing racist and sexist sentiments affecting Indigenous women. Reflective of the struggles Indigenous communities face today, this book continues to hold a place within contemporary Indigenous and women's studies classrooms.

Could the safest place be in his arms? Desperate to escape the media firestorm surrounding her duplicitous late husband, San Francisco designer Lana Corday flees to the Outer Banks of North Carolina. Her idyllic seaside home is the perfect place for a fresh start…especially when Lana meets sexy hunk Tennison West. But is the enigmatic filmmaker a man she can rely on or just another disappointment waiting to happen? Getting Lana to let down her guard will take patience…and passion. Their mounting desire threatens to blow Ten's cover, yet neither of them wants to turn back now. But once Lana discovers why Ten really came to isolated Pea Island, how will the FBI special agent ever regain her trust? As danger looms, Ten must succeed in his most important mission, or risk losing the woman who's claimed his heart….

The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.

Is their marriage ending… Or just beginning? Vicki Sorenson married Jamie Malone an hour after she met him. Both had good reasons for exchanging vows, but their marriage was never meant to be real. Now, thirteen years later, Vicki has a new man in her life, and he's about to propose. Before she can accept, though, she has to end her paper marriage with Jamie. But divorcing the Irishman turns out to be more difficult than marrying him. Because Jamie doesn't want a divorce.…

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