Representing five major areas of Augustan scholarship—historiography, poetry, art, religion, and politics—the nineteen contributors to this volume bring us closer to a balanced, up-to-date account of Augustus and his principate.

Representing five major areas of Augustan scholarship--historiography, poetry, art, religion, and politics--the nineteen contributors to this volume bring us closer to a balanced, up-to-date account of Augustus and his principate.

Political image-making—especially from the Age of Augustus, when the Roman Republic evolved into a system capable of governing a vast, culturally diverse empire—is the focus of this masterful study of Roman culture. Distinguished art historian and classical archaeologist John Pollini explores how various artistic and ideological symbols of religion and power, based on Roman Republican values and traditions, were taken over or refashioned to convey new ideological content in the constantly changing political world of imperial Rome. Religion, civic life, and politics went hand in hand and formed the very fabric of ancient Roman society. Visual rhetoric was a most effective way to communicate and commemorate the ideals, virtues, and political programs of the leaders of the Roman State in an empire where few people could read and many different languages were spoken. Public memorialization could keep Roman leaders and their achievements before the eyes of the populace, in Rome and in cities under Roman sway. A leader’s success demonstrated that he had the favor of the gods—a form of legitimation crucial for sustaining the Roman Principate, or government by a “First Citizen.” Pollini examines works and traditions ranging from coins to statues and reliefs. He considers the realistic tradition of sculptural portraiture and the ways Roman leaders from the late Republic through the Imperial period were represented in relation to the divine. In comparing visual and verbal expression, he likens sculptural imagery to the structure, syntax, and diction of the Latin language and to ancient rhetorical figures of speech. Throughout the book, Pollini’s vast knowledge of ancient history, religion, literature, and politics extends his analysis far beyond visual culture to every aspect of ancient Roman civilization, including the empire’s ultimate conversion to Christianity. Readers will gain a thorough understanding of the relationship between artistic developments and political change in ancient Rome.

This book uses literature to explain why pre-Confederation Canadians did not want to become Americans. The author argues that the perceived cultural distinctions between 19th-century American and colonial Canadian societies echoed public attitudes towards the political systems of the US and the British Empire, and the ideologies that shaped them.

Analyzes the relationship between political power and public ceremonial in the period between Julius Caesar and the first emperor Augustus

Proceedings from the conference ‘AUGUSTUS. 23 September 63 BC – 19 August 14 AD – 2000 years of divinity’ held in Kakow, 2014. Papers deal with a variety of topics ranging from architecture, urban issues and painting to fine art represented by glyptics and numismatics.

In this new edition, with a new preface and an updated bibliography, the author provides a comprehensive and well-documented survey of the evolution and growth of the remarkable military enterprise of the Roman army. Lawrence Keppie overcomes the traditional dichotomy between the historical view of the Republic and the archaeological approach to the Empire by examining archaeological evidence from the earlier years. The arguments of The Making of the Roman Army are clearly illustrated with specially prepared maps and diagrams and photographs of Republican monuments and coins.