Open your mind, take a look at this coloring book and find out what this Bad Bunny coloring book will bring to you!Are you a big fan of Bad Bunny? Do you love the amazing melody and rhythm of his songs? Do you never want to miss anything about this handsome singer? Well, if your answer is yes, this splendid Bad Bunny coloring book is completely perfect for you!What are you hesitating for? Just come and get it now!

Innocent eyes... little round cheeks... a super fluffy tail... He may look sweet and innocent, but don't be fooled - Bad Bunny is Mischief with a capital 'M'! But on a day of particularly naughty naughtiness, he may be about to meet his match. Will Bad Bunny end up in hot water? All will be revealed... WARNING: Will induce extreme laughter.

Across five studio albums with Art Garfunkel (1964-1970) and fourteen solo albums (1965-2018), Paul Simon’s music and lyrics have inspired generations of listeners. For Paranoia Blues, nineteen masters of contemporary short crime fiction wrote new stories, each inspired by one of Simon’s songs: one from each of the five Simon and Garfunkel studio albums (plus a bonus second story inspired by a song from Bridge Over Troubled Water) and one from each of the fourteen solo studio albums. The contributors include award-winners E.A. Aymar, Martin Edwards, Cheryl A. Head, Edwin Hill, Tom Mead, Raquel V. Reyes, Gabriel Valjan, and a dozen more—plus the first new story by Robert Edward Eckels in more than forty years! This is the fifth “inspired by” anthology edited by Josh Pachter, a recent winner of the Short Mystery Fiction Society’s Golden Derringer Award for Lifetime Achievement; the previous books drew on the music of Jimmy Buffett, Billy Joel, and Joni Mitchell—and the films of the Marx Brothers.

Three hungry foxes want to make rabbit stew! All the bunnies are in trouble now--and only Ralph and his soccer ball can save the day.

In Persian Blues, Psychoanalysis and Mourning, Gohar Homayounpour plays a theme and variations on loss, love, and family against the backdrop of Iran’s chaotic recent past. Homayounpour is simultaneously Shahrzad, the fearless storyteller, and Shahrzad’s analyst: subjecting fairy tales to fierce new insights, while weaving an indigo thread through her own devastation on the death of her father and the wonders and horrors of motherhood. A blue thread, or melody, runs though the separations and emigrations of her family and patients driven or broken apart by war, and likewise through the fraught world inhabited by Persian women. This book breaks new psychoanalytic ground, offering a radical rejection of traditional clichés about Iran, and Iranian women, but its unsparing elegance transcends any political agenda, bridging the ocean of a shared and tragic humanity. Persian Blues, Psychoanalysis and Mourning will be of great interest to psychoanalysts and psychoanalytically informed readers, as well as those interested in grief, Iran, and women’s experiences.