"One of the freshest, most memorable story collections of my lifetime. And 'A Good Man,' one of the most important. Rarer than the newness, the wit, the vivid readability, is the deep caring understanding, the wholeness, the truth which this astonishing, haunting writer creates her people. 'A Good Man' will be a revelation, an epiphany to many a reader."—Tillie Olsen "In Annie Oakley's Girl, people are so much larger, their motives, dreams and mysteries so much more complex than you ever imagined. Love is so much more dangerous, grief so much more powerful, hope so much more tenuous and necessary. I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around, and Annie Oakley's Girl is stunning."—Dorothy Allison "Brown's fourth (The Terrible Girls, 1992, etc.) mixes fantasy, conjecture, and some realism in seven stories that feature atmospheric neo-feminist allegories and fables. The two longest pieces are the most striking: "Annie" (originally published in Adam Mars-Jones's Mae West is Dead: Recent Lesbian & Gay Fiction) is about the narrator's love affair with Annie Oakley—it's part historical pastiche, part touching daydream, and part biting satire. Juxtaposing the narrator's western daydreams with grittier realism, Brown manages to force upon her narrator the kind of rude awakening best displayed by Tim O'Brien in Going after Cacciato. She also has a good deal of fun along the way: in one instance, Annie Oakley signs autographs at Saks—"the release of her authorized biography coincides with the arrival of the special line of new fall fashions—Annie Oakley Western Wear." "A Good Man" (which first appeared in Joan Nestle and Naomi Holoch's Women on Women II) is a tribute to a decent man dying of AIDS, nursed off and on by his lesbian friend; the striking "Folie a Deux" posits a couple who deliberately cripple themselves—one deaf, one blind—so that "Each of us had something the other didn't have"; and the remaining four stories, published in Britain in 1984, are dreamlike fables. In the best, "Love Poem," the narrator and "you," an artist (the second person becomes a tic in several of these), sneak into the Tate and destroy the artist's work; "The Joy of Marriage" is a touching but ideological look at a honeymoon; "Grief" is about a woman sent off by her clique to a foreign country—she never returns. Occasionally moving, the story's too obliquely personal to make enough sense to a wider audience. Imagistic, edgy fictions about postmodern longing in a world off its screws—and where sadness seems to be a woman's only fate."—Kirkus Reviews Published in 1993 by City Lights, this collection includes seven stories: "Annie," "The Joy of Marriage," "Folie a Deux," "Love Poem," "The Death of Napoleon: Its Influence on History," "A Good Man," and "Grief." Rebecca Brown is the author of a dozen books of prose including The Last Time I Saw You, The End of Youth, The Dogs, The Terrible Girls (City Lights) and The Gifts of the Body (HarperCollins).

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You want girl power? Meet Annie Oakley! Born in 1860, she became one of the best-loved and most famous women of her generation. She amazed audiences all over the world with her sharpshooting, horse-riding, action-packed performances. In an age when most women stayed home, she traveled the world and forged a new image for American women.

Fifteen-year-old Annie Oakley is the sole supporter of her widowed mother and two siblings. An expert markswoman and independent spirit, she hunts game to sell to the local mercantile to make ends meet instead of accepting a marriage proposal that could solve all her problems. After a stunning performance in a shooting contest against the handsome and famous sharpshooter Frank Butler, Annie is offered a position in the renowned Buffalo Bill’s Wild West Show. Finally, she has a chance to save the nearly foreclosed family farm and make her dreams come true. But then her Indian assistant is found dead in her tent, and Annie is dubious when the local coroner claims the death was due to natural causes. When another innocent is murdered, Annie begins to fear the deaths are related to her. And to make matters worse, her prized horse, Buck, a major part of her act, is stolen. Annie soon discovers that the solution to her problems lies buried in a padlocked Civil War trunk belonging to the show’s manager, Derence LeFleur. And so, with the help of a sassy, blue-blooded reporter, Annie sets out to find her horse, solve the murders, and clear her name.

“Nothing more simple, I assure you. . . . But I’ll tell you what. You must have your mind, your nerve, and everything in harmony. Don’t look at your gun, simply follow the object with the end of it, as if the tip of the barrel was the point of your finger.”—Annie Oakley Annie Oakley is a legend: America’s greatest female sharpshooter, a woman who triumphed in the masculine world of road shows and firearms. Despite her great fame, the popular image of Annie Oakley is far from true. She was neither a swaggering western gal nor a sweet little girl. Annie Oakley was a competitive woman resolved to be the best, and she succeeded. In this comprehensive biography Shirl Kasper sets the record straight, giving us an accurate, honest, and compelling portrait of the woman known as “Little Sure Shot.” Now updated with a new afterword, this account illuminates the life and legend of Annie Oakley, including her start as a comedienne, her later life with Frank Butler, and her final years and struggles.

Annie Oakley, was an American sharpshooter who became an international star performing for heads of state and royalty. This book is an introduction to the life Annie Oakley whose perfection in her sport inspired Broadway plays, musicals, and songs. Her story is considered a folktale, or legend, which is a story passed on by word-of-mouth through generations, organically changing each time it is told. This exiting volume contains original artwork, historical context of the story, recounts the folktale from diverse cultures, and defines words unique to her legend.

Highlights the life of Annie Moses, better known as Annie Oakley, the United States' greatest female sharpshooter.