Situated at the intersection of animal studies and literary theory, this book explores the remarkable and subtly pervasive web of animal imagery, metaphors, and concepts in the work of the Jewish-Italian writer, chemist, and Holocaust survivor Primo Levi (1919-1987). Relatively unexamined by scholars, the complex and extensive animal imagery Levi employed in his literary works offers new insights into the aesthetical and ethical function of testimony, as well as an original perspective on contemporary debates surrounding human-animal relationships and posthumanism. The three main sections that compose the book mirror Levi’s approach to non-human animals and animality: from an unquestionable bio-ethical origin (“Suffering”); through an investigation of the relationships between writing, technology, and animality (“Techne”); to a creative intellectual project in which literary animals both counterbalance the inevitable suffering of all creatures, and suggest a transformative image of interspecific community (“Creation”).

Explores how similarities and differences between humans and animals were understood by medieval theologians, and their significance.

The legacy of antifascist partisan, Auschwitz survivor, and author Primo Levi continues to drive exciting interdisciplinary scholarship. The contributions to this intellectually rich, tightly organized volume - from many of the world's foremost Levi scholars - show a remarkable breadth across fields as varied as ethics, memory, and media studies.

"This book is an essential reference on creating words. It's packed with etymologies, ideas on derivation, places you can diverge from English, and fascinating things to think about. Plus it contains the real-world knowledge you need to name everything from colors to elements, from kinship systems to guilds" -- Back cover.

Boethius (c.480–c.525/6), though a Christian, worked in the tradition of the Neoplatonic schools, with their strong interest in Aristotelian logic and Platonic metaphysics. He is best known for his Consolation of Philosophy, which he wrote in prison awaiting execution. His works also include a long series of logical translations, commentaries and monographs and some short but densely-argued theological treatises, all of which were enormously influential on medieval thought. But Boethius was more than a writer who passed on important ancient ideas to the Middle Ages. The essays here by leading specialists, which cover all the main aspects of his writing and its influence, show that he was a distinctive thinker, whose arguments repay careful analysis and who used his literary talents in conjunction with his philosophical abilities to present a complex view of the world.

A new theoretical and exegetical angle on the Bible and animal studies According to Genesis, humans are made in God's image but animals are not. Hannah M. Strømmen challenges this view by critiquing the boundary between humans and animals in the Bible through the work of philosopher Jacques Derrida. Building on Derrida's The Animal That Therefore I Am, Strømmen brings to light significant moments where the lines between the divine, human, and animal are ambiguous in a rich range of biblical texts, from Noah as the first carnivorous man in Genesis 9 to Revelation's beasts. Features A contribution to research on Jacques Derrida and deconstruction An examination of Derrida's work on the human/animal boundary Critical engagement with the way the Bible is frequently held up as a point of blame for anthropocentrism