In this classic work in patristic studies, R. P. C. Hanson elucidates the views of the third-century theologian Origen on the nature and interpretaion of Scripture. The introduction by a leading Origen scholar sets Hanson's work in its context and explores its significance to Origen scholarship.

Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.

A biblical type is a person, place, or thing in salvation history that corresponds to a later person, place, or thing in the scriptural text. An allegory is a passage that says one thing in order to say something else. Both are common literary devices in the Bible that are vital for understanding truths about Jesus Christ found nowhere else. In 40 Questions About Typology and Allegory, Mitchell Chase provides a thorough introduction to both devices, showing where they appear throughout Scripture and the historical roles they have played in biblical interpretation. In a convenient question-and-answer format, Chase answers key questions such as: Why should interpreters care about typology and allegory? How do we identify types? What are the theological assumptions of typology? Do all types lead to Christ? What is allegorical interpretation? How was allegory practiced in the early church? How should we practice allegorical interpretation? Situating typology and allegory within salvation history, Chase shows how these devices reveal the interconnectedness of Scripture and commonly overlooked aspects of Christ's person and work. Scholars, Bible teachers, and preachers will find this an essential resource for interpreting Scripture more comprehensively. --

The animals in the clearing were content until the Terrible Things came, capturing all creatures with feathers. Little Rabbit wondered what was wrong with feathers, but his fellow animals silenced him. "Just mind your own business, Little Rabbit. We don't want them to get mad at us." A recommended text in Holocaust education programs across the United States, this unique introduction to the Holocaust encourages young children to stand up for what they think is right, without waiting for others to join them. Ages 6 and up

Structures of Appearing: Allegory and the Work of Literature is an interdisciplinary study that revises the history of allegory through a phenomenological approach. The book also takes on the history of aesthetics as an ideology that has long subjugated literature (and art generally) to criteria of judgment that are philosophical rather than literary.