Poetry. Latinx Studies. LGBTQIA Studies. "Equal part prayer and potion and survival guide, Oliver Baez Bendorf's remarkable ADVANTAGES OF BEING EVERGREEN is an essential book for our time and for all time...Baez Bendorf is making a future grammar for the moment all of our vessels are free and held. I am living for the world these poems anticipate...This is a book of the earth's abiding wonder. And the body's unbreakable ability to bloom."--Gabrielle Calvocoressi "This book...offers a topography of the body--each poem, a dropped pin, locating across a broad intricate landscape: memory, hunger, tenderness, grief, and fear. To read these poems is to trust the momentum of tributaries or the distance traveled when the trail is full of switchbacks. This work is an exercise of faith."--Amaud Jamaul Johnson "Written from and with death, the poems in ADVANTAGES OF BEING EVERGREEN offer elegies; they utter prayers that ask our dead to stay; they come as breath constrained and animated by a form that narrates an excess of natures, an excess of rivers that interrupt this book as the poet ponders the impossible question of what it means to be home. Here the body is a shared condition. The body is language. It changes. It resists. It mourns. It reincarnates with the 'teeth of our dead around our neck.'"--Daniel Borzutzky

Winner of the 2013 Stan and Tom Wick Poetry Prize Mark Doty, Judge "It's a joy. . .to come nearer to a realm of experience little explored in American poetry, the lives of those who are engaged in the complex project of transforming their own gender... Oliver Bendorf writes from a paradoxical, new-world position: the adult voice of a man who has just appeared in the world. A man emergent, a man in love, alive in the fluid instability of any category." --Mark Doty, from the Foreword "Bendorf's collection indeed opens the door to a spectral wilderness, an otherworldly pastoral, a queer ecology endlessly transformed by possibility, grief, and the unruly wanting of our names and bodies. Stunningly lyrical and beautifully theoretical, The Spectral Wilderness is an invitation one cannot turn down; the book calls us to travel with Bendorf, to study the topography of becoming because "what we used to be matters" in the way that language matters--however fleeting, however mistaken, however contradictory it might be." --Stacey Waite, author of Butch Geography "What gorgeous and ravenous rackets Oliver Bendorf's poems are made of; what a yearning and beautiful heart. 'Lift a geode from the ground and crack me open, ' he writes, which is more or less what these poems do for me: break me open to what might sparkle and blaze, what might glisten and burn inside. The Spectral Wilderness is a wonderful book." --Ross Gay, author of Against Which and Bringing the Shovel Down

Poetry. Winner of the 2015 CSU Poetry Center First Book Competition, Selected by Eileen Myles. "MY FAULT is brainy and organic, interrupting itself. In MY FAULT politics and intimacy are jousting for the planet. Through MY FAULT nature appears, wearing a beautiful stuttering naked poem you know what they mean. Yes." Eileen Myles "When someone says 'my fault' it's usually just after something not so awful has happened; it's usually a little light-hearted, a little excusable. When Leora Fridman says 'my fault' it's not so simple as it is most welcoming. This new book introduces the poet as someone who is willing to be someone, not to hide behind so-called points of view or other concoctions of literary fastidiousness. There's an 'I' in this book and it's an 'I' saying over and over again here I am, how are you? This 'I' says 'We are only looking about // Who can say where the handle is / to this an opening door // Who can hit my switch?' Reading MY FAULT is like being with a new friend who has chosen to trust you with her thoughts about just about everything. It's rare a poet that lets herself be so exposed, so open for inspection, so unguarded." Dara Wier"

DISTINGUISHED FAVORITE: NYC Big Book Award 2020 - Career Trapped in a job or business that's "just not you"? Always dreaming of your next vacation or living for the weekend? Marianne Cantwell's straight-talking bestseller will help you break out of that career cage and Be A Free Range Human. It's about much more than just quitting your job and becoming your own boss. It's about life on your terms, working when, where and how you want - so you don't have to fit yourself into someone else's box to make a great income. This second edition won't just inspire you, it will give you unconventional and practical steps to: - Discover what you really want to do with your life (even if no answer has ever fully fit) - Get started in 90 days, with what you have - Create a free range career, tailor-made for you and the life you want (be it travelling the world or hanging out in your favourite café) - Stand out from the crowd and get paid well to be you Be A Free Range Human was one of the first and most popular guides to creating a custom career (without an office or a boss). Updated with new advice on how to make free range work for your personality (you don't need to be a constantly-networking extrovert. have an MBA, or get funding), this smart, energizing guide will help you cut through the noise, see your options in a new way, and get the freedom and fulfilment you crave.

Poetry. LGBTQIA Studies. "Wray's poems are wry luxury items of intelligence, sheathed in the latent double of speech, where a word like family might mean, in the queer parlance, refuge, but also, refutation. This is an interrogative, primal, mythic collection, a poetry of privacy and disclosure, of contradiction, a disabused landscape under 'razor-wire stars.'"--Randall Mann "NO DOUBT I WILL RETURN A DIFFERENT MAN explores how complicated relationships between fathers and sons cast long shadows over the future self. In Wray's poems, eros shades at times uncomfortably into social violence and self-abnegation, making this book both love song and elegy to masculinity and its performances, to queerness, and to self-invention. Wray's sharp-eared lyrics move between the darkly campy and the sublime, proving that paternal elegies themselves are 'queer things' whose shifting modes allow him to investigate the limits of fatherhood itself."--Paisley Rekdal "Situated in the long posterity of one of the most infamously shattered queer lives, this tense excavation of Alan Turing, this careful and sumptuous overlay of men's secrecies and assignations seventy years apart, is fascinating. NO DOUBT I WILL RETURN A DIFFERENT MAN delves for origins, stirs encryption with erotics, and makes 'caught looking' palpable in its thrill and thrall."--Brian Blanchfield

Poetry. 2015 CSU Poetry Center First Book Competition, Editor's Choice. "Martin Rock's RESIDUUM spins language into twinned helices of what is said and what is taken back, layering micro- and macroscopic images of bodies in love and space and history. It might make you a little dizzy. It might be contagious or reproducing. It might ask you to glimpse at the moments when you try to speak truly and find your words coming out all infected and in debt. It is a love poem as Williams' Asphodel is a love poem. It is spectacular and leaves me with a head encircled by stars." Heather Christle "In RESIDUUM, Martin Rock creates the illusion of an enormous mind always in motion. 'Meditating on the peak of a mountain last year / years ago // I held all the universe inside my skull, ' it informs us, suggesting both the intimacy and vastness of its vision. At times, these poems appear to live beyond the range of any individual, as if Emerson's Oversoul spoke directly to, and through, us though just as quickly they become intimate and humane, whispering softly into our ears. Always, Rock's observations, subtractions, and revisions fascinate, disrupting any clean, centered view of the world, replacing it with brilliant abstraction." Kevin Prufer "Martin Rock's remarkable debut collection, RESIDUUM, takes on nothing less than making the unsayable (as Heidegger perceives it) 'legible.' I find the partial erasure form of this book dynamic, and lyrically fluid. RESIDUUM is also moving, and genuinely funny in many spots. For all its critical engagement and thoughtfulness, it never loses the necessary, bodily pulse. Rock's is a wonderful new voice to encounter, a poet who takes from several different canons within our poetic tradition and makes something utterly his own from them." Erin Belieu "In our culture where composition largely resides between blinking cursors and revision is often an act of deletion, Martin Rock's impressive debut collection, RESIDUUM, announces itself like a command to 'Save.' Language is not just the words that we use but everything that has been reconsidered, replaced, evolved, or ignored to get us here. Sometimes, that language comes via the intense privileges of gender, race, or class. Other times it can be a more earned catalog of allusion and emotions. These lyrics compositions of image and additive subtraction are earned and owe as much to Robert Rauschenberg as they do Martin Heidegger. And because of that, Rock's collection is a visual and allusory opportunity for the reader: the word bank is open, the questions are asked, and the answers are here in poems that are both unexpected and fascinating." Adrian Matejka"

A startling and gorgeous work by Denmark's most admired poet finally available in English translation.