This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Excerpt from A Grammar of Greek Art The purpose and character of this little book may perhaps be best explained by a brief history of its genesis. It is an urgent problem how best an elementary study of Greek art may be made a part of general classical culture and put on terms with the study of Greek and Roman literature and history. In order to help toward a solution of this problem, I published two years ago a pamphlet on Classical Archaeology in Schools, which has been read and considered by many teachers in England and America. It has, however, been pointed out to me that this essay, while it sets forth the practical possibilities of using archaeological aids in classical teaching, does not explain sufficiently what are the main principles of Greek art and what are its relations to literature. This defect I have tried to remedy in the present work, which is meant principally for men of classical training, and particularly for classical teachers in schools. It is scarcely adapted to the capacities of ordinary schoolboys. I had originally intended to incorporate with it the essay of which I have spoken; but it was decided to keep that apart, in such a form that the list of apparatus could be at any time brought up to date. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Excerpt from A Grammar of Greek Art Just as the poetry and prose of the Greeks is expressed in a particular language, the words and the grammar of which must be studied by those who would understand the literature, so works of Greek painting and sculpture also are composed in what may be called a particular artistic language.l The words of that language are the strokes of the brush and the chisel; but these are put together in order to embody Greek ideas in ways which are distinctive and not like those adopted by any other people; certainly unlike those of modern art. The object of the present work is to set forth, as simply and directly as possible, what these ways are; to define, in fact, the principles of Greek art, and so render more intelligible the works of paint ing and sculpture which have come down to us from Hellenic antiquity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A survey of the key features and influences of ancient Greek art, from the prehistoric period through the Hellenistic era. This book is an essential resource for anyone seeking to understand the evolution of Western art and society. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.