William Stearns Davis (April 30, 1877 - February 15, 1930) was an American educator, historian, and author. He has been cited as one who "contributed to history as a scholarly discipline, . . . [but] was intrigued by the human side of history, which, at the time, was neglected by the discipline." After first experimenting with short stories, he turned while still a college undergraduate to longer forms to relate, from an involved (fictional) character's view, a number of critical turns of history. This faculty for humanizing, even dramatizing, history characterized Davis' later academic and professional writings as well, making them particularly suitable for secondary and higher education during the first half of the twentieth century.

"As a story ... there can be no question of its success. ... While the beautiful love of Cornelia and Drusus lies at the sound sweet heart of the story, to say so is to give a most meager idea of the large sustained interest of the whole. William Stearns Davis (April 30, 1877 - February 15, 1930) was an American educator, historian, and author. He has been cited as one who "contributed to history as a scholarly discipline, . . . [but] was intrigued by the human side of history, which, at the time, was neglected by the discipline."After first experimenting with short stories, he turned while still a college undergraduate to longer forms to relate, from an involved (fictional) character's view, a number of critical turns of history. This faculty for humanizing, even dramatizing, history characterized Davis' later academic and professional writings as well, making them particularly suitable for secondary and higher education during the first half of the twentieth century in a field which, according to one editor, had "lost the freshness and robustness . . . the congeniality"that should mark the study of history. Both Davis' fiction and non-fiction are found in public and academic libraries today.

This book "" A Friend of Caesar A Tale of the Fall of the Roman Republic. Time, 50-47 B.C. "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Excerpt from A Friend of Caesar: A Tale of the Fall of the Roman Republic, Time, 50-47 B. C IF this book serves to show that Classical Life presented many phases akin to our own, it will not have been written in vain. After the book was planned and in part written, it was discovered that Archdeacon Farrar had in his story of Dark ness and Dawn a scene, Onesimus and the Vestal, which corresponds very closely to the scene, Agias and the Vestal, in this book; but the latter incident was too characteristically Roman not to risk repetition. If it is asked why such a book as this is desirable after those noble fictions, Darkness and Dawn and Quo Vadis, the reply must be that these'books necessarily take and interpret the Christian point of view. And they do well; but the Pagan point of view still needs its interpretation, at least as a help to an easy apprehension of the life and literature of the great age of the Fall of the Roman Republic. This is the aim of A Friend of Caesar. The Age of Caesar prepared the way for. The Age of Nero, when Christianity could find a world in a state of such culture, unity, and social stability that it could win an adequate and abiding triumph. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.