Themes: Adapted Classics, Low Level Classics, Graphic Novels, Illustrated, Samuel Clemens, Fiction, Tween, Teen, Young Adult, Hi-Lo, Hi-Lo Books, Hi-Lo Solutions, High-Low Books, Hi-Low Books, ELL, EL, ESL, Struggling Learner, Struggling Reader, Special Education, SPED, Newcomers, Reading, Learning, Education, Educational, Educational Books. These literary masterpieces are made easy and interesting. This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page eBook retains key phrases and quotations from the original classics. Have you ever wondered what it would be like to go back in time, knowing what you know now? That is the story of a Connecticut Yankee who is magically transported back to King Arthur's time. But with the knowledge of modern technology. Will modern technology win out over the magic of Merline, the court magician?

These literary masterpieces are made easy and interesting. This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page book retains key phrases and quotations from the original classics. Containing 11 reproducible exercises to maximize vocabulary development and comprehension skills, these guides include pre- and post- reading activities, story synopses, key vocabulary, and answer keys. The guides are digital, you simply print the activities you need for each lesson.

A comic book adaptation of Twain's novel, followed by a 15 page essay about the book. Retells the classic story of an ingenious 19th century Yankee who falls asleep, to awaken in 6th century England, as a graphic novel with study guide.

A retelling of A Connecticut Yankee in King Arthur's court in comic book format.

Seymour Chwast, an icon of the graphic design world, has delighted audiences with his adaptations of The Divine Comedy, The Canterbury Tales, and The Odyssey, but it is in Mark Twain's A Connecticut Yankee in King Arthur's Court that he has found his match. Inspired by Twain's comic irreverence for the Knights of the Round Table, Chwast's illustrations showcase his humor at its finest. He brings us a brilliant imagining of the beloved hero, Hank Morgan, as well as the full cast of Camelot characters, from Merlin to Lancelot to the king himself. With a bold and colorful design and no shortage of witty surprises, this is Mark Twain as you've never seen him before.

How sick are you of US politics? How doomed is the world because of who has claimed the Oval Office throne—er, chair? Refresh your spirit by laughing along with what Mark Twain might have written about today’s political falderal. “Solidly entertaining.” —Publishers Weekly WINNER 2016 IBPA Benjamin Franklin Gold Medal for Science Fiction & Fantasy. Morgan le Fay, sixth-century Queen of Gore and the only major character not killed off by Mark Twain in A Connecticut Yankee in King Arthur’s Court, vows revenge upon the Yankee Hank Morgan. She casts a spell to take her to 1879 Connecticut so she may waylay Sir Boss before he can travel back in time to destroy her world. But the spell misses by 300 miles and 200 years, landing her in the Washington, D.C., of 2079, replete with flying limousines, hovering office buildings, virtual-reality television, and sundry other technological marvels. Whatever is a time-displaced queen of magic and minions to do? Why, rebuild her kingdom, of course—two kingdoms, in fact: as Campaign Boss for the reelection of American President Malory Beckham Hinton, and as owner of the London Knights world-champion baseball franchise. Written as though by the old master himself, King Arthur’s Sister in Washington’s Court by Mark Twain as channeled by Kim Iverson Headlee offers laughs, love, and a candid look at American society, popular culture, politics, baseball… and the human heart. Mark Twain began work on A Connecticut Yankee in King Arthur's Court in 1879—the same year the Yankee Hank Morgan departed for his sojourn in sixth-century Britain. The first edition was published in 1889 and features more than 200 illustrations by the man who later would become founder of the Boy Scouts of America, Daniel Carter Beard. These illustrations are now in the public domain, and a handful have been incorporated into King Arthur's Sister in Washington's Court as an artistic homage to this classic edition of the first time travel story in all literature.

In American fiction, two forms of the Arthurian myth are commonly found: the use of the myth for political reasons, and the use of the myth for the continuation of an aesthetic tradition that can be traced back to the earliest use of the Arthurian cycle by writers in the British Isles. This work traces the use of the legend from Mark Twain's A Connecticut Yankee in King Arthur's Court to Donald Barthelme's novel The King. It discusses how Twain used the myth to take a stand against England, how it served cultural and aesthetic purposes in John Steinbeck's writing, how Raymond Chandler used it in complex texts with less obvious Arthurian allusions that carried strong cultural and even political associations, how John Gardner used aspects of the myth to embellish already existing narrative structures and to underscore philosophic debates, and how Donald Barthelme suggests the continuing interest of American writers in the Arthurian legend today in his novels. Also discussed is the effect of World War II on American literature and the Arthurian myth and the Camelot image surrounding the Kennedys.